100% hand painted, 100% cotton canvas, 100% money back if not satisfaction.
Albert Bierstadt
German-born American Hudson River School Painter, 1830-1902
Bierstadt was born in Solingen, Germany. His family moved to New Bedford, Massachusetts, in 1833. He studied painting with the members of the D??sseldorf School in D??sseldorf, Germany from 1853 to 1857. He taught drawing and painting briefly before devoting himself to painting.
Bierstadt began making paintings in New England and upstate New York. In 1859, he traveled westward in the company of a Land Surveyor for the U.S. government, returning with sketches that would result in numerous finished paintings. In 1863 he returned west again, in the company of the author Fitz Hugh Ludlow, whose wife he would later marry. He continued to visit the American West throughout his career.
Though his paintings sold for princely sums, Bierstadt was not held in particularly high esteem by critics of his day. His use of uncommonly large canvases was thought to be an egotistical indulgence, as his paintings would invariably dwarf those of his contemporaries when they were displayed together. The romanticism evident in his choices of subject and in his use of light was felt to be excessive by contemporary critics. His paintings emphasized atmospheric elements like fog, clouds and mist to accentuate and complement the feel of his work. Bierstadt sometimes changed details of the landscape to inspire awe. The colors he used are also not always true. He painted what he believed is the way things should be: water is ultramarine, vegetation is lush and green, etc. The shift from foreground to background was very dramatic and there was almost no middle distance
Nonetheless, his paintings remain popular. He was a prolific artist, having completed over 500 (possibly as many as 4000) paintings during his lifetime, most of which have survived. Many are scattered through museums around the United States. Prints are available commercially for many. Original paintings themselves do occasionally come up for sale, at ever increasing prices.
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
Albert Bierstadt California Redwoods
new23/Albert Bierstadt-364945.jpg Date 1872(1872)
Medium English: Oil on paper mounted on canvas
Dimensions 19 1/8 x 14 in. (48.6 x 35.6 cm)
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Albert Bierstadt Valley of the Yosemite
new23/Albert Bierstadt-459753.jpg "Valley of the Yosemite," oil on canvas, by the American artist Albert Bierstadt. 27 in. x 36 in. Yale University Art Gallery, bequest of Frederick W. Beinecke, Ph.D. 1909, to the Collection of Western Americana, Beinecke Library. Courtesy of Yale University, New Haven, Conn.
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Albert Bierstadt Oregon Trail
new24/Albert Bierstadt-369483.jpg 31 x 49" (78.74 x 124.46 cm), displayed at Joslyn Art Museum, Omaha, Nebraska, USA
Date 1869(1869)
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Albert Bierstadt Valley of the Yosemite
new24/Albert Bierstadt-936956.jpg oil on canvas, by the American artist Albert Bierstadt. 27 in. x 36 in. Yale University Art Gallery, bequest of Frederick W. Beinecke, Ph.D. 1909, to the Collection of Western Americana, Beinecke Library. Courtesy of Yale University, New Haven, Conn.
Date 1868(1868)
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Albert Bierstadt The Emerald Pool
new24/Albert Bierstadt-743675.jpg oil on canvas, Chrysler Museum of Art, Bequest of Walter P. Chrysler, Jr.
Date 1870(1870)
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Albert Bierstadt Albert Bierstadt. painting
new24/Albert Bierstadt-798467.jpg oil on canvas, Chrysler Museum of Art, Bequest of Walter P. Chrysler, Jr.
Date 1870(1870)
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Albert Bierstadt Bridal Veil Falls. Yosemite
new24/Albert Bierstadt-348385.jpg Bridal Veil Falls, Yosemite, oil on canvas 67 x 91.8 cm
Date 1872(1872)
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Albert Bierstadt Mountain Lake
new24/Albert Bierstadt-463948.jpg Mountain Lake, 13 by 19 in (33 by 48 cm) oil on paper sketch of Mount Spalding, Colorado, as seen over Lower Chicago Lake. Mount Spalding is part of the Mount Evans Massif, also known as the Chicago Peaks. Although the painting is vertically exaggerated, it is otherwise accurate enough to infer the location of the artist's easel to within 100 m (300 ft).
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Albert Bierstadt A Storm in the Rocky Mountains
new24/Albert Bierstadt-359454.jpg A Storm in the Rocky Mountains, Mt. Rosalie, 1866. Painting in the Brooklyn Museum.
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Albert Bierstadt Sea and Sky
new24/Albert Bierstadt-957844.jpg but earlier than 1902
Medium oil on paper mounted on board
Dimensions 14.125 x 18.25 in
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Albert Bierstadt Sunrise in the Sierras
new24/Albert Bierstadt-734379.jpg Date ca. 1872(1872)
Medium Oil on paper mounted on paperboard
Dimensions 34.3 x 47.9 cm (13.5 x 18.9 in)
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Albert Bierstadt Alaskan Coastal Range
new24/Albert Bierstadt-888655.jpg Date 1889(1889)
Medium Oil on paper
Dimensions 35.2 x 49.2 cm (13.9 x 19.4 in)
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Albert Bierstadt Yellowstone Falls
new25/Albert Bierstadt-785477.jpg Date 1881(1881)
Medium Oil on paper mounted on canvas
Dimensions 48.9 x 34.29 cm (19.3 x 13.5 in)
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Albert Bierstadt San Francisco Bay
new25/Albert Bierstadt-448533.jpg Date 1871-1873
Medium Oil on paperboard mounted on paperboard
Dimensions 35 x 48.5 cm (13.8 x 19.1 in)
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Albert Bierstadt A Rocky Mountain Sheep, Ovis, Montana
new25/Albert Bierstadt-869836.jpg oil on paper mounted on board, 48.26 x 34.92 cm
Date c1879, upload 2008
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Albert Bierstadt Yellowstone Falls
new25/Albert Bierstadt-864666.jpg 1881(1881)
Medium Oil on paper mounted on canvas
Dimensions 48.9 x 34.29 cm (19.3 x 13.5 in)
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German-born American Hudson River School Painter, 1830-1902
Bierstadt was born in Solingen, Germany. His family moved to New Bedford, Massachusetts, in 1833. He studied painting with the members of the D??sseldorf School in D??sseldorf, Germany from 1853 to 1857. He taught drawing and painting briefly before devoting himself to painting.
Bierstadt began making paintings in New England and upstate New York. In 1859, he traveled westward in the company of a Land Surveyor for the U.S. government, returning with sketches that would result in numerous finished paintings. In 1863 he returned west again, in the company of the author Fitz Hugh Ludlow, whose wife he would later marry. He continued to visit the American West throughout his career.
Though his paintings sold for princely sums, Bierstadt was not held in particularly high esteem by critics of his day. His use of uncommonly large canvases was thought to be an egotistical indulgence, as his paintings would invariably dwarf those of his contemporaries when they were displayed together. The romanticism evident in his choices of subject and in his use of light was felt to be excessive by contemporary critics. His paintings emphasized atmospheric elements like fog, clouds and mist to accentuate and complement the feel of his work. Bierstadt sometimes changed details of the landscape to inspire awe. The colors he used are also not always true. He painted what he believed is the way things should be: water is ultramarine, vegetation is lush and green, etc. The shift from foreground to background was very dramatic and there was almost no middle distance
Nonetheless, his paintings remain popular. He was a prolific artist, having completed over 500 (possibly as many as 4000) paintings during his lifetime, most of which have survived. Many are scattered through museums around the United States. Prints are available commercially for many. Original paintings themselves do occasionally come up for sale, at ever increasing prices.
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