100% hand painted, 100% cotton canvas, 100% money back if not satisfaction.
Sandro Botticelli
Italian Early Renaissance Painter, 1445-1510
Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
Sandro Botticelli The violent opposing Divine odrder in the fiery sands (mk36)
new8/Sandro Botticelli-648382.jpg Punishment of the sodomites,Conversation with Brunetto Latini Vatican City,Biblioteca Apostolica Vaticana,Reginense lat
1896,cm99r.
Sandro Botticelli Cosimo Rosselli and Assistants,Moses receiving the Tablets of the Law and Worship of the Golden Calf (mk36)
new8/Sandro Botticelli-439828.jpg 1481
Vatican City,Sistine Chapel
Sandro Botticelli Trals of Christ (mk36)
new8/Sandro Botticelli-764349.jpg details of young man wearing a mantle decorated with oak leaves,symbol of the Della Rovere family.
Sandro Botticelli Trials of Christ (mk36)
new8/Sandro Botticelli-594327.jpg Details of girl carring firewood and putto with basket of grapes,Vatican City,Sistine Chapel
Sandro Botticelli Madonna and Child with eight Angels or Raczinskj Tondo (mk36)
new8/Sandro Botticelli-722632.jpg 1482-1483
Berlin,Staatliche Museen,
Gemaldegalerie
Sandro Botticelli Domenico Ghirlandaio and Assistants,The Roman heroes Decius Mure,Scipio and Cicero (mk36)
new8/Sandro Botticelli-672759.jpg c.1482
Forence,Palazzo della Signoria,Sala dei Gigli
Sandro Botticelli Novella di Nastagio degli onesti (mk36)
new8/Sandro Botticelli-632773.jpg Vision of Nastagio in the forest (1483)
Madrid,Prado museum
Sandro Botticelli Novella di Nastagio degli onesti (mk36)
new8/Sandro Botticelli-846953.jpg Nastagio flees horrified in the forest 1483
Madrid,Prado Museum
Sandro Botticelli Novella di Nastogio degli Onesti (mk36)
new8/Sandro Botticelli-925746.jpg Vision of Nastagio in the forest (1483)
Detail of the ferocious Guido degli Anastagi Madrid,Prado Museum.
Sandro Botticelli Novella di Nastagio degli Onesti (mk36)
new8/Sandro Botticelli-655743.jpg Banquet held by Nastagio and return of the vision 1483
Madrid Prado Museum
Italian Early Renaissance Painter, 1445-1510
Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s
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