100% hand painted, 100% cotton canvas, 100% money back if not satisfaction.
Gerard David
b.c. 1460, Oudewater, Neth.
d.Aug. 13, 1523, Bruges
Flemish Gerard David Locations
Netherlandish painter. He is known as the last of the Flemish Primitives. Although born in the northern Netherlands, he moved to Bruges as a young man, and most of his work expresses the impassive, unmannered, microscopically realistic approach peculiar to south Netherlandish art in the time of Jan van Eyck. David was skilled at synthesizing the art of several important south Netherlandish predecessors, adapting, for instance, the compositions of van Eyck and the technique of Hugo van der Goes. He was also influenced by Hans Memling, whose example led him to refine and polish his cruder northern Netherlandish style and to adopt the popular theme of the Virgin and Child enthroned.
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
Gerard David The Virgin and child between angel musicians (mk05)
new5/Gerard David-562456.jpg Wood central panel 38 1/4 x 28 1/4''(97 x 72 cm)
wings 36 x 12''(91 x 30 cm)Acquired in 1890
Gerard David God the Father Blessing (mk05)
new5/Gerard David-839338.jpg Wood 18 x 34 1/2''(46 x 88 cm)Semi-circular apex of an altarpiece painted in 1506 for the Abbey Church of La Cervara in Liguria acquired in 1919
Gerard David The Marriage at Cana (mk05)
new5/Gerard David-996726.jpg Wood 39 1/4 x 50 1/2''(100 x 128 cm)From the collection of Louis XIV acquired before 1683
b.c. 1460, Oudewater, Neth.
d.Aug. 13, 1523, Bruges
Flemish Gerard David Locations
Netherlandish painter. He is known as the last of the Flemish Primitives. Although born in the northern Netherlands, he moved to Bruges as a young man, and most of his work expresses the impassive, unmannered, microscopically realistic approach peculiar to south Netherlandish art in the time of Jan van Eyck. David was skilled at synthesizing the art of several important south Netherlandish predecessors, adapting, for instance, the compositions of van Eyck and the technique of Hugo van der Goes. He was also influenced by Hans Memling, whose example led him to refine and polish his cruder northern Netherlandish style and to adopt the popular theme of the Virgin and Child enthroned.
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