100% hand painted, 100% cotton canvas, 100% money back if not satisfaction.
RAFFAELLO Sanzio
Italian High Renaissance Painter, 1483-1520
Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
RAFFAELLO Sanzio Sao Joao Batista
new24/RAFFAELLO Sanzio-854396.jpg Date ca. 1518(1518)
Medium Oil on canvas
Dimensions Height: 165 cm (65 in). Width: 147 cm (57.9 in).
cjr
RAFFAELLO Sanzio The presentation in the temple
new24/RAFFAELLO Sanzio-454695.jpg Date between 1502(1502) and 1503(1503)
Medium Deutsch: Öltempera auf Holz, auf Leinwand xbertragen.
English: Tempera grassa (egg-oil) on canvas.
Español: Óleo sobre lienzo.
Français : Tempera grassa (xmulsion x lxœuf et x lxhuile) sur bois transfxrxe sur toile.
Italiano: Tempera grassa su tavola trasportata su tela.
Dimensions Height: 27 cm (10.6 in). Width: 50 cm (19.7 in).
cjr
RAFFAELLO Sanzio The Holy Family
new25/RAFFAELLO Sanzio-548868.jpg Date 1518(1518)
Medium Oil on canvas transferred from wood
Dimensions Height: 207 cm (81.5 in). Width: 140 cm (55.1 in).
cjr
RAFFAELLO Sanzio The annunciation
new25/RAFFAELLO Sanzio-364677.jpg Date between 1502(1502) and 1503(1503)
Medium Deutsch: Öltempera auf Holz, auf Leinwand xbertragen.
English: Tempera grassa (egg-oil) on canvas.
Español: Óleo sobre lienzo.
Français : Tempera grassa (xmulsion x lxœuf et x lxhuile) sur bois transfxrxe sur toile.
Italiano: Tempera grassa su tavola trasportata su tela.
Dimensions Height: 27 cm (10.6 in). Width: 50 cm (19.7 in).
cjr
RAFFAELLO Sanzio The Crowning of the Virgin
new25/RAFFAELLO Sanzio-799869.jpg Date between 1502(1502) and 1503(1503)
Medium Oil on canvas, transferred from panel
Dimensions Height: 267 cm (105.1 in). Width: 163 cm (64.2 in).
cjr
RAFFAELLO Sanzio Portrait of Dona Isabel de Requesens, Vice-Queen of Naples
new25/RAFFAELLO Sanzio-856779.jpg Date 1518(1518)
Medium Oil on wood transferred to canvas
Dimensions Height: 120 cm (47.2 in). Width: 95 cm (37.4 in).
cjr
RAFFAELLO Sanzio Madonna with the Fish
new25/RAFFAELLO Sanzio-599386.jpg Date between 1512(1512) and 1514(1514)
Medium Oil on canvas transferred from wood
Dimensions Height: 215 cm (84.6 in). Width: 158 cm (62.2 in).
cjr
RAFFAELLO Sanzio Holy Family below the Oak
new25/RAFFAELLO Sanzio-784554.jpg Date 1518(1518)
Medium Oil on wood
Dimensions Height: 144 cm (56.7 in). Width: 110 cm (43.3 in).
cjr
RAFFAELLO Sanzio Madonna Terranuova, Szene: Maria mit Christuskind und zwei Heiligen, Tondo
new25/RAFFAELLO Sanzio-683565.jpg 1504-1505
Medium Oil on wood
cjr
Italian High Renaissance Painter, 1483-1520
Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,
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