100% hand painted, 100% cotton canvas, 100% money back if not satisfaction.
Francisco de Zurbaran
1598-1664
Spanish Francisco de Zurbaran Galleries
Spanish baroque painter, active mainly at Llerena, Madrid, and Seville. He worked mostly for ecclesiastical patrons. His early paintings, including Crucifixion (1627; Art Inst., Chicago), St. Michael (Metropolitan Mus.), and St. Francis (City Art Museum, St. Louis), often suggest the austere simplicity of wooden sculpture. The figures, placed close to the picture surface, are strongly modeled in dramatic light against dark backgrounds, indicating the influence of Caravaggio. They were clearly painted as altarpieces or devotional objects. In the 1630s the realistic style seen in his famous Apotheosis of St. Thomas Aquinas (1631; Seville) yields to a more mystical expression in works such as the Adoration of the Shepherds (1638; Grenoble); in this decade he was influenced by Ribera figural types and rapid brushwork. While in Seville, Zurbur??n was clearly influenced by Velazquez. After c.1640 the simple power of Zurbaran work lessened as Murillo influence on his painting increased (e.g., Virgin and Child with St. John, Fine Arts Gall., San Diego, Calif.). There are works by Zurbar??n in the Hispanic Society of America, New York City; the National Gallery, Washington, D.C.; and the Philadelphia Museum of Art..
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
Francisco de Zurbaran St Apollonia (mk05)
new6/Francisco de Zurbaran-792637.jpg Canvas,53 x 26 1/2''(134 x 67 cm)Acquired in 1867 from the heirs of Marshal Soult
Francisco de Zurbaran The Lying-in-State of St Bonaventure (mk05)
new6/Francisco de Zurbaran-378594.jpg Canvas,96 1/2 x 94 1/2''(245 x 240 cm)Acquired in 1858 from the heirs of Marshal Soult
Francisco de Zurbaran The Death of St Bonaventura (mk08)
new6/Francisco de Zurbaran-474448.jpg 1629
Oil on canvas,
245x220cm
Paris,Musee National du Louvre
Francisco de Zurbaran St Hugo of Grenoble in the Carthusian Refectory (mk08)
new6/Francisco de Zurbaran-797396.jpg c.1633
Oil on canvas.
102x168cm
Sevilla,Museo de Beallad Artes
Francisco de Zurbaran The Ecstacy of St Francis (mk08)
new6/Francisco de Zurbaran-469594.jpg c.1660
Oil on canvas,
65x53com
Munich,Bayerische Staatsgemalde-sammlungen,
Alte Pinakothek
Francisco de Zurbaran Still Life with Lemons,Oranges and Rose (mk08)
new6/Francisco de Zurbaran-724857.jpg 1633
Oil on canvas,
60x107cm
Pasadena,Norton Simon Museum of Art
Francisco de Zurbaran Saint Francis of Assisi (nn03)
new8/Francisco de Zurbaran-448757.jpg c 1650/60 Oil on canvas 209 x 110 cm
82 x 43 in Museu Nacional d'Art de Catalunya Barcelona
Francisco de Zurbaran Appearance of Saint Peter to Saint Peter of Nolasco
new4/Francisco de Zurbaran-832625.jpg mk68
Oil on canvas
Madrid,Prado
1629
Spain
1598-1664
Spanish Francisco de Zurbaran Galleries
Spanish baroque painter, active mainly at Llerena, Madrid, and Seville. He worked mostly for ecclesiastical patrons. His early paintings, including Crucifixion (1627; Art Inst., Chicago), St. Michael (Metropolitan Mus.), and St. Francis (City Art Museum, St. Louis), often suggest the austere simplicity of wooden sculpture. The figures, placed close to the picture surface, are strongly modeled in dramatic light against dark backgrounds, indicating the influence of Caravaggio. They were clearly painted as altarpieces or devotional objects. In the 1630s the realistic style seen in his famous Apotheosis of St. Thomas Aquinas (1631; Seville) yields to a more mystical expression in works such as the Adoration of the Shepherds (1638; Grenoble); in this decade he was influenced by Ribera figural types and rapid brushwork. While in Seville, Zurbur??n was clearly influenced by Velazquez. After c.1640 the simple power of Zurbaran work lessened as Murillo influence on his painting increased (e.g., Virgin and Child with St. John, Fine Arts Gall., San Diego, Calif.). There are works by Zurbar??n in the Hispanic Society of America, New York City; the National Gallery, Washington, D.C.; and the Philadelphia Museum of Art..
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