100% hand painted, 100% cotton canvas, 100% money back if not satisfaction.
Francisco de Zurbaran
1598-1664
Spanish Francisco de Zurbaran Galleries
Spanish baroque painter, active mainly at Llerena, Madrid, and Seville. He worked mostly for ecclesiastical patrons. His early paintings, including Crucifixion (1627; Art Inst., Chicago), St. Michael (Metropolitan Mus.), and St. Francis (City Art Museum, St. Louis), often suggest the austere simplicity of wooden sculpture. The figures, placed close to the picture surface, are strongly modeled in dramatic light against dark backgrounds, indicating the influence of Caravaggio. They were clearly painted as altarpieces or devotional objects. In the 1630s the realistic style seen in his famous Apotheosis of St. Thomas Aquinas (1631; Seville) yields to a more mystical expression in works such as the Adoration of the Shepherds (1638; Grenoble); in this decade he was influenced by Ribera figural types and rapid brushwork. While in Seville, Zurbur??n was clearly influenced by Velazquez. After c.1640 the simple power of Zurbaran work lessened as Murillo influence on his painting increased (e.g., Virgin and Child with St. John, Fine Arts Gall., San Diego, Calif.). There are works by Zurbar??n in the Hispanic Society of America, New York City; the National Gallery, Washington, D.C.; and the Philadelphia Museum of Art..
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
Francisco de Zurbaran The Death of St Bonaventura
new9/Francisco de Zurbaran-673238.jpg mk86
1629
Oil on canva
245x220cm
Paris,Musee National du Louvre
Francisco de Zurbaran St Hugo of Grenoble in the Carthusian Refectory
new9/Francisco de Zurbaran-592465.jpg mk86
c.1633
Oil on canvas
102x168cm
Sevilla,Museo de Bellas Artes
Francisco de Zurbaran The Ecstacy of St Francis
new9/Francisco de Zurbaran-776949.jpg mk86
c.1660
Oil on canvas
65x53cm
Munich,Bayerische Staatsgemalde-sammlungen,Alte Pinakothek
Francisco de Zurbaran The Immaculate one Concepcion
new16/Francisco de Zurbaran-925455.jpg mk166
17th Century Painting al I wave Museum of the Art
Catalan Barcelona
Francisco de Zurbaran still life with lemons,oranges and a rose
new20/Francisco de Zurbaran-572528.jpg mk247
1633,oil on canvas,24.5x43.125 in,62.2x109.5 cm,norton simon museum,pasadena,ca,usa
Francisco de Zurbaran Probable self portrait of Francisco Zurbaran as Saint Luke,
new21/Francisco de Zurbaran-525376.jpg Probable self-portrait of Francisco Zurbaran as Saint Luke, c. 1635?C1640.
1598-1664
Spanish Francisco de Zurbaran Galleries
Spanish baroque painter, active mainly at Llerena, Madrid, and Seville. He worked mostly for ecclesiastical patrons. His early paintings, including Crucifixion (1627; Art Inst., Chicago), St. Michael (Metropolitan Mus.), and St. Francis (City Art Museum, St. Louis), often suggest the austere simplicity of wooden sculpture. The figures, placed close to the picture surface, are strongly modeled in dramatic light against dark backgrounds, indicating the influence of Caravaggio. They were clearly painted as altarpieces or devotional objects. In the 1630s the realistic style seen in his famous Apotheosis of St. Thomas Aquinas (1631; Seville) yields to a more mystical expression in works such as the Adoration of the Shepherds (1638; Grenoble); in this decade he was influenced by Ribera figural types and rapid brushwork. While in Seville, Zurbur??n was clearly influenced by Velazquez. After c.1640 the simple power of Zurbaran work lessened as Murillo influence on his painting increased (e.g., Virgin and Child with St. John, Fine Arts Gall., San Diego, Calif.). There are works by Zurbar??n in the Hispanic Society of America, New York City; the National Gallery, Washington, D.C.; and the Philadelphia Museum of Art..
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