100% hand painted, 100% cotton canvas, 100% money back if not satisfaction.
Titian
Italian High Renaissance Painter, ca.1485-1576
Italian painter active in Venice. As a young man he was taught by the Bellini family and worked closely with Giorgione. His early works are so similar in style to Giorgione's as to be indistinguishable, but soon after Giorgione's early death Titian established himself as the leading painter of the Republic of Venice. Among his most important religious paintings is the revolutionary and monumental Assumption (1516 ?C 18) for Santa Maria dei Frari, in which the Virgin ascends to heaven in a blaze of colour accompanied by a semicircle of angels. Titian was also interested in mythological themes, and his many depictions of Venus display his work's sheer beauty and inherent eroticism. Bacchus and Ariadne (1520 ?C 23), with its pagan abandon, is one of the greatest works of Renaissance art. Titian was sought after for his psychologically penetrating portraits, which include portrayals of leading Italian aristocrats, religious figures, and Emperor Charles V. He reached the height of his powers in The Rape of Europa (c. 1559 ?C 62), one of several paintings done for Philip II of Spain. He was recognized as supremely gifted in his lifetime, and his reputation has never declined.
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
Titian Portrat des Papstes Paulus III mit Kardinal Alessandro Farnese und Herzog Ottavio Farnese.
new25/Titian-578843.jpg 1546(1546)
Medium oil on canvas
Dimensions 210 x 176 cm (82.7 x 69.3 in)
cjr
Titian The Venus of Urbino
new25/Titian-753789.jpg Oil on canvas, 119 x 165 cm Galleria degli Uffizi, Florence
Date before 1538(1538)
Dimensions Height: 119 cm (46.9 in). Width: 165 cm (65 in).
cyf
Titian Assumption of the Virgin
new25/Titian-334549.jpg between 1516(1516) and 1518(1518)
Medium oil on panel
Dimensions Height: 690 cm (271.7 in). Width: 360 cm (141.7 in).
cyf
Titian Duchess of Urbino
new25/Titian-363934.jpg between 1545(1545) and 1547(1547)
Medium oil on panel
Dimensions Height: 114 cm (44.9 in). Width: 88 cm (34.6 in).
cyf
Titian Mary of Hungary, Regent of the Netherlands
new25/Titian-575957.jpg between 1550(1550) and 1560(1560)
Medium oil on panel
Dimensions Ø 9 cm (3.543 in)
cjr
Titian Die Madonna mit dem Kaninchen
new25/Titian-774387.jpg 1530(1530)
Medium oil on canvas
Dimensions Height: 74 cm (29.1 in). Width: 84 cm (33.1 in).
cjr
Titian The Entombment
new25/Titian-365658.jpg between 1523(1523) and 1526(1526)
Medium oil on canvas
Dimensions Height: 148 cm (58.3 in). Width: 205 cm (80.7 in).
cjr
Titian Votivbild des Jacopo Pesaro
new25/Titian-986795.jpg between 1506(1506) and 1511(1511)
Medium oil on canvas
Dimensions Height: 146 cm (57.5 in). Width: 184 cm (72.4 in).
cjr
Titian La Virgen con el Nino, entre San Antonio de Padua y San Roque
new26/Titian-956767.jpg circa 1510(1510)
Medium oil on canvas
Dimensions 92 x 133 cm (36.2 x 52.4 in)
cjr
Titian Jacopo Pesaro being presented by Pope Alexander VI to Saint Peter
new26/Titian-349953.jpg 1503-1506
Type oil on canvas
Dimensions 145 cm x 183 cm (57 in x 72 in)
cyf
Italian High Renaissance Painter, ca.1485-1576
Italian painter active in Venice. As a young man he was taught by the Bellini family and worked closely with Giorgione. His early works are so similar in style to Giorgione's as to be indistinguishable, but soon after Giorgione's early death Titian established himself as the leading painter of the Republic of Venice. Among his most important religious paintings is the revolutionary and monumental Assumption (1516 ?C 18) for Santa Maria dei Frari, in which the Virgin ascends to heaven in a blaze of colour accompanied by a semicircle of angels. Titian was also interested in mythological themes, and his many depictions of Venus display his work's sheer beauty and inherent eroticism. Bacchus and Ariadne (1520 ?C 23), with its pagan abandon, is one of the greatest works of Renaissance art. Titian was sought after for his psychologically penetrating portraits, which include portrayals of leading Italian aristocrats, religious figures, and Emperor Charles V. He reached the height of his powers in The Rape of Europa (c. 1559 ?C 62), one of several paintings done for Philip II of Spain. He was recognized as supremely gifted in his lifetime, and his reputation has never declined.
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