100% hand painted, 100% cotton canvas, 100% money back if not satisfaction.
Sandro Botticelli
Italian Early Renaissance Painter, 1445-1510
Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
Sandro Botticelli St Barnabas Altarpiece
new2/Sandro Botticelli-593483.jpg c 1487
detail of the Madonna enthroned with st Barnabas.Florence,Galleria degli Uffizi (mk57)
Sandro Botticelli Madonna and child with six Angels or Madonna of the Pomegranate
new2/Sandro Botticelli-854793.jpg 1487
Florence,Galleria degli Uffizi (mk57)
Sandro Botticelli Coronation of the Virgin,with Sts john the Evangelist,Augustine,Jerome and Eligius or San Marco Altarpiece
new2/Sandro Botticelli-834568.jpg 1488-1490
Florence,Galleria degli Uffizi (mk57)
Sandro Botticelli Trinity with Mary Magdalene,St john the Baptist,Tobias and the Angel
new2/Sandro Botticelli-883554.jpg 1490--1495
detail with Tobias and the angel London,Courtauld Institute (mk57)
Sandro Botticelli Trinity with Mary Magdalene,St John the Baptist,Tobias and the Angel
new2/Sandro Botticelli-377324.jpg 1490-1485
London,Courtauld Institute (mk57)
Sandro Botticelli Madonna and Child with three Angels or Madonna of the Pavilion
new2/Sandro Botticelli-642495.jpg c 1493
Milan,Pinacoteca Ambrosiana (mk57)
Sandro Botticelli Madonna and child with the Young St John or Madonna of the Rose Garden
new2/Sandro Botticelli-278797.jpg c 1495
Florence,Pitti,Galleria Palatina (mk57)
Sandro Botticelli Calumny
new2/Sandro Botticelli-275935.jpg c 1494
detail of Remorse ,Portrayed as an old woman Dressed in black,and of the nude Truth Florence,Galleria degli Uffizi (mk57)
Sandro Botticelli Calumny
new2/Sandro Botticelli-756284.jpg c 1494
detail of the slandered man dragged by the hair by calumny.Florence,Galleria degli Uffizi (mk57)
Sandro Botticelli Calumny
new2/Sandro Botticelli-389652.jpg c 1494
detail of king Midas seated on his throne,surrounded by Suspicion and lgnorance.Florence,Galleria degli Uffizi. (mk57)
Sandro Botticelli Transfiguration,with St Jerome(at left) and St Augustine(at right)
new2/Sandro Botticelli-966757.jpg c 1500
Rome,Galleria Pallavicini (mk57)
Sandro Botticelli Crucifixion with the Penitent Magdalene and an Angel
new2/Sandro Botticelli-845833.jpg 1498-1500
Cambridge(MA),Fogg Art Museum (mk57)
Italian Early Renaissance Painter, 1445-1510
Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s
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