100% hand painted, 100% cotton canvas, 100% money back if not satisfaction.
Albert Bierstadt
German-born American Hudson River School Painter, 1830-1902
Bierstadt was born in Solingen, Germany. His family moved to New Bedford, Massachusetts, in 1833. He studied painting with the members of the D??sseldorf School in D??sseldorf, Germany from 1853 to 1857. He taught drawing and painting briefly before devoting himself to painting.
Bierstadt began making paintings in New England and upstate New York. In 1859, he traveled westward in the company of a Land Surveyor for the U.S. government, returning with sketches that would result in numerous finished paintings. In 1863 he returned west again, in the company of the author Fitz Hugh Ludlow, whose wife he would later marry. He continued to visit the American West throughout his career.
Though his paintings sold for princely sums, Bierstadt was not held in particularly high esteem by critics of his day. His use of uncommonly large canvases was thought to be an egotistical indulgence, as his paintings would invariably dwarf those of his contemporaries when they were displayed together. The romanticism evident in his choices of subject and in his use of light was felt to be excessive by contemporary critics. His paintings emphasized atmospheric elements like fog, clouds and mist to accentuate and complement the feel of his work. Bierstadt sometimes changed details of the landscape to inspire awe. The colors he used are also not always true. He painted what he believed is the way things should be: water is ultramarine, vegetation is lush and green, etc. The shift from foreground to background was very dramatic and there was almost no middle distance
Nonetheless, his paintings remain popular. He was a prolific artist, having completed over 500 (possibly as many as 4000) paintings during his lifetime, most of which have survived. Many are scattered through museums around the United States. Prints are available commercially for many. Original paintings themselves do occasionally come up for sale, at ever increasing prices.
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
Albert Bierstadt The Arch of Octavius
Albert Bierstadt61.gif 1858
28.50 x 37.48 in / 72.4 x 95.2 cm
The Fine Arts Museums of San Francisco, California, USA
Albert Bierstadt Sunlight and Shadow
Albert Bierstadt63.gif 1862
41.50 x 35.51 inches / 105.4 x 90.2 cm
The Fine Arts Museums of San Francisco, California, USA
Albert Bierstadt Looking Down the Yosemite Valley, California
Albert Bierstadt66.gif 1865
64.02 x 96.26 in/162.6 x 244.5 cm
Birmingham Museum of Art, Alabama, USA
Albert Bierstadt Bridal Veil Falls, Yosemite
Albert Bierstadt69.jpg c1871-73 36.14 x 26.38 ins / 91.8 x 67 cm
North Carolina Museum of Art, Raleigh, North Carolina, USA
Albert Bierstadt View of the Hudson Looking Across the Tappan Zee-Towards Hook Mountain
Albert Bierstadt74.jpg 1866
36.26 x 72.24 ins / 92.1 x 183.5 cm
Private collection
Albert Bierstadt Lake Lucerne, Switzerland
Albert Bierstadt79.jpg 1858
72.01 x 120.00 ins / 182.9 x 304.8 cm
National Gallery of Art, Washington, DC, USA
Albert Bierstadt Seal Rock, California
Albert Bierstadt82.jpg c1872
15.98 x 22.01 ins / 40.6 x 55.9 cm
The Warner Collection of Gulf States Paper Corporation, Tuscaloosa, Alabama, USA
Albert Bierstadt Moat Mountain Intervale New Hampshire
Albert Bierstadt86.jpg c1862
19.02 x 25.87 ins / 48.3 x 65.7 cm
The Currier Gallery of Art, Manchester, New Hampshire, USA
Albert Bierstadt Gosnold at Cuttyhunk
Albert Bierstadt87.jpg 1858
30.24 x 50.63 ins / 76.8 x 128.6 cm
The Whaling Museum, New Bedford, Massachusetts, USA
Albert Bierstadt The Last of the Buffalo
Albert Bierstadt88.jpg 1888
71.26 x 119.25 ins / 181 x 302.9 cm
The Corcoran Gallery of Art, Washington DC, USA
Albert Bierstadt The Oregon Trail
new3/Albert Bierstadt-684743.jpg 1869
Oil on canvas 31 x 49''(78.74 x 1245.46 cm)
signed,lower right Gift of Joseph G Butler III 946-0-101
Albert Bierstadt Among the Sierra Nevada Mountains
new4/Albert Bierstadt-575369.jpg mk68
Oil on canvas
Washington,
Smithsonian American Art Musuem
1868
USA
German-born American Hudson River School Painter, 1830-1902
Bierstadt was born in Solingen, Germany. His family moved to New Bedford, Massachusetts, in 1833. He studied painting with the members of the D??sseldorf School in D??sseldorf, Germany from 1853 to 1857. He taught drawing and painting briefly before devoting himself to painting.
Bierstadt began making paintings in New England and upstate New York. In 1859, he traveled westward in the company of a Land Surveyor for the U.S. government, returning with sketches that would result in numerous finished paintings. In 1863 he returned west again, in the company of the author Fitz Hugh Ludlow, whose wife he would later marry. He continued to visit the American West throughout his career.
Though his paintings sold for princely sums, Bierstadt was not held in particularly high esteem by critics of his day. His use of uncommonly large canvases was thought to be an egotistical indulgence, as his paintings would invariably dwarf those of his contemporaries when they were displayed together. The romanticism evident in his choices of subject and in his use of light was felt to be excessive by contemporary critics. His paintings emphasized atmospheric elements like fog, clouds and mist to accentuate and complement the feel of his work. Bierstadt sometimes changed details of the landscape to inspire awe. The colors he used are also not always true. He painted what he believed is the way things should be: water is ultramarine, vegetation is lush and green, etc. The shift from foreground to background was very dramatic and there was almost no middle distance
Nonetheless, his paintings remain popular. He was a prolific artist, having completed over 500 (possibly as many as 4000) paintings during his lifetime, most of which have survived. Many are scattered through museums around the United States. Prints are available commercially for many. Original paintings themselves do occasionally come up for sale, at ever increasing prices.
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