100% hand painted, 100% cotton canvas, 100% money back if not satisfaction.
Francisco de Zurbaran
1598-1664
Spanish Francisco de Zurbaran Galleries
Spanish baroque painter, active mainly at Llerena, Madrid, and Seville. He worked mostly for ecclesiastical patrons. His early paintings, including Crucifixion (1627; Art Inst., Chicago), St. Michael (Metropolitan Mus.), and St. Francis (City Art Museum, St. Louis), often suggest the austere simplicity of wooden sculpture. The figures, placed close to the picture surface, are strongly modeled in dramatic light against dark backgrounds, indicating the influence of Caravaggio. They were clearly painted as altarpieces or devotional objects. In the 1630s the realistic style seen in his famous Apotheosis of St. Thomas Aquinas (1631; Seville) yields to a more mystical expression in works such as the Adoration of the Shepherds (1638; Grenoble); in this decade he was influenced by Ribera figural types and rapid brushwork. While in Seville, Zurbur??n was clearly influenced by Velazquez. After c.1640 the simple power of Zurbaran work lessened as Murillo influence on his painting increased (e.g., Virgin and Child with St. John, Fine Arts Gall., San Diego, Calif.). There are works by Zurbar??n in the Hispanic Society of America, New York City; the National Gallery, Washington, D.C.; and the Philadelphia Museum of Art..
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
Francisco de Zurbaran Santa Dorotea
new23/Francisco de Zurbaran-768745.jpg Santa Dorotea con un cesto de manzanas y rosas, ??leo sobre lienzo, 180,2 x 101,5 cm O/L. inscripci??n: S. DOrOTEA,
Francisco de Zurbaran Betende Jungfrau Maria
new23/Francisco de Zurbaran-999494.jpg Medium Oil on canvas
Dimensions Expression error: Missing operand for *117 ?? 94 cm
Francisco de Zurbaran Saint Agnes
new23/Francisco de Zurbaran-796848.jpg Date from 1635(1635) until 1642(1642)
Medium Oil on canvas
Dimensions 97 x 74 cm
Francisco de Zurbaran Meditierender Hl. Franziskus mit Totenschadel
new23/Francisco de Zurbaran-958687.jpg c. 1658
Oil on canvas
64 x 53 cm (25.2 x 20.87 in)
Francisco de Zurbaran St. Louis Bertrand.
new23/Francisco de Zurbaran-878438.jpg St. Louis Bertrand. Spanish Baroque Oil painting over canvas 209 x 154 cm.
Francisco de Zurbaran Franziskus
new24/Francisco de Zurbaran-387869.jpg Deutsch: um 1645
English: c. 1645
Medium Oil on canvas
Dimensions 197 X 106 cm (77.56 X 41.73 in)
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Francisco de Zurbaran Retrato del doctor Juan Martinez Serrano
new24/Francisco de Zurbaran-574846.jpg Retrato del doctor Juan Martxnez Serrano. Óleo sobre lienzo, 193 x 107 cm.
Date b. 1664
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Francisco de Zurbaran Saint Margaret, dressed as a shepherdess.
new24/Francisco de Zurbaran-676779.jpg Oil on canvass
Dimensions Deutsch: 194 x 112 cm
c. 1631
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Francisco de Zurbaran Saint Engracia
new24/Francisco de Zurbaran-985398.jpg Saint Engracia, Francisco de Zurbaran, 1650. Oil on canvas. Bought in 1893.
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Francisco de Zurbaran Saint Ursula
new24/Francisco de Zurbaran-385443.jpg Saint Ursula, Francisco de Zurbaran, 1650. Oil on canvas. Bought in 1893.
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Francisco de Zurbaran Teller mit Zitronen, Korb mit Orangen und Tasse mit Rose
new24/Francisco de Zurbaran-699595.jpg Date 1633(1633)
Medium Oil on canvas
Dimensions Deutsch: 60 x 107 cm
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Francisco de Zurbaran Hochaltar des Kartauserkloster Nuestra Senora de la Defension in Jerez de la Frontera, Szene: Hl. Lorenzo
new25/Francisco de Zurbaran-755865.jpg c. 1638
Medium Oil on canvas
Dimensions Deutsch: 60 x 79 cm
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Francisco de Zurbaran Retrato del doctor Juan Martenez Serrano
new25/Francisco de Zurbaran-868743.jpg 1631-40
Medium Oil on canvas
Dimensions 193 x 107 cm (76 x 42.1 in)
cyf
Francisco de Zurbaran Christus am Kreuz
new25/Francisco de Zurbaran-585855.jpg Date 1627(1627)
Medium Oil on canvas
Dimensions Deutsch: 290 x 168 cm
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Francisco de Zurbaran Apotheose des Hl. Thomas von Aquin
new25/Francisco de Zurbaran-655394.jpg Date 1631(1631)
Medium Oil on canvas
Dimensions Deutsch: 475 x 375 cm
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1598-1664
Spanish Francisco de Zurbaran Galleries
Spanish baroque painter, active mainly at Llerena, Madrid, and Seville. He worked mostly for ecclesiastical patrons. His early paintings, including Crucifixion (1627; Art Inst., Chicago), St. Michael (Metropolitan Mus.), and St. Francis (City Art Museum, St. Louis), often suggest the austere simplicity of wooden sculpture. The figures, placed close to the picture surface, are strongly modeled in dramatic light against dark backgrounds, indicating the influence of Caravaggio. They were clearly painted as altarpieces or devotional objects. In the 1630s the realistic style seen in his famous Apotheosis of St. Thomas Aquinas (1631; Seville) yields to a more mystical expression in works such as the Adoration of the Shepherds (1638; Grenoble); in this decade he was influenced by Ribera figural types and rapid brushwork. While in Seville, Zurbur??n was clearly influenced by Velazquez. After c.1640 the simple power of Zurbaran work lessened as Murillo influence on his painting increased (e.g., Virgin and Child with St. John, Fine Arts Gall., San Diego, Calif.). There are works by Zurbar??n in the Hispanic Society of America, New York City; the National Gallery, Washington, D.C.; and the Philadelphia Museum of Art..
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