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REMBRANDT Harmenszoon van Rijn
portrait of Frederick Ribel on horseback (mk33)
new8/REMBRANDT Harmenszoon van Rijn-283349.jpg
London,
The National Gallery
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REMBRANDT Harmenszoon van Rijn
workshop (mk33)
new8/REMBRANDT Harmenszoon van Rijn-695523.jpg
Stuttagrt,Staatsgalerie
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REMBRANDT Harmenszoon van Rijn
Old man with gorget and black cap (mk33)
new8/REMBRANDT Harmenszoon van Rijn-335428.jpg
c,.1631
Chicago
The Art Institute of Chicago,
The lines indicate the original size of the panel
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REMBRANDT Harmenszoon van Rijn
Portrait of a man trimming his quill (mk33)
new8/REMBRANDT Harmenszoon van Rijn-223399.jpg
1632
Kassel,Schloss Whlhelmashohe
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REMBRANDT Harmenszoon van Rijn
Portrait of a young woman seated (mk33)
new8/REMBRANDT Harmenszoon van Rijn-266534.jpg
1632
Cavas,
92x71cm
sigen and dated Rhl
Vienna,Akadermie der Bildenden Kunste,Gemaldegalerie
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REMBRANDT Harmenszoon van Rijn
Portrait of a young woman seted, (mk330
new8/REMBRANDT Harmenszoon van Rijn-389432.jpg
Vienna,Akademie der bildenden Kunste
The Lines indicate the original size of the paiting
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REMBRANDT Harmenszoon van Rijn
Portrait of a woman with a fan (mk33)
new8/REMBRANDT Harmenszoon van Rijn-843756.jpg
1633
New York,The Metropolitan Museum of Art
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REMBRANDT Harmenszoon van Rijn
Lanscape (mk33)
new8/REMBRANDT Harmenszoon van Rijn-256397.jpg
1640
Paris,Louvre
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REMBRANDT Harmenszoon van Rijn
Tobit and Anna with the Kid (mk33)
new8/REMBRANDT Harmenszoon van Rijn-699758.jpg
1626
Amsterdam,Rijksmuseum
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REMBRANDT Harmenszoon van Rijn
David playing the Harp for aul (mk330
new8/REMBRANDT Harmenszoon van Rijn-493666.jpg
panel.Frankfurt
Stadelsches Kunstinstitut
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REMBRANDT Harmenszoon van Rijn
The Polish rider (mk33)
new8/REMBRANDT Harmenszoon van Rijn-638893.jpg
New York
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REMBRANDT Harmenszoon van Rijn
The Artiest in his Studio (mk33)
new8/REMBRANDT Harmenszoon van Rijn-648823.jpg
C.1629
panel
25x32cm
Boston,Museum of Fine Arts
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REMBRANDT Harmenszoon van Rijn
Self-portrait (mk33)
new8/REMBRANDT Harmenszoon van Rijn-433876.jpg
1629
Munich,
Alte Pinakothek
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REMBRANDT Harmenszoon van Rijn
Self-portrait (mk33)
new8/REMBRANDT Harmenszoon van Rijn-378724.jpg
c.1629
Panel,
37.9x28.9cm
The Hague,Royal Picture Gallery
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REMBRANDT Harmenszoon van Rijn
St paul at his Writing-Desk (mk33)
new8/REMBRANDT Harmenszoon van Rijn-643388.jpg
c.1629/30
Panel.
47.2x38.6cm
Germanisches Nationalmuseum
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REMBRANDT Harmenszoon van Rijn
An old woman at prayer (mk33)
new8/REMBRANDT Harmenszoon van Rijn-989453.jpg
c.1629/30
Copper
15.5x12.2cm
Signed R Salzburg,Salzburger Landessammlungen-Residenzgalerie,
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REMBRANDT Harmenszoon van Rijn
Bust of an old man in a fur cap (mk33)
new8/REMBRANDT Harmenszoon van Rijn-496938.jpg
1630
Panel
22.2x17.7cm
monogrammed and dated
RHL 1630
Innsbruck Tiroler Landesmuseum Ferdinan-deum
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REMBRANDT Harmenszoon van Rijn
A Man in oriental dress known as
new8/REMBRANDT Harmenszoon van Rijn-755484.jpg
1632
Canvas
152.5x124cm
signed and dated
New York,The Metropolitan Museum of Art
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REMBRANDT Harmenszoon van Rijn
Portrait of a man trimming his quill (mk33)
new8/REMBRANDT Harmenszoon van Rijn-452847.jpg
1632
Kassel,Staatliche Kunstsammlungen Kassel,
Schloss Wilhelmshohe
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REMBRANDT Harmenszoon van Rijn
Portrait fo Maurits Huygens (mk33)
new8/REMBRANDT Harmenszoon van Rijn-948828.jpg
1632
Panel
31.1x24.5cm at the bottom with a strip of wood more than i cm wide and reduced slightly on the right
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REMBRANDT Harmenszoon van Rijn
Portrait of the Artist Facques de Gheyn III (mk33)
new8/REMBRANDT Harmenszoon van Rijn-629866.jpg
1632
Panel
29.9x24.9cm
igned and dated RH.
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REMBRANDT Harmenszoon van Rijn
The Descent from the Cross (mk33)
new8/REMBRANDT Harmenszoon van Rijn-428535.jpg
Munich,Alte Pinakothek
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REMBRANDT Harmenszoon van Rijn
The Descent from the Cross (mk33)
new8/REMBRANDT Harmenszoon van Rijn-247525.jpg
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REMBRANDT Harmenszoon van Rijn
The Descent from the Cross (mk33)
new8/REMBRANDT Harmenszoon van Rijn-832998.jpg
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REMBRANDT Harmenszoon van Rijn
The Descent from the Cross (mk33)
new8/REMBRANDT Harmenszoon van Rijn-329873.jpg
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REMBRANDT Harmenszoon van Rijn
The Descent from the Cross (mk33)
new8/REMBRANDT Harmenszoon van Rijn-993863.jpg
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REMBRANDT Harmenszoon van Rijn
The Raising of the Cross (mk33)
new8/REMBRANDT Harmenszoon van Rijn-858466.jpg
C.1633
Canvas,arched
95.7x72.2cm
Munich,Bayerische Statsgemaldesammlungen,Alte Pinakothek
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REMBRANDT Harmenszoon van Rijn
The holy family (mk33)
new8/REMBRANDT Harmenszoon van Rijn-858536.jpg
c.1634
canvas
183.5x123.5cm
unreliably signed and dated
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REMBRANDT Harmenszoon van Rijn
Ecce Homo (mk33)
new8/REMBRANDT Harmenszoon van Rijn-355884.jpg
1634
Paper on canvas
54.5x44.5cm
London.
The National Gallery
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REMBRANDT Harmenszoon van Rijn
Diana bathing with her Nymphs,with the Stories of Actaeon and Callisto (mk33)
new8/REMBRANDT Harmenszoon van Rijn-432422.jpg
1634
Canvas
73.5x93.5cm
unreliably signed and dated
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REMBRANDT Harmenszoon van Rijn
Born 1606, Died 1669.One of the great Dutch painters and printmakers of the 17th century, Rembrandt van Rijn is best known for his expressive use of light and shadow (also called chiaroscuro) in his many portraits. Raised in Leiden, he studied with Pieter Lastman (1583-1633) in Amsterdam, then returned to Leiden around 1625 and set up shop as a teacher and portrait artist. Sometime between 1630 and 1632 Rembrandt relocated to Amsterdam, where he spent the rest of his career. Though he had his detractors (some of whom considered him coarse and "low born"), Rembrandt was successful and famous during his lifetime, though he fell on financial hard times in his later years. He was a master printer and produced hundreds of group portraits and historical paintings, including The Anatomy Lesson of Dr. Tulp (1632), The Military Company of Captain Frans Banning Cocq (1642) and Aristotle with a Bust of Homer (1653). His portraits -- including a lifelong trail of intriguing and rather frank self-portraits -- reveal his interest in psychological study and continue to be admired as landmarks in Western art. The Military Company of Captain Frans Banning Cocq is also known as "The Night Watch" because it was thought the painting depicted a nighttime scene. When the painting was cleaned in the 1940s it became obvious that it depicted a daytime scene... He married Saskia van Ulenburgh (also Uylenburgh) in 1634.
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