100% hand painted, 100% cotton canvas, 100% money back if not satisfaction.
Albert Bierstadt
German-born American Hudson River School Painter, 1830-1902
Bierstadt was born in Solingen, Germany. His family moved to New Bedford, Massachusetts, in 1833. He studied painting with the members of the D??sseldorf School in D??sseldorf, Germany from 1853 to 1857. He taught drawing and painting briefly before devoting himself to painting.
Bierstadt began making paintings in New England and upstate New York. In 1859, he traveled westward in the company of a Land Surveyor for the U.S. government, returning with sketches that would result in numerous finished paintings. In 1863 he returned west again, in the company of the author Fitz Hugh Ludlow, whose wife he would later marry. He continued to visit the American West throughout his career.
Though his paintings sold for princely sums, Bierstadt was not held in particularly high esteem by critics of his day. His use of uncommonly large canvases was thought to be an egotistical indulgence, as his paintings would invariably dwarf those of his contemporaries when they were displayed together. The romanticism evident in his choices of subject and in his use of light was felt to be excessive by contemporary critics. His paintings emphasized atmospheric elements like fog, clouds and mist to accentuate and complement the feel of his work. Bierstadt sometimes changed details of the landscape to inspire awe. The colors he used are also not always true. He painted what he believed is the way things should be: water is ultramarine, vegetation is lush and green, etc. The shift from foreground to background was very dramatic and there was almost no middle distance
Nonetheless, his paintings remain popular. He was a prolific artist, having completed over 500 (possibly as many as 4000) paintings during his lifetime, most of which have survived. Many are scattered through museums around the United States. Prints are available commercially for many. Original paintings themselves do occasionally come up for sale, at ever increasing prices.
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
Albert Bierstadt Among the Sierra Nevada Mountains, California
new26/Albert Bierstadt-649687.jpg Date 1868(1868)
Medium oil on canvas
Dimensions 183 x 305 cm (72 x 120.1 in)
ttd
Albert Bierstadt Yosemite Valley, Yellowstone Park
new26/Albert Bierstadt-569863.jpg Date 1868(1868)
Medium oil on canvas
Dimensions 91.44 x 137.16 cm (36 x 54 in)
ttd
Albert Bierstadt A Storm in the Rocky Mountains, Mr. Rosalie
new26/Albert Bierstadt-833379.jpg Date 1866(1866)
Medium oil on canvas
Dimensions 210.8 x 361.3 cm (83 x 142.2 in
ttd
Albert Bierstadt Looking Down Yosemite Valley, California
new26/Albert Bierstadt-749787.jpg Date 1865(1865)
Medium oil on canvas
Dimensions 162.6 x 244.5 cm (64 x 96.3 in)
ttd
Albert Bierstadt Staubbach Falls, Near Lauterbrunnen, Switzerland
new26/Albert Bierstadt-677344.jpg Date ~1865
Medium oil on canvas
Dimensions 96.52 x 153.67 cm (38 x 60.5 in)
ttd
Albert Bierstadt The Rocky Mountains, Lander's Peak
new26/Albert Bierstadt-683554.jpg Date 1863(1863)
Medium oil on canvas
Dimensions 186.7 x 306.7 cm (73.5 x 120.7 in)
ttd
Albert Bierstadt Scene in the Sierra Nevada
new26/Albert Bierstadt-696573.jpg Date ~1861
Medium oil on canvas
Dimensions 45.72 x 60.96 cm (18 x 24 in)
ttd
German-born American Hudson River School Painter, 1830-1902
Bierstadt was born in Solingen, Germany. His family moved to New Bedford, Massachusetts, in 1833. He studied painting with the members of the D??sseldorf School in D??sseldorf, Germany from 1853 to 1857. He taught drawing and painting briefly before devoting himself to painting.
Bierstadt began making paintings in New England and upstate New York. In 1859, he traveled westward in the company of a Land Surveyor for the U.S. government, returning with sketches that would result in numerous finished paintings. In 1863 he returned west again, in the company of the author Fitz Hugh Ludlow, whose wife he would later marry. He continued to visit the American West throughout his career.
Though his paintings sold for princely sums, Bierstadt was not held in particularly high esteem by critics of his day. His use of uncommonly large canvases was thought to be an egotistical indulgence, as his paintings would invariably dwarf those of his contemporaries when they were displayed together. The romanticism evident in his choices of subject and in his use of light was felt to be excessive by contemporary critics. His paintings emphasized atmospheric elements like fog, clouds and mist to accentuate and complement the feel of his work. Bierstadt sometimes changed details of the landscape to inspire awe. The colors he used are also not always true. He painted what he believed is the way things should be: water is ultramarine, vegetation is lush and green, etc. The shift from foreground to background was very dramatic and there was almost no middle distance
Nonetheless, his paintings remain popular. He was a prolific artist, having completed over 500 (possibly as many as 4000) paintings during his lifetime, most of which have survived. Many are scattered through museums around the United States. Prints are available commercially for many. Original paintings themselves do occasionally come up for sale, at ever increasing prices.
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