100% hand painted, 100% cotton canvas, 100% money back if not satisfaction.
Sandro Botticelli
Italian Early Renaissance Painter, 1445-1510
Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
Sandro Botticelli workshop picture out of the series the story of the Anastasius degli Onesti
new17/Sandro Botticelli-946395.jpg mk186
around 1483 Madrids, Museo del Prado
Sandro Botticelli Venus and the Three Graces Presenting Gifts to a Young Woman
new19/Sandro Botticelli-749848.jpg c. 1484 Fresco transferred to canvas, 211 x 284 cm
Sandro Botticelli A Young Man Being Introduced to the Seven Liberal Arts
new19/Sandro Botticelli-898734.jpg c. 1484 Fresco transferred to canvas, 238 x 284 cm
Sandro Botticelli birth of venus
new20/Sandro Botticelli-624526.jpg mk247
1482 to 86,tempera on canvas,68x109.5 in,172.5x278.5 cm,uffizi,florence,ltaly
Sandro Botticelli st.augustine in the cell
new20/Sandro Botticelli-265936.jpg mk247
1490 to 94,tempera on panel,16x10.5 in,41x27 cm ,uffizi,florence,ltaly
Sandro Botticelli The Birth of Venus
new20/Sandro Botticelli-839535.jpg mk250 about the year 1482. Cloth color eggs. About 172.7 x 276.9 cm. Uffizi in Florence.
Sandro Botticelli Portrait of youth
new20/Sandro Botticelli-936596.jpg mk250 Year 80 in the early 15th century. Wood color eggs, 40.6 x 30.5 cm Washington National Gallery.
Sandro Botticelli Portrait Cosimo old gentleman
new20/Sandro Botticelli-973233.jpg the mk261 Florence, the Ukrainian Fiji art museum in 1890 numbered 1488.
Sandro Botticelli Our Lady of the Annunciation
new20/Sandro Botticelli-676628.jpg mk261 Florence, the Ukrainian Fiji art museum, the warehouse numbers 201.
Sandro Botticelli pallade e il centauro
new20/Sandro Botticelli-796386.jpg mk261 firenze 1482 ca tempera su tela
cm 207 x148 firenze, galleria degli, inv depositi n 29
Italian Early Renaissance Painter, 1445-1510
Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s
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