100% hand painted, 100% cotton canvas, 100% money back if not satisfaction.
Francisco de Zurbaran
1598-1664
Spanish Francisco de Zurbaran Galleries
Spanish baroque painter, active mainly at Llerena, Madrid, and Seville. He worked mostly for ecclesiastical patrons. His early paintings, including Crucifixion (1627; Art Inst., Chicago), St. Michael (Metropolitan Mus.), and St. Francis (City Art Museum, St. Louis), often suggest the austere simplicity of wooden sculpture. The figures, placed close to the picture surface, are strongly modeled in dramatic light against dark backgrounds, indicating the influence of Caravaggio. They were clearly painted as altarpieces or devotional objects. In the 1630s the realistic style seen in his famous Apotheosis of St. Thomas Aquinas (1631; Seville) yields to a more mystical expression in works such as the Adoration of the Shepherds (1638; Grenoble); in this decade he was influenced by Ribera figural types and rapid brushwork. While in Seville, Zurbur??n was clearly influenced by Velazquez. After c.1640 the simple power of Zurbaran work lessened as Murillo influence on his painting increased (e.g., Virgin and Child with St. John, Fine Arts Gall., San Diego, Calif.). There are works by Zurbar??n in the Hispanic Society of America, New York City; the National Gallery, Washington, D.C.; and the Philadelphia Museum of Art..
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
Francisco de Zurbaran Vision des Alonso Rodriguez
new25/Francisco de Zurbaran-686995.jpg Date 1630(1630)
Medium Oil on canvas
Dimensions 266 x 167 cm
cjr
Francisco de Zurbaran Plato con limones cesta con naranjas y taza con una rosa
new25/Francisco de Zurbaran-776975.jpg 1633(1633)
Medium Oil on canvas
Dimensions Deutsch: 60 x 107 cm
cyf
Francisco de Zurbaran Saint Luke as a painter, before Christ on the Cross
new25/Francisco de Zurbaran-977947.jpg 1635-1640
Medium Oil on canvas
Dimensions Deutsch: 105 x 84 cm
cjr
Francisco de Zurbaran Versuchung des Fra Diego de Orgaz
new25/Francisco de Zurbaran-799886.jpg c. 1639
Medium Oil on canvas
Dimensions Deutsch: 290 x 222 cm
cjr
Francisco de Zurbaran Portrat des Fra Gonzalo de Illescas
new25/Francisco de Zurbaran-893355.jpg 1639(1639)
Medium oil on canvas
Dimensions Deutsch: 290 x 222 cm
cjr
Francisco de Zurbaran Unbefleckte Empfangnis
new25/Francisco de Zurbaran-979899.jpg 1630(1630)
Medium oil on canvas
Dimensions Deutsch: 174 x 138 cm
cjr
Francisco de Zurbaran Hl. Romanus und Hl. Barulas von Antiochien
new25/Francisco de Zurbaran-768793.jpg 1638(1638)
Medium oil on canvas
Dimensions Deutsch: 246 x 185 cm
cjr
Francisco de Zurbaran Kontemplation des Jesusknaben uber die Dornenkrone
new25/Francisco de Zurbaran-869998.jpg 1630(1630)
Medium oil on canvas
Dimensions 165 X 230 cm
cyf
Francisco de Zurbaran Der Hl. Bonaventura empfangt die Gesandten des Kaisers
new25/Francisco de Zurbaran-866556.jpg c. 1640-1650
Medium oil on canvas
cjr
Francisco de Zurbaran Detail from Saint Luke as a Painter before Christ on the Cross. Widely believed to be a self-portrait
new25/Francisco de Zurbaran-359373.jpg 1635-1640
Medium oil on canvas
Dimensions Deutsch: 105 X 84 cm
cjr
1598-1664
Spanish Francisco de Zurbaran Galleries
Spanish baroque painter, active mainly at Llerena, Madrid, and Seville. He worked mostly for ecclesiastical patrons. His early paintings, including Crucifixion (1627; Art Inst., Chicago), St. Michael (Metropolitan Mus.), and St. Francis (City Art Museum, St. Louis), often suggest the austere simplicity of wooden sculpture. The figures, placed close to the picture surface, are strongly modeled in dramatic light against dark backgrounds, indicating the influence of Caravaggio. They were clearly painted as altarpieces or devotional objects. In the 1630s the realistic style seen in his famous Apotheosis of St. Thomas Aquinas (1631; Seville) yields to a more mystical expression in works such as the Adoration of the Shepherds (1638; Grenoble); in this decade he was influenced by Ribera figural types and rapid brushwork. While in Seville, Zurbur??n was clearly influenced by Velazquez. After c.1640 the simple power of Zurbaran work lessened as Murillo influence on his painting increased (e.g., Virgin and Child with St. John, Fine Arts Gall., San Diego, Calif.). There are works by Zurbar??n in the Hispanic Society of America, New York City; the National Gallery, Washington, D.C.; and the Philadelphia Museum of Art..
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