100% hand painted, 100% cotton canvas, 100% money back if not satisfaction.
Sandro Botticelli
Italian Early Renaissance Painter, 1445-1510
Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
Sandro Botticelli Benozzo Gozzoli,Cavalcade of the Magi
new2/Sandro Botticelli-246989.jpg 1459
detail of the young mago(Lorenzo the Magnificent?) Florence,Palazzo Medici Riccardi (mk57)
Sandro Botticelli Young man in a yellow mantle (self-portrait of Botticelli)
new2/Sandro Botticelli-526724.jpg detail of the Adoration of the Magi (mk57)
Sandro Botticelli Fra Angelico,Ordination of St Lawrence
new2/Sandro Botticelli-937836.jpg 1448 Vatican city,Palazzi Vaticani,Cappella Niccolina. (mk57)
Sandro Botticelli Cosimo Rosselli and Assistants,Moses receiving the Tablets of the Law and Worship of the Golden Calf
new2/Sandro Botticelli-634883.jpg 1481 Vatican city,sistine chapel. (mk57)
Sandro Botticelli Trials of Christ
new2/Sandro Botticelli-472536.jpg 1481--1482
detail of young man weraring a mantle decorated with oak leaves,symbol of the della Rovere family (mk57)
Sandro Botticelli Trials of Christ
new2/Sandro Botticelli-686787.jpg 1481--1482
datail of girl carrying firewood and putto with basket of grapes.vatican city,sistine Chapel.(mk57)
Sandro Botticelli Domenico Ghirlandaio,The Calling of the first Apostles,Peter and Andrew
new2/Sandro Botticelli-298963.jpg 1481
Vatican city,sistine chapel (mk57)
Sandro Botticelli Madonna and child with eight Angels or Raczinskj Tondo
new2/Sandro Botticelli-986997.jpg 1482-1483
Berlin,Staatliche Museen,Gemaldegalerie. (mk57)
Sandro Botticelli Domenico Ghirlandaio and Assistants,The Roman heroes Decius Mure,Scipio and Cicero
new2/Sandro Botticelli-259464.jpg c 1482 Florence,Palazzo della Signoria,Sala dei Gigli.
Italian Early Renaissance Painter, 1445-1510
Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s
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