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Titian
The Vendramin Family
new16/Titian-857854.jpg
mk170
1545-1547
Oil on canvas
206.1x288.5cm
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Titian
The Death of Actaeon
new16/Titian-775467.jpg
mk170
circa 1570-1576
Oil on canvas
178.8x197.8cm
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Titian
Venus of Urbino
new16/Titian-734663.jpg
mk176
1538
119.3x165.1cm
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Titian
The Bacchanal of the Andrians
new16/Titian-872844.jpg
mk176
c.1522-23
Oil on canvas
175.2x193cm
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Titian
Sacred and Profanc Love
new16/Titian-469652.jpg
mk176
1515
Oil on canvas
119.3x279.4cm
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Titian
THe Three ages of Man
new18/Titian-544974.jpg
mk216
The Cornestone of Venetian art was colour and the artist-s gift
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Titian
The Penitent Magdalen
new19/Titian-499797.jpg
mk233
c.1561
oil on canvas
118x97cm
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Titian
Venus and kewpie
new19/Titian-849626.jpg
mk237
Oil on canvas
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Titian
portrait of a man
new20/Titian-384485.jpg
c.1512 ,oil on canvas,32x26.125 in,81.2x66.3 cm,national gallery,london,uk
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Titian
bacchus and ariadne
new20/Titian-375442.jpg
mk247
1520 to 23 ,oil on canvas,69.5x75.25 in,176.5x191 cm,national,gallery,london,uk
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Titian
the rape of europa
new20/Titian-756576.jpg
mk247
1559 to 62,oil on canvas,72.875x112 in,185x285 cm,lsabella stewart gardner museum,boston,ma,usa
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Titian
venus of urbino
new20/Titian-642375.jpg
mk247
1538,oil on canvas,46.875x65 in,119x165 cm,uffizi,florence,ltaly
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Titian
assumption of the virgin
new20/Titian-549777.jpg
mk247
1516 to 18,oil on wood,272x142 in,santa maria gloriosa dei frari,venice,ltaly
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Titian
Assumption
new20/Titian-323226.jpg
mk250 Venice, Italy, the glory of Free Church of Our Lady, about the year in 1516-1518. Canvas board, 685.8 x 360.7 cm.
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Titian
Our Lady of the Pesaro family
new20/Titian-545392.jpg
mk250 Venice, Italy, Fu Lali Church of Our Lady, the year 1519 -1526, Oil on canvas, 488 x 275 cm around.
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Titian
Backus met with the Ariadne
new20/Titian-974379.jpg
mk250 In the year 1522-1523. Oil on canvas, 175.3 x 190.5 cm. National Gallery in London.
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Titian
Venus Wuerbinnuo
new20/Titian-565422.jpg
mk250 Year in 1538. Oil on canvas, about 122 x 167.6 cm. Uffizi in Florence.
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Titian
Isabella De Site
new20/Titian-675587.jpg
mk250 the Year in 1534-1536. Oil on canvas, 101.9 x 63.9 cm. Vienna Art History Museum
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Titian
By Pope Alexander six th as the Saint Mala enterprise's hero were introduced that kneels in front of Saint Peter's Ge the cloths wears Salol
new20/Titian-898826.jpg
mk261 1506, the Antwerp Royal Museum of Fine Arts
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Titian
Titian self portrait,
new21/Titian-339298.jpg
Titian self-portrait, c.1567; Museo del Prado, Madrid
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Titian
This early portrait
new21/Titian-924378.jpg
This early portrait (c. 1512) was long wrongly believed to be of Ariosto; it is more likely a self-portrait, and the composition was borrowed by Rembrandt for his own self-portraits.
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Titian
Salome, or Judith
new21/Titian-884635.jpg
Salome, or Judith; this religious work also functions as an idealized portrait of a beauty, a genre developed by Titian, supposedly often using Venetian courtesans as models.
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Titian
It took Titian two years
new21/Titian-259524.jpg
It took Titian two years (1516?C1518) to complete the oil painting Assunta, whose dynamic three-tier composition and color scheme established him as the preeminent painter north of Rome.
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Titian
Titian state portrait of Emperor Charles V at Mehlberg established a new genre,
new21/Titian-233245.jpg
Titian's state portrait of Emperor Charles V at Mehlberg (1548) established a new genre, that of the grand equestrian portrait. The composition is steeped both in the Roman tradition of equestrian sculpture and in the medieval representations of an ideal Christian knight, but the weary figure and face have a subtlety few such representations attempt.
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Titian
Titian unmatched handling of color is exemplified by his Danae,
new21/Titian-493557.jpg
Titian's unmatched handling of color is exemplified by his Danae, one of several mythological paintings, or "poesie" ("poems") as the painter called them, done for Philip II of Spain. Although Michelangelo adjudged this piece deficient from the point of view of drawing, Titian and his studio produced several versions for other patrons.
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Titian
The Rape of Europa is a bold diagonal composition which was admired and copied by Rubens.
new21/Titian-858765.jpg
The Rape of Europa (1562) is a bold diagonal composition which was admired and copied by Rubens. In contrast to the clarity of Titian's early works, it is almost baroque in its blurred lines, swirling colors, and vibrant brushstrokes.
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Titian
The Death of Actaeon.
new21/Titian-964547.jpg
The Death of Actaeon. In Titian's later works, the forms lose their solidity and melt into the lush texture of shady, shimmering colors and unsettling atmospheric effects. In addition to energetic brushwork, Titian was said to put paint on with his fingers toward the completion of a painting.
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Titian
Like so many of his late works,
new21/Titian-755292.jpg
Like so many of his late works, Titian's last painting, the Piet??, is a dramatic scene of suffering in a nocturnal setting. It was apparently intended for his own tomb chapel.
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Titian
The Allegory of Age Governed by Prudence is thought to depict Titian,
new21/Titian-379278.jpg
The Allegory of Age Governed by Prudence (c. 1565?C1570) is thought to depict Titian, his son Orazio, and a young cousin, Marco Vecellio.
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Titian
The Flaying of Marsyas, little known until recent decades
new21/Titian-933989.jpg
The Flaying of Marsyas, little known until recent decades
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Titian
Italian High Renaissance Painter, ca.1485-1576
Italian painter active in Venice. As a young man he was taught by the Bellini family and worked closely with Giorgione. His early works are so similar in style to Giorgione's as to be indistinguishable, but soon after Giorgione's early death Titian established himself as the leading painter of the Republic of Venice. Among his most important religious paintings is the revolutionary and monumental Assumption (1516 ?C 18) for Santa Maria dei Frari, in which the Virgin ascends to heaven in a blaze of colour accompanied by a semicircle of angels. Titian was also interested in mythological themes, and his many depictions of Venus display his work's sheer beauty and inherent eroticism. Bacchus and Ariadne (1520 ?C 23), with its pagan abandon, is one of the greatest works of Renaissance art. Titian was sought after for his psychologically penetrating portraits, which include portrayals of leading Italian aristocrats, religious figures, and Emperor Charles V. He reached the height of his powers in The Rape of Europa (c. 1559 ?C 62), one of several paintings done for Philip II of Spain. He was recognized as supremely gifted in his lifetime, and his reputation has never declined.
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