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Xiamen Oil Paintings, Wholesale Direct!
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100% hand painted, 100% cotton canvas, 100% money back if not satisfaction. |
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Jan Dirksz BothDutch
1610-1652
Jan Dirksz Both (between 1610 and 1618, Utrecht - Aug 9 1652, Utrecht), brother of Andries Both, was a Dutch painter.
From 1634 to 1637 he was taught by Bloemaert and the painter Gerard van Honthorst before travelling to Rome ca. 1637. There he met the French painter Claude Lorrain, with whom he collaborated on a series of landscape paintings. His landscapes are typically peopled by peasants driving cattle or travellers gazing on Roman ruins in the light of the evening sun The everyday life of the streets of Rome became a favourite theme in his works. On his return to Utrecht after the death of his brother in 1642, he stopped producing genre pieces and focused instead on pictures of Italian landscapes bathed in a warm, golden light. This theme was adopted by several other Dutch painters, the Italianites.
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100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
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Jan Dirksz Both
Italian Landscape with Draughtsman
Jan Dirksz Both1.jpg
1650 Rijksmuseum, Amsterdam
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Jan Dirksz Both
Still Life with Fruit
Jan Dirksz Both2.jpg
1652
Nardoni Galerie, Prague
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Jan Dirksz Both
Visitatie
new16/Jan Dirksz Both-922763.jpg
MK169
ca.1445-50 Panel 80x56cm Prado Madrid
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Jan Dirksz Both
lovers
new20/Jan Dirksz Both-587493.jpg
mk1860,watercolor on paper,sangram singh collection,city palace,jaipur,lndia
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Jan Dirksz Both
Dutch
1610-1652
Jan Dirksz Both (between 1610 and 1618, Utrecht - Aug 9 1652, Utrecht), brother of Andries Both, was a Dutch painter.
From 1634 to 1637 he was taught by Bloemaert and the painter Gerard van Honthorst before travelling to Rome ca. 1637. There he met the French painter Claude Lorrain, with whom he collaborated on a series of landscape paintings. His landscapes are typically peopled by peasants driving cattle or travellers gazing on Roman ruins in the light of the evening sun The everyday life of the streets of Rome became a favourite theme in his works. On his return to Utrecht after the death of his brother in 1642, he stopped producing genre pieces and focused instead on pictures of Italian landscapes bathed in a warm, golden light. This theme was adopted by several other Dutch painters, the Italianites.
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