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RAFFAELLO Sanzio
St Catherine of Alexandria
new21/RAFFAELLO Sanzio-492992.jpg
1508 Oil on wood, 71,1 x 54,6 cm National Gallery, London Half-way between a work of private devotion and a collector's piece, this picture was probably painted just before Raphael's move to Rome. Rather more evident than the influence of Perugino is that of Leonardo, who perfected the `serpentine' pose in which the body twists about its axis, lending movement, grace and three-dimensional presence even to static figures. Characteristically, Raphael justifies this unnatural position through a narrative device: Catherine turns her head upwards and to her right in ecstatic communion with the divine light descending in thin gold rays from the sky. St Catherine of Alexandria is portrayed in a marvellous, twisted pose. Her left arm is leaning on her attribute, the wheel, and her right hand is pressed to her breast while she gazes up at a sky flooded with light. The composition is as rich in harmonious movement as the coloration is full and varied. The landscape is painted with particular care. Its light shading indicates a residual influence of Leonardo, although the jagged mountains which often characterize Leonardo's landscapes are absent. The delicate modelling of the saint, the slight torsion of her body as she leans on the wheel of her martyrdom (whose spikes have been reduced to rounded knobs in order to tone down the element of cruelty) fully express the balanced character of Raphael's art. The panel clearly shows the intense formal research which underlies Raphael's figurative creations. He is always careful not to excite emotions which he considers too intense and to mitigate tones and thematic elements in search of a perfect balance between design, colour, pose and expression, and between the figurative and ornamental elements.Artist:RAFFAELLO Sanzio Title: St Catherine of Alexandria Painted in 1501-1550 , Italian - - painting : religious
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RAFFAELLO Sanzio
The School of Athens
new21/RAFFAELLO Sanzio-959635.jpg
1509 Fresco Stanza della Segnatura, Palazzi Pontifici, Vatican Geometry is represented by Euclid, who is explaining to his pupils a geometric diagram he has drawn on a slate. It is thought that Raphael was here portraying the architect Bramante.Artist:RAFFAELLO Sanzio Title: The School of Athens (detail) Painted in 1501-1550 , Italian - - painting : religious
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RAFFAELLO Sanzio
The School of Athens
new21/RAFFAELLO Sanzio-825689.jpg
1509 Fresco Stanza della Segnatura, Palazzi Pontifici, Vatican Pythagoras, representing Arithmetic, is sitting in the foreground. The two men who are jostling to look over his shoulder recall figures in Leonardo da Vinci's unfinished Adoration of the Magi in the Uffizi. Raphael had occasion to study Leonardo's picture during his stay in Florence.Artist:RAFFAELLO Sanzio Title: The School of Athens (detail) Painted in 1501-1550 , Italian - - painting : religious
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RAFFAELLO Sanzio
Raffaello Angelo 1
new23/RAFFAELLO Sanzio-396786.jpg
Title Italiano: Angelo
Deutsch: Pala vom seligen Nikolaus von Tolentino, Detail: Engel
English: Angel, fragment of the Baronci Altarpiece
Year ?
Technique Oil on panel
Dimensions 31 X 27cm
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RAFFAELLO Sanzio
Madonna della Tenda
new23/RAFFAELLO Sanzio-775693.jpg
Medium Oil on wood
Dimensions 65,8 X 51,2 cm
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RAFFAELLO Sanzio
Angel fragment of the Baronci Altarpiece
new24/RAFFAELLO Sanzio-348758.jpg
Unknown date
Medium Oil on panel
Dimensions 31 X 27cm
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RAFFAELLO Sanzio
Portrait de Jeanne d Aragon
new24/RAFFAELLO Sanzio-699468.jpg
Oil
Dimensions 95 ?? 120 cm (37.4 ?? 47.2 in)
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RAFFAELLO Sanzio
Raffael
new24/RAFFAELLO Sanzio-596639.jpg
1518-1519
Medium Deutsch: Öl auf Holz
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RAFFAELLO Sanzio
Portrat des Papstes Leo X
new24/RAFFAELLO Sanzio-398339.jpg
1518-1519
Medium Deutsch: Öl auf Holz
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RAFFAELLO Sanzio
Donna Velata
new24/RAFFAELLO Sanzio-673986.jpg
oil on canvas, 85 x 64 cm
1512/1513
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RAFFAELLO Sanzio
Portrait of a Young Man.
new24/RAFFAELLO Sanzio-833368.jpg
c. 1509-11
Oil on parqueted board
59 x 75 cm (23.2 x 29.5 in)
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RAFFAELLO Sanzio
Maria mit Christuskind und zwei Heiligen, Tondo
new24/RAFFAELLO Sanzio-898755.jpg
Date 1504-1505
Medium Oil on wood
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RAFFAELLO Sanzio
Portrait of a Youth
new24/RAFFAELLO Sanzio-333654.jpg
c. 1509-11
Medium oil on board
Dimensions 59 x 75 cm (23.2 x 29.5 in)
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RAFFAELLO Sanzio
Portrat des Fedra Inghirami
new24/RAFFAELLO Sanzio-786738.jpg
1515 - 1516
Medium Oil on panel
Dimensions 90 x 62 cm (35.4 x 24.4 in)
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RAFFAELLO Sanzio
La fornarina or Portrait of a young woman
new24/RAFFAELLO Sanzio-946974.jpg
Date between 1518(1518) and 1519(1519)
Medium Oil on wood
Dimensions Height: 85 cm (33.5 in). Width: 60 cm (23.6 in).
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RAFFAELLO Sanzio
Diotalevi Madonna
new24/RAFFAELLO Sanzio-849593.jpg
Date ca. 1503(1503)
Medium Oil on wood
Dimensions Height: 69 cm (27.2 in). Width: 50 cm (19.7 in).
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RAFFAELLO Sanzio
Solly Madonna
new24/RAFFAELLO Sanzio-334569.jpg
Date ca. 1502(1502)
Medium Oil on wood
Dimensions Height: 52 cm (20.5 in). Width: 38 cm (15 in).
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RAFFAELLO Sanzio
Madonna and Child
new24/RAFFAELLO Sanzio-763748.jpg
Date ca. 1505(1505)
Medium Oil on wood
Dimensions Height: 209.6 cm (82.5 in). Width: 148.6 cm (58.5 in).
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RAFFAELLO Sanzio
Portrait of a Man
new24/RAFFAELLO Sanzio-594799.jpg
Date ca. 1502(1502)
Medium Oil on wood
Dimensions Height: 45 cm (17.7 in). Width: 31 cm (12.2 in).
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RAFFAELLO Sanzio
St Catherine of Alexandria
new24/RAFFAELLO Sanzio-954789.jpg
1508(1508)
Medium Oil on wood
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RAFFAELLO Sanzio
Hl. Georg im Kampf mit dem Drachen
new24/RAFFAELLO Sanzio-496594.jpg
Date 1505(1505)
Medium Oil on wood
Dimensions Deutsch: 31 x 27 cm
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RAFFAELLO Sanzio
Bridgewater Madonna
new24/RAFFAELLO Sanzio-766543.jpg
Date ca. 1507(1507)
Medium Oil on canvas transferred from panel
Dimensions Height: 81 cm (31.9 in). Width: 56 cm (22 in).
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RAFFAELLO Sanzio
Donna Velata
new24/RAFFAELLO Sanzio-633978.jpg
oil on canvas, 85 x 64 cm
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RAFFAELLO Sanzio
Portrait of a Young Man
new24/RAFFAELLO Sanzio-469337.jpg
1514 Alternate: c. 1509-11
Medium Oil on parqueted board
Dimensions 59 x 75 cm (23.2 x 29.5 in)
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RAFFAELLO Sanzio
Retrato de Pietro Bembo
new24/RAFFAELLO Sanzio-443596.jpg
Date ca. 1504(1504)
Medium Oil on panel
Dimensions 54 x 39 cm
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RAFFAELLO Sanzio
Madonna and Child
new24/RAFFAELLO Sanzio-896863.jpg
Date ca. 1503(1503)
Medium Oil on wood
Dimensions Height: 55 cm (21.7 in). Width: 40 cm (15.7 in).
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RAFFAELLO Sanzio
Angel
new24/RAFFAELLO Sanzio-465998.jpg
Date between 1500(1500) and 1501(1501)
Medium Oil on wood
Dimensions Height: 57 cm (22.4 in). Width: 36 cm (14.2 in).
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RAFFAELLO Sanzio
The Holy Family
new24/RAFFAELLO Sanzio-998687.jpg
Date 1518(1518)
Medium Oil on canvas transferred from wood
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RAFFAELLO Sanzio
Crucifixion
new24/RAFFAELLO Sanzio-577438.jpg
Date between 1502(1502) and 1503(1503)
Medium Oil on wood
Dimensions Height: 281 cm (110.6 in). Width: 165 cm (65 in).
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RAFFAELLO Sanzio
Elisabetta Gonzaga
new24/RAFFAELLO Sanzio-974655.jpg
Date ca. 1503(1503)
Medium Oil on wood
Dimensions Height: 53 cm (20.9 in). Width: 37 cm (14.6 in).
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RAFFAELLO Sanzio
Italian High Renaissance Painter, 1483-1520
Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,
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