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REMBRANDT Harmenszoon van Rijn
The Return of the Prodigal Son (detail)
new1/REMBRANDT Harmenszoon van Rijn35.jpg
c. 1669
Oil on canvas
The Hermitage, St. Petersburg
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REMBRANDT Harmenszoon van Rijn
The Return of the Prodigal Son (detail)
new1/REMBRANDT Harmenszoon van Rijn36.jpg
c. 1669
Oil on canvas
The Hermitage, St. Petersburg
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REMBRANDT Harmenszoon van Rijn
The Return of the Prodigal Son (detail) ERY
new1/REMBRANDT Harmenszoon van Rijn37.jpg
c. 1669
Oil on canvas
The Hermitage, St. Petersburg
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REMBRANDT Harmenszoon van Rijn
The Return of the Prodigal Son (detail)
new1/REMBRANDT Harmenszoon van Rijn38.jpg
c. 1669
Oil on canvas
The Hermitage, St. Petersburg
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REMBRANDT Harmenszoon van Rijn
The Return of the Prodigal Son (detail)
new1/REMBRANDT Harmenszoon van Rijn39.jpg
c. 1662
Oil on canvas
The Hermitage, St. Petersburg
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REMBRANDT Harmenszoon van Rijn
The Anatomy Lecture of Dr. Nicolaes Tulp SE
new1/REMBRANDT Harmenszoon van Rijn40.jpg
1632
Oil on canvas, 169,5 x 216,5 cm
Mauritshuis, The Hague
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REMBRANDT Harmenszoon van Rijn
The Mennonite Minister Cornelis Claesz. Anslo in Conversation with his Wife, Aaltje D
new1/REMBRANDT Harmenszoon van Rijn41.jpg
1641
Oil on canvas, 176 x 210 cm
Staatliche Museen, Berlin
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REMBRANDT Harmenszoon van Rijn
Family Group
new1/REMBRANDT Harmenszoon van Rijn42.jpg
1666-68
Oil on canvaas, 126 x 167
Herzog Anton Ulrich-Museum, Braunschweig
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REMBRANDT Harmenszoon van Rijn
Sampling Officials of the Drapers' Guild
new1/REMBRANDT Harmenszoon van Rijn43.jpg
1662
Oil on canvas, 191,5 x 279 cm
Rijksmuseum, Amsterdam
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REMBRANDT Harmenszoon van Rijn
The Nightwatch
new1/REMBRANDT Harmenszoon van Rijn44.jpg
1642
Oil on canvas, 363 x 437 cm
Rijksmuseum, Amsterdam
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REMBRANDT Harmenszoon van Rijn
The Nightwatch (detail)
new1/REMBRANDT Harmenszoon van Rijn45.jpg
1642
Oil on canvas
Rijksmuseum, Amsterdam
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REMBRANDT Harmenszoon van Rijn
The Nightwatch (detail) HG
new1/REMBRANDT Harmenszoon van Rijn46.jpg
1642
Oil on canvas
Rijksmuseum, Amsterdam
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REMBRANDT Harmenszoon van Rijn
Portrait of Nicolaas van Bambeeck dg
new1/REMBRANDT Harmenszoon van Rijn47.jpg
1641
Oil on canvas, 105,5 x 84 cm
Mus??es Royaux des Beaux-Arts, Brussels
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REMBRANDT Harmenszoon van Rijn
Agatha Bas
new1/REMBRANDT Harmenszoon van Rijn48.jpg
1641
Oil on canvas, 104 x 82 cm
Royal Collection, London
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REMBRANDT Harmenszoon van Rijn
Portrait of Jeremiah Becker
new1/REMBRANDT Harmenszoon van Rijn49.jpg
1666
Oil on canvas, 71 x 56 cm
The Hermitage, St. Petersburg
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REMBRANDT Harmenszoon van Rijn
Frederick Rihel on Horseback sg
new1/REMBRANDT Harmenszoon van Rijn50.jpg
1663
Oil on canvas, 282 x 248 cm
National Gallery, London
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REMBRANDT Harmenszoon van Rijn
The Jewish Bride t
new1/REMBRANDT Harmenszoon van Rijn51.jpg
c. 1665
Oil on canvas, 121,5 x 166,5 cm
Rijksmuseum, Amsterdam (on loan)
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REMBRANDT Harmenszoon van Rijn
The Jewish Bride (detail) dy
new1/REMBRANDT Harmenszoon van Rijn52.jpg
c. 1665
Oil on canvas
Rijksmuseum, Amsterdam (on loan)
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REMBRANDT Harmenszoon van Rijn
Titus f
new1/REMBRANDT Harmenszoon van Rijn58.jpg
1655
Oil on canvas, 77 x 63 cm
Museum Boymans-van Beuningen, Rotterdam
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REMBRANDT Harmenszoon van Rijn
The Artist's Son Titus du
new1/REMBRANDT Harmenszoon van Rijn59.jpg
c. 1657
Oil on canvas, 68,5 x 57 cm
Wallace Collection, London
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REMBRANDT Harmenszoon van Rijn
Portrait of the Young Saskia xfg
new1/REMBRANDT Harmenszoon van Rijn60.jpg
1633
Oil on oak, 52,5 x 44,5 cm
Gemäldegalerie, Dresden
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REMBRANDT Harmenszoon van Rijn
Portrait of Baartgen Martens Doomer w4t
new1/REMBRANDT Harmenszoon van Rijn61.jpg
1640
Oil on wood, 76 x 56 cm
The Hermitage, St. Petersburg
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REMBRANDT Harmenszoon van Rijn
Saskia as Flora
new1/REMBRANDT Harmenszoon van Rijn62.jpg
1634
Oil on canvas, 125 x 101 cm (transferred to new canvas)
The Hermitage, St. Petersburg
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REMBRANDT Harmenszoon van Rijn
Saskia as Flora (detail) dh
new1/REMBRANDT Harmenszoon van Rijn63.jpg
1634
Oil on canvas
The Hermitage, St. Petersburg
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REMBRANDT Harmenszoon van Rijn
Jan Six
new1/REMBRANDT Harmenszoon van Rijn64.jpg
1654
Oil on canvas, 112 x 102 cm
Six Collection, Amsterdam
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REMBRANDT Harmenszoon van Rijn
Portrait of Nicolaes Ruts
new1/REMBRANDT Harmenszoon van Rijn65.jpg
1631
Oil on mahagony panel, 118,5 x 88,5 cm
Frick Collection, New York
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REMBRANDT Harmenszoon van Rijn
Portrait of an Old Man dy
new1/REMBRANDT Harmenszoon van Rijn66.jpg
1665
Oil on canvas, 102 x 73 cm
Galleria degli Uffizi, Florence
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REMBRANDT Harmenszoon van Rijn
Portrait of an Old Man in Red ry
new1/REMBRANDT Harmenszoon van Rijn67.jpg
1652-54
Oil on canvas, 108 x 86 cm
The Hermitage, St. Petersburg
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REMBRANDT Harmenszoon van Rijn
Portrait of an Old Man in Red (detail)
new1/REMBRANDT Harmenszoon van Rijn68.jpg
1652-54
Oil on canvas
The Hermitage, St. Petersburg
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REMBRANDT Harmenszoon van Rijn
Portrait of an Old Man in Red (detail)
new1/REMBRANDT Harmenszoon van Rijn69.jpg
1652-54
Oil on canvas
The Hermitage, St. Petersburg
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REMBRANDT Harmenszoon van Rijn
Born 1606, Died 1669.One of the great Dutch painters and printmakers of the 17th century, Rembrandt van Rijn is best known for his expressive use of light and shadow (also called chiaroscuro) in his many portraits. Raised in Leiden, he studied with Pieter Lastman (1583-1633) in Amsterdam, then returned to Leiden around 1625 and set up shop as a teacher and portrait artist. Sometime between 1630 and 1632 Rembrandt relocated to Amsterdam, where he spent the rest of his career. Though he had his detractors (some of whom considered him coarse and "low born"), Rembrandt was successful and famous during his lifetime, though he fell on financial hard times in his later years. He was a master printer and produced hundreds of group portraits and historical paintings, including The Anatomy Lesson of Dr. Tulp (1632), The Military Company of Captain Frans Banning Cocq (1642) and Aristotle with a Bust of Homer (1653). His portraits -- including a lifelong trail of intriguing and rather frank self-portraits -- reveal his interest in psychological study and continue to be admired as landmarks in Western art. The Military Company of Captain Frans Banning Cocq is also known as "The Night Watch" because it was thought the painting depicted a nighttime scene. When the painting was cleaned in the 1940s it became obvious that it depicted a daytime scene... He married Saskia van Ulenburgh (also Uylenburgh) in 1634.
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