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Canaletto
Venice:The Basin of San Marco on Ascension Day
new9/Canaletto-255462.jpg
mk86
c.1735-1741
Oil on canvas
121.9x182.8cm
London,National Gallery
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Canaletto
The Courtyard of the Castle of Warwick
new9/Canaletto-467248.jpg
mk86
1751
Oil on canvas
75x122cm
Warwick
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Canaletto
Regatta on the Canale Grande
new9/Canaletto-247748.jpg
mk86
after 1735
Oil on canvas
117x186cm
Oil on canvas
117x186cm
London,National Gallery
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Canaletto
Venice:Campo San Vital and Santa Maria della Carita
new9/Canaletto-543259.jpg
mk86
c.1726/27
Oil on canvas
123.8c162.9cm
London,National Gallery
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Canaletto
Marine painting
new11/Canaletto-865485.jpg
mk129
Oil on canvas
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Canaletto
The Adelphi,London,under construcion,with York Water Tower and the River Thames towards Westminster
new11/Canaletto-827256.jpg
mk129
1771-1772
Oil on canvas
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Canaletto
Greenwich Hospital from the North Bank of the Thames
new11/Canaletto-727842.jpg
mk129
Oil on canvas
Greenwich Hospital was a home for old and disabled seamen founded by William and Mary in 1694 to designs by Webb,Wren,Hawksmoor and Vanbrugh.
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Canaletto
Landscape
new11/Canaletto-572769.jpg
mk129
Oil on canvas
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Canaletto
Campo S.Vidal and Santa Maria della Carita
new16/Canaletto-796832.jpg
mk156
1727-28
Oil on panel
123.8x162.9cm
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Canaletto
The Bucintoro at the Molo on Ascension Day
new16/Canaletto-955844.jpg
mk156
1732
Oil on canvas
182x259cm
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Canaletto
The Feast Day of St Roch
new16/Canaletto-449589.jpg
mk156
c.1735
Oil on canvas
147x199cm
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Canaletto
View from the Right Bank of the Elbe
new16/Canaletto-586958.jpg
mk156
1747
Oil on canvas
133x237cm
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Canaletto
The Arrival of the French Ambassador in Venice
new16/Canaletto-784868.jpg
mk159
1730s
Oil on canvas
181x259.5cm
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Canaletto
Rio dei Mendicanti
new16/Canaletto-597978.jpg
mk157
1723
Collezion M.Crespo.Milan
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Canaletto
The Molo seen against the zecca
new16/Canaletto-834392.jpg
mk157
before 1740
Civiche Raccolte d-Arte Antica Castello Sforzesco
Milan
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Canaletto
The Bucintoro in Front of the Doges- Palace on Ascension Day
new16/Canaletto-564839.jpg
mk157
1729
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Canaletto
named Canaletto Venetie, the Bacino Tue S. Marco on Hemelvaartsdag
new16/Canaletto-753959.jpg
MK169
1732-35 Shut down 76.8x116.8cm
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Canaletto
Venice The Feast Day of Saitn Roch
new16/Canaletto-763595.jpg
mk170
circa 1735
Oil on canvas
147.7x199.4cm
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Canaletto
Campo S.Vidal and Santa Maria della Carita
new16/Canaletto-567276.jpg
mk170
1727-1728
Oil on canvas
123.8x162.9cm
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Canaletto
Eton College
new16/Canaletto-646262.jpg
mk170
circa 1754
Oil on canvas
61.6x107.7cm
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Canaletto
London Interior of the Rotunda at Ranelagh
new16/Canaletto-835227.jpg
mk170
1754
Oil on canvas
47x75.6cm
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Canaletto
View of Campo Santi Apostoli
new16/Canaletto-589977.jpg
1730
Oil on canvas,
45 x 77,5 cm
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Canaletto
Westminster Bridge from the North on Lord Mayor-s Day
new16/Canaletto-933498.jpg
1746
Oil on canvas,
96 x 137,5 cm
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Canaletto
London, Seen from an Arch of Westminster Bridge
new16/Canaletto-547982.jpg
1747
Oil on canvas,
118 x 238 cm
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Canaletto
the Old Horse Guards from St James's Park
new16/Canaletto-925838.jpg
1749
Oil on canvas,
117 x 236 cm
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Canaletto
the Old Horse Guards and Banqueting Hall, from St James-s Park
new16/Canaletto-326677.jpg
1749
Oil on canvas,
45,5 x 76 cm
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Canaletto
Looking South-West
new16/Canaletto-798527.jpg
1755-59
Oil on canvas,
67,3 x 102 cm
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Canaletto
Looking South-East from the Campo Santa Sophia to the Rialto Bridge
new16/Canaletto-227222.jpg
c. 1756
Oil on canvas,
119 x 185 cm
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Canaletto
Looking East from the South West Corner
new16/Canaletto-828636.jpg
c. 1760
Oil on canvas,
45 x 35 cm
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Canaletto
Piazza San Marco
new19/Canaletto-975483.jpg
1723-24 Oil on canvas, 141,5 x 204,5 cm
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Canaletto
Italian Rococo Era Painter, 1697-1768
Italian painter, etcher and draughtsman. He was the most distinguished Italian view painter of the 18th century. Apart from ten years spent in England he lived in Venice, and his fame rests above all on his views (vedute) of that city; some of these are purely topographical, others include festivals or ceremonial events. He also painted imaginary views (capriccios), although the demarcation between the real and the invented is never quite clearcut: his imaginary views often include realistically depicted elements, though in unexpected surroundings, and in a sense even his Venetian vedute are imaginary. He never merely re-created reality. He was highly successful with the English, helped in this by the British connoisseur JOSEPH SMITH, whose own large collection of Canaletto works was sold to King George III in 1762. The British Royal Collection has the largest group of his paintings and drawings.
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