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REMBRANDT Harmenszoon van Rijn
Landscape with a Stone Bridge dyu
new1/REMBRANDT Harmenszoon van Rijn102.jpg
c. 1637
Oil on panel, 29,5 x 42,5 cm
Rijksmuseum, Amsterdam
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REMBRANDT Harmenszoon van Rijn
The Moneychanger (detail) dry
new1/REMBRANDT Harmenszoon van Rijn103.jpg
1627
Oil on wood, 32 x 42 cm (full picture)
Staatliche Museen, Berlin
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REMBRANDT Harmenszoon van Rijn
The Music Party dhd
new1/REMBRANDT Harmenszoon van Rijn104.jpg
1626
Oil on wood
Rijksmuseum, Amsterdam
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REMBRANDT Harmenszoon van Rijn
The Polish Rider
new1/REMBRANDT Harmenszoon van Rijn105.jpg
1655
Oil on canvas, 114,9 x 135 cm
Frick Collection, New York
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REMBRANDT Harmenszoon van Rijn
Stormy Landscape wsty
new1/REMBRANDT Harmenszoon van Rijn106.jpg
c. 1638
Oil on wood, 52 x 72 cm
Herzog Anton-Ulrich-Museum, Braunschweig
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REMBRANDT Harmenszoon van Rijn
Adoration of the Shepherds
new1/REMBRANDT Harmenszoon van Rijn1.jpg
1646
Oil on canvas, 97 x 71,5 cm
Alte Pinakothek, Munich
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REMBRANDT Harmenszoon van Rijn
Balaam's Ass
new1/REMBRANDT Harmenszoon van Rijn2.jpg
1626
Oil on panel, 63 x 46,5 cm
Mus??e Cognacq-Jay, Paris
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REMBRANDT Harmenszoon van Rijn
Bathsheba at Her Bath f
new1/REMBRANDT Harmenszoon van Rijn3.jpg
1654
Oil on canvas, 142 x 142 cm
Mus??e du Louvre, Paris
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REMBRANDT Harmenszoon van Rijn
Jeremiah Lamenting the Destruction of Jerusalem g
new1/REMBRANDT Harmenszoon van Rijn4.jpg
1630
Oil on panel, 58,3 x 46,6 cm
Rijksmuseum, Amsterdam
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REMBRANDT Harmenszoon van Rijn
Joseph Accused by Potiphar's Wife
new1/REMBRANDT Harmenszoon van Rijn5.jpg
1655
Oil on canvas, 106 x 98 cm
National Gallery of Art, Washington
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REMBRANDT Harmenszoon van Rijn
The Risen Christ Appearing to Mary Magdalen st
new1/REMBRANDT Harmenszoon van Rijn6.jpg
1638
Oil on wood, 61 x 49,5 cm
Royal Collection, Buckingham Palace, London
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REMBRANDT Harmenszoon van Rijn
The Incredulity of St Thomas sg
new1/REMBRANDT Harmenszoon van Rijn7.jpg
1634
Oil on wood, 53 x 51 cm
Pushkin Museum, Moscow
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REMBRANDT Harmenszoon van Rijn
The Blinding of Samson
new1/REMBRANDT Harmenszoon van Rijn8.jpg
1636
Oil on canvas, 236 x 302 cm
Städelsches Kunstinstitut, Frankfurt
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REMBRANDT Harmenszoon van Rijn
Saul and David
new1/REMBRANDT Harmenszoon van Rijn9.jpg
1655-60
Oil on canvas, 130,5 x 164 cm
Mauritshuis, The Hague
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REMBRANDT Harmenszoon van Rijn
St Paul at his Writing-Desk
new1/REMBRANDT Harmenszoon van Rijn10.jpg
1629-30
Oil on wood, 47 x 39 cm
Germanisches Nationalmuseum, Nuremberg
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REMBRANDT Harmenszoon van Rijn
Suzanna in the Bath
new1/REMBRANDT Harmenszoon van Rijn11.jpg
1647
Oil on panel, 76 x 91 cm
Staatliche Museen, Berlin
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REMBRANDT Harmenszoon van Rijn
Self Portrait Bareheaded (mk05)
new6/REMBRANDT Harmenszoon van Rijn-386948.jpg
1633
Wood 23 1/2 x 18 1/2''(60 x 47 cm)Early collection INV
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REMBRANDT Harmenszoon van Rijn
The Archangel Leaving the Family of Tobias (mk05)
new6/REMBRANDT Harmenszoon van Rijn-899895.jpg
Wood ,26 x 20 1/2''(66 x 52 cm)Collection of Louis XV acquired in 1742
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REMBRANDT Harmenszoon van Rijn
Albert Cuper (mk05)
new6/REMBRANDT Harmenszoon van Rijn-737399.jpg
1632
Wood 24 x 17 1/2''(61 x 45 cm)Entered the Louvre in 1933
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REMBRANDT Harmenszoon van Rijn
Cornelia Pronck wife of Albert Cuyper (mk05)
new6/REMBRANDT Harmenszoon van Rijn-855937.jpg
Wood ,23 1/2 x 18 1/2''(60 x 47 cm)Entered the Louvre in 1933
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REMBRANDT Harmenszoon van Rijn
Self Portrait with a Gold Chain (mk05)
new6/REMBRANDT Harmenszoon van Rijn-349458.jpg
Wood 27 1/2 x 21 ''(70 x 53 cm)Seized in the Revolution 1INV
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REMBRANDT Harmenszoon van Rijn
The Supper at Emmaus (mk05)
new6/REMBRANDT Harmenszoon van Rijn-546334.jpg
1648
Wood 27 x 25 1/2 ''(68 x 65 cm)Acquired in 1777
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REMBRANDT Harmenszoon van Rijn
Hemdrickje Stoffels (mk05)
new6/REMBRANDT Harmenszoon van Rijn-869534.jpg
Canvas 29 1/4 x 24''(74 x 61 cm)Collection of Louis XVI; acquired in 1784
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REMBRANDT Harmenszoon van Rijn
Self-portrait (mk08)
new6/REMBRANDT Harmenszoon van Rijn-499993.jpg
1658
Oil on canvas
133.5x104cm
New York,The Frick Collection
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REMBRANDT Harmenszoon van Rijn
The Aristst in his Studio (mk08)
new6/REMBRANDT Harmenszoon van Rijn-457266.jpg
C.1626-1628
Oil on canvas.
25.5x32cm
Boston,Museum of Fine Arts
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REMBRANDT Harmenszoon van Rijn
The Night Watch (mk08)
new6/REMBRANDT Harmenszoon van Rijn-263895.jpg
1642
Oil on canvas,363x437cm
Amsterdam,Rijksmuseum
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REMBRANDT Harmenszoon van Rijn
The Anatomy Lesson of Dr.Nicolaes Tulp (mk08)
new6/REMBRANDT Harmenszoon van Rijn-893783.jpg
1632
Oil on canvas,
162.5x216.5cm
The Hague,Mauritshuis
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REMBRANDT Harmenszoon van Rijn
The Anatomy Lesson of Dr.Nicolaes Tulp (mk08)
new6/REMBRANDT Harmenszoon van Rijn-948866.jpg
1632
Oil on canvas,
162.5x216.5cm
The Hague,Mauritshuis
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REMBRANDT Harmenszoon van Rijn
The Night Watch (mk08)
new6/REMBRANDT Harmenszoon van Rijn-492568.jpg
1642
Oil on canvas,363x437cm
Amsterdam,Rijksmuseum
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REMBRANDT Harmenszoon van Rijn
Self-portrait aged 63 (mk08)
new6/REMBRANDT Harmenszoon van Rijn-953468.jpg
1669
Oil on canvas.
86x70.5cm
London,National Gallery
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REMBRANDT Harmenszoon van Rijn
Born 1606, Died 1669.One of the great Dutch painters and printmakers of the 17th century, Rembrandt van Rijn is best known for his expressive use of light and shadow (also called chiaroscuro) in his many portraits. Raised in Leiden, he studied with Pieter Lastman (1583-1633) in Amsterdam, then returned to Leiden around 1625 and set up shop as a teacher and portrait artist. Sometime between 1630 and 1632 Rembrandt relocated to Amsterdam, where he spent the rest of his career. Though he had his detractors (some of whom considered him coarse and "low born"), Rembrandt was successful and famous during his lifetime, though he fell on financial hard times in his later years. He was a master printer and produced hundreds of group portraits and historical paintings, including The Anatomy Lesson of Dr. Tulp (1632), The Military Company of Captain Frans Banning Cocq (1642) and Aristotle with a Bust of Homer (1653). His portraits -- including a lifelong trail of intriguing and rather frank self-portraits -- reveal his interest in psychological study and continue to be admired as landmarks in Western art. The Military Company of Captain Frans Banning Cocq is also known as "The Night Watch" because it was thought the painting depicted a nighttime scene. When the painting was cleaned in the 1940s it became obvious that it depicted a daytime scene... He married Saskia van Ulenburgh (also Uylenburgh) in 1634.
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