100% hand painted, 100% cotton canvas, 100% money back if not satisfaction.
Sandro Botticelli
Italian Early Renaissance Painter, 1445-1510
Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
Sandro Botticelli Holy Trinity with Mary Magdalene St. John the Baptist and Tobias and the Angel
Sandro Botticelli36.jpg 1491-1493.
Courtauld Institute
Galleries,London,UK
Sandro Botticelli Madonna and Child and the young St. John the Baptist
Sandro Botticelli40.jpg c.1490-1495.
Tempera on canvas
Palazzo Pitti, Galleria
Palatina,Florence
Sandro Botticelli The Virgin and Child The Virgin and Child The Virgin and Child with John the Baptist
Sandro Botticelli42.jpg Tempera on panel
Louvre,Paris,France
Sandro Botticelli A Young Woman Receives Gifts from Venus and the Three Graces (mk05)
new5/Sandro Botticelli-633485.jpg Fresco 83 x 111 1/2''(211 x 283 cm)From the Villa Lemmi(Chiasso Macerelli,near Florence),which may have belonged to the Tornabuoni family acquired by the Louvre in 1882
Sandro Botticelli The Virgin and child with John the Baptist (mk05)
new5/Sandro Botticelli-385642.jpg Wood 36 x 26 1/2''(91 x 67 cm)Entered the Louvre in 1824
Sandro Botticelli Madonna del Magnificat (mk08)
new6/Sandro Botticelli-922233.jpg c.1481/82
Tempera on wood,diameter
115cm
Florence,Galleria degli Uffizi
Sandro Botticelli Spring (nn03)
new8/Sandro Botticelli-526758.jpg c 1470/80 Tempera on panel 175.5 x 278.5 cm 69 1/4 x 109 1/2 in
Galleria degli Uffizi Florence
Sandro Botticelli Lorenzo Ghiberti,Sacrifice of Isaac (mk36)
new8/Sandro Botticelli-576669.jpg 1402
fomella for the Competition for the Northern Door the Florentine Baptisery.Florentine Museo Nazionale del Bargello
Sandro Botticelli Filippo Lippi.Madonna with Child and Angels or Uffizi Madonna (mk36)
new8/Sandro Botticelli-239249.jpg 1464-1465
Florence,Galleria degli Uffizi
Sandro Botticelli Madonna of the Rose Garden or Madonna and Child with St john the Baptist (mk36)
new8/Sandro Botticelli-287494.jpg c.1468
details..paris.Musee du Louvre
Italian Early Renaissance Painter, 1445-1510
Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s
Wholesale China Oil Painting Wholesale Oil Painting China Xiamen Portrait Reproduction Chinese Oil Painting Wholesale USA Oil Painting