100% hand painted, 100% cotton canvas, 100% money back if not satisfaction.
RAFFAELLO Sanzio
Italian High Renaissance Painter, 1483-1520
Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
RAFFAELLO Sanzio Angel (fragment of the Baronci Altarpiece) dg
new1/RAFFAELLO Sanzio2.jpg 1500-01
Oil on wood, 31 x 27 cm
Pinacoteca Tosio Martinengo, Brescia
RAFFAELLO Sanzio The Presentation in the Temple (Oddi altar, predella)
new1/RAFFAELLO Sanzio7.jpg 1502-03
Oil on canvas, 27 x 50 cm
Pinacoteca, Vatican
RAFFAELLO Sanzio Spozalizio (The Engagement of Virgin Mary) af
new1/RAFFAELLO Sanzio12.jpg 1504
Oil on roundheaded panel, 170 x 117 cm
Pinacoteca di Brera, Milan
RAFFAELLO Sanzio Madonna with the Book (Connestabile Madonna) dy
new1/RAFFAELLO Sanzio19.jpg 1504
Tempera on canvas transferred from wood, diameter 17,9 cm
The Hermitage, St. Petersburg
RAFFAELLO Sanzio Portrait of a Woman (La Donna Gravida) drty
new1/RAFFAELLO Sanzio24.jpg 1505-06
Oil on panel, 66 x 52 cm
Galleria Palatina (Palazzo Pitti), Florence
RAFFAELLO Sanzio The Virgin and Child with Saint John the Baptist (La Belle Jardinire) af
new1/RAFFAELLO Sanzio32.jpg 1507
Oil on wood, 122 x 80 cm
Mus??e du Louvre, Paris
RAFFAELLO Sanzio Madonna with Beardless St Joseph sy
new1/RAFFAELLO Sanzio34.jpg 1506
Tempera on canvas transferred from wood, 74 x 57 cm
The Hermitage, St. Petersburg
Italian High Renaissance Painter, 1483-1520
Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,
Wholesale China Oil Painting Wholesale Oil Painting China Xiamen Portrait Reproduction Chinese Oil Painting Wholesale USA Oil Painting