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Jan Toorop
The Three Brides (mk09)
new6/Jan Toorop-677942.jpg
c .1892/93
Pencil,black and coloured chalk on paper,78 x 98 cm
Otterloo,Rijksmuseum Kroller-Muller
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Jan Toorop
The Young Generation (mk19)
new7/Jan Toorop-363329.jpg
1892
Oil on canvas.96.5 x 110 cm
Museum Boymans-van Beunigen,Rotterdam
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Jan Toorop
Trio Fleuri (nn02)
new8/Jan Toorop-754298.jpg
1885-1886
Oil on canvas
43 5/16 x 37 3/8'' Collection Haags Gemeentemuseum,The Hague
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Jan Toorop
The Three Brides
new9/Jan Toorop-975238.jpg
mk87
c.1892/93
Pencil,Black and coloured chald on paper
78x98cm
Otterloo,Rijksmuseum Kroller Muller
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Jan Toorop
The Three Brides
new16/Jan Toorop-599878.jpg
mk156
1893
Oil on canvas
78x97.8cm
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Jan Toorop
Soul Searching
new19/Jan Toorop-477863.jpg
mk229
1893
Watercolour
16.5x18cm
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Jan Toorop
Desire and Satisfaction
new19/Jan Toorop-922955.jpg
mk229
1893
oil on canvas
1893
76x90cm
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Jan Toorop
The Dunes and the Sea at Zoutlande
new19/Jan Toorop-997892.jpg
mk235
1907
Oil on canvas
47.5x61.5cm
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Jan Toorop
Shell Gathering on the Beach
new19/Jan Toorop-975359.jpg
mk235
1891
Oil on canvs
61.5x66cm
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Jan Toorop
Three Women with Flowers
new19/Jan Toorop-789222.jpg
mk235
c.1885/8
Oil on canvas
110x95cm
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Jan Toorop
The new generation
new25/Jan Toorop-633749.jpg
1892(1892)
Medium oil on canvas
Dimensions 96.5 X 110 cm (38 X 43.3 in)
cjr
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1 | Prev Artist Next Artist
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Jan Toorop
1858-1928
Dutch Jan Toorop Gallery
He moved to the Netherlands in 1872 and took a course in drawing at the Polytechnische School in Delft (1876-9). He also studied at the Rijksakademie voor Beeldende Kunsten in Amsterdam (1880-82) and at the Ecole des Arts D?coratifs in Brussels (1882-5). In Amsterdam he joined the St Lukas Society, and in Belgium he was a founder-member of Les XX in 1884. Although he had met Jozef Isra?ls in 1880 and respected the style of the Hague school, he was more attracted by what he saw in Brussels, particularly work by French artists. His portraits of 1884 are painted in an Impressionist style. With other members of Les XX he trained himself in plein-air; he learnt from James Ensor how to apply colours with a palette knife and how to use white with the same intensity as other colours. His style, however, remained austere and his scenes of workmen show a sensitive realism reminiscent of Gustave Courbet's work, for example Respect for the Dead.
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