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REMBRANDT Harmenszoon van Rijn
Rembrandt and Saskia in the Scene of the Prodigal Son in the Tavern dh
new1/REMBRANDT Harmenszoon van Rijn53.jpg
c. 1635
Oil on canvas, 161 x 131 cm
Gemäldegalerie, Dresden
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REMBRANDT Harmenszoon van Rijn
Portrait of Saskia with a Flower
new1/REMBRANDT Harmenszoon van Rijn54.jpg
1641
Oil on wood, 98,5 x 82,5
Gemäldegalerie, Dresden
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REMBRANDT Harmenszoon van Rijn
Portrait of Hendrickje Stofells xgy
new1/REMBRANDT Harmenszoon van Rijn56.jpg
1659
Oil on canvas
National Gallery, London
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REMBRANDT Harmenszoon van Rijn
Saskia in Pompous Dress dfy
new1/REMBRANDT Harmenszoon van Rijn55.jpg
c. 1642
Oil on wood, 99,5 x 78,8 cm
Staatliche Museen, Kassel
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REMBRANDT Harmenszoon van Rijn
Titus Reading du
new1/REMBRANDT Harmenszoon van Rijn57.jpg
1656
Oil on canvas, 70,5 x 64 cm
Kunsthistorisches Museum, Vienna
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REMBRANDT Harmenszoon van Rijn
Deposition from the Cross fgu
new1/REMBRANDT Harmenszoon van Rijn15.jpg
1634
Oil on panel, 89,5 x 65 cm
Alte Pinakothek, Munich
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REMBRANDT Harmenszoon van Rijn
The Return of the Prodigal Son
new10/REMBRANDT Harmenszoon van Rijn-784999.jpg
mk93
c.1666/69
Oil on canvas
262x206cm
St.Petersburg.Hermitage
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REMBRANDT Harmenszoon van Rijn
Self-portrait saq
new1/REMBRANDT Harmenszoon van Rijn79.jpg
1640
Oil on canvas, 102 x 80 cm
National Gallery, London
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REMBRANDT Harmenszoon van Rijn
Susanna and the Elders (detail)
new1/REMBRANDT Harmenszoon van Rijn12.jpg
1647
Oil on canvas, 76 x 91 cm (full picture)
Staatliche Museen, Berlin
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REMBRANDT Harmenszoon van Rijn
The Archangel Leaving the Family of Tobias
new1/REMBRANDT Harmenszoon van Rijn13.jpg
1637
Oil on wood,2 66 x 52 cm
Mus??e du Louvre, Paris
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REMBRANDT Harmenszoon van Rijn
Christ and the Woman Taken in Adultery
new1/REMBRANDT Harmenszoon van Rijn14.jpg
1644
Oil on wood, 83,8 x 65,4 cm
National Gallery, London
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REMBRANDT Harmenszoon van Rijn
Descent from the Cross gh
new1/REMBRANDT Harmenszoon van Rijn16.jpg
1634
Oil on canvas, 158 x 117 cm
The Hermitage, St. Petersburg
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REMBRANDT Harmenszoon van Rijn
The Dream of St Joseph ds
new1/REMBRANDT Harmenszoon van Rijn17.jpg
1650-55
Oil on canvas, 105 x 83 cm
Museum of Fine Arts, Budapest
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REMBRANDT Harmenszoon van Rijn
Supper at Emmaus fu
new1/REMBRANDT Harmenszoon van Rijn18.jpg
1648
Oil on canvas, 42 x 60 cm
Mus??e du Louvre, Paris
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REMBRANDT Harmenszoon van Rijn
Holy Family
new1/REMBRANDT Harmenszoon van Rijn19.jpg
1640
Oil on wood, 41 x 34 cm
Mus??e du Louvre, Paris
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REMBRANDT Harmenszoon van Rijn
Jacob Blessing the Children of Joseph
new1/REMBRANDT Harmenszoon van Rijn20.jpg
1656
Oil on canvas, 175,5 x 210,5 cm
Staatliche Museen, Kassel
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REMBRANDT Harmenszoon van Rijn
The Raising of Lazarus
new1/REMBRANDT Harmenszoon van Rijn21.jpg
c. 1630
Oil on panel, 96.2 x 81.5 cm
Los Angeles County Museum of Art, Los Angeles
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REMBRANDT Harmenszoon van Rijn
Evangelist Matthew
new1/REMBRANDT Harmenszoon van Rijn22.jpg
1661
Oil on canvas, 96 x 81 cm
Mus??e du Louvre, Paris
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REMBRANDT Harmenszoon van Rijn
Apostle Paul
new1/REMBRANDT Harmenszoon van Rijn23.jpg
1635
Oil on canvas, 135 x 111 cm
Kunsthistorisches Museum, Vienna
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REMBRANDT Harmenszoon van Rijn
Peter Denouncing Christ
new1/REMBRANDT Harmenszoon van Rijn24.jpg
1660
Oil on canvas, 154 x 169 cm
Rijksmuseum, Amsterdam
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REMBRANDT Harmenszoon van Rijn
The Sacrifice of Abraham
new1/REMBRANDT Harmenszoon van Rijn25.jpg
1635
Oil on canvas, 193 x 133 cm
The Hermitage, St. Petersburg
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REMBRANDT Harmenszoon van Rijn
Belshazzar's Feast
new1/REMBRANDT Harmenszoon van Rijn26.jpg
1635
Oil on canvas, 168 x 209 cm
National Gallery, London
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REMBRANDT Harmenszoon van Rijn
David and Uriah
new1/REMBRANDT Harmenszoon van Rijn27.jpg
1665
Oil on canvas, 127 x 117 cm
The Hermitage, St. Petersburg
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REMBRANDT Harmenszoon van Rijn
David and Uriah (detail
new1/REMBRANDT Harmenszoon van Rijn28.jpg
1665
Oil on canvas
The Hermitage, St. Petersburg
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REMBRANDT Harmenszoon van Rijn
David and Uriah (detail
new1/REMBRANDT Harmenszoon van Rijn29.jpg
1665
Oil on canvas
The Hermitage, St. Petersburg
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REMBRANDT Harmenszoon van Rijn
Biblical Scene kjgh
new1/REMBRANDT Harmenszoon van Rijn30.jpg
1642
Oil on wood, 73 x 61,5 cm
The Hermitage, St. Petersburg
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REMBRANDT Harmenszoon van Rijn
The Holy Family (detail)
new1/REMBRANDT Harmenszoon van Rijn31.jpg
1645
Oil on canvas
The Hermitage, St. Petersburg
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REMBRANDT Harmenszoon van Rijn
The Holy Family x
new1/REMBRANDT Harmenszoon van Rijn32.jpg
1630s
Oil on canvas, 183 x 123 cm
Alte Pinakothek, Munich
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REMBRANDT Harmenszoon van Rijn
The Holy Family with a Curtain
new1/REMBRANDT Harmenszoon van Rijn33.jpg
1646
Oil on wood, 46,5 x 69 cm
Staatliche Museen, Kassel
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REMBRANDT Harmenszoon van Rijn
The Return of the Prodigal Son
new1/REMBRANDT Harmenszoon van Rijn34.jpg
c. 1669
Oil on canvas, 262 x 206 cm
The Hermitage, St. Petersburg
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REMBRANDT Harmenszoon van Rijn
Born 1606, Died 1669.One of the great Dutch painters and printmakers of the 17th century, Rembrandt van Rijn is best known for his expressive use of light and shadow (also called chiaroscuro) in his many portraits. Raised in Leiden, he studied with Pieter Lastman (1583-1633) in Amsterdam, then returned to Leiden around 1625 and set up shop as a teacher and portrait artist. Sometime between 1630 and 1632 Rembrandt relocated to Amsterdam, where he spent the rest of his career. Though he had his detractors (some of whom considered him coarse and "low born"), Rembrandt was successful and famous during his lifetime, though he fell on financial hard times in his later years. He was a master printer and produced hundreds of group portraits and historical paintings, including The Anatomy Lesson of Dr. Tulp (1632), The Military Company of Captain Frans Banning Cocq (1642) and Aristotle with a Bust of Homer (1653). His portraits -- including a lifelong trail of intriguing and rather frank self-portraits -- reveal his interest in psychological study and continue to be admired as landmarks in Western art. The Military Company of Captain Frans Banning Cocq is also known as "The Night Watch" because it was thought the painting depicted a nighttime scene. When the painting was cleaned in the 1940s it became obvious that it depicted a daytime scene... He married Saskia van Ulenburgh (also Uylenburgh) in 1634.
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