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Canaletto
Italian Rococo Era Painter, 1697-1768
Italian painter, etcher and draughtsman. He was the most distinguished Italian view painter of the 18th century. Apart from ten years spent in England he lived in Venice, and his fame rests above all on his views (vedute) of that city; some of these are purely topographical, others include festivals or ceremonial events. He also painted imaginary views (capriccios), although the demarcation between the real and the invented is never quite clearcut: his imaginary views often include realistically depicted elements, though in unexpected surroundings, and in a sense even his Venetian vedute are imaginary. He never merely re-created reality. He was highly successful with the English, helped in this by the British connoisseur JOSEPH SMITH, whose own large collection of Canaletto works was sold to King George III in 1762. The British Royal Collection has the largest group of his paintings and drawings.
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
Canaletto reception of the french ambassador in venice
new20/Canaletto-666832.jpg mk247
c.1740,oil on canvas,71.25x102.125 in,181x260 cm,state hermitage museum,st.petersburg,russia
Canaletto eto college
new20/Canaletto-248543.jpg mk248 denna bild av den beromda engelska skolan nara windsor malades mot slutet av canalettos vistse i storbitannien som bade inletts 1746.
Canaletto basino san marco venedig
new20/Canaletto-333357.jpg mk248 den vy som manga resenerer pe sin grnd fardades for att se ocb pa duk. det var inte ovanligt att entusiastiska kopare tog bem sina canalettos innan fargen ens bunnit torka.
Canaletto Return of the Bucentoro to the Molo on Ascension Day
new21/Canaletto-484522.jpg 1732 Oil on canvas Royal Collection, Windsor Artist: CANALETTO Painting Title: Return of the Bucentoro to the Molo on Ascension Day (detail) , 1701-1750 Painting Style: Italian , , landscape
Canaletto Venice Viewed from the San Giorgio Maggiore - Oil on canvas
new21/Canaletto-975986.jpg 77 x 97 cm St?delsches Kunstinstitut, Frankfurt Artist: CANALETTO Painting Title: Venice Viewed from the San Giorgio Maggiore , 1701-1750 Painting Style: Italian , , landscape
Canaletto Piazza San Marco
new21/Canaletto-466323.jpg 1735 Oil on canvas, 68,5 x 93,5 cm Galleria Corsini, Rome Artist: CANALETTO Painting Title: Piazza San Marco, Looking toward San Geminiano , 1701-1750 Painting Style: Italian , , landscape
Canaletto The Bucintore Returning to the Molo on Ascension Day c
new21/Canaletto-555376.jpg 1740 Oil on canvas, 187 x 259 cm Pushkin Museum, Moscow The painting is presumably a replica, painted by Canaletto himself, of the painting executed for the Count of Gergy in 1726 and subsequently lost. The painting was executed on the occasion of the reception of the French Ambassador, Jacques Vincent Languet, Count of Gergy in Venice. Artist: CANALETTO Painting Title: The Bucintore Returning to the Molo on Ascension Day , 1701-1750 Painting Style: Italian , , landscape
Canaletto Grand Canal
new21/Canaletto-685376.jpg Looking Northeast from Palazo Balbi toward the Rialto Bridge 1723-24 Oil on canvas, 144 x 207 cm Museo del Settecento Veneziano, Ca' Rezzonico, Venice The painting is part of a series of four vedute (now two are in the Thyssen collection and two in the Museo del Settecento in Venice). The four paintings reveals the influence of Marco Ricci. Artist: CANALETTO Painting Title: Grand Canal, Looking Northeast from Palazo Balbi toward the Rialto Bridge , 1701-1750 Painting Style: Italian , , landscape
Canaletto The Reception of the French Ambassador Jacques Vincent Languet, Compte de Gergy at the Doge Palace
new24/Canaletto-998769.jpg ca. 1727(1727)
Oil on canvas
cjr
Canaletto Veduta del Canale Grande in Richtung auf den Hafen von San Marco
new25/Canaletto-449467.jpg 2nd third of 18th century
Medium oil on canvas
Dimensions 53 X 70 cm
cjr
Italian Rococo Era Painter, 1697-1768
Italian painter, etcher and draughtsman. He was the most distinguished Italian view painter of the 18th century. Apart from ten years spent in England he lived in Venice, and his fame rests above all on his views (vedute) of that city; some of these are purely topographical, others include festivals or ceremonial events. He also painted imaginary views (capriccios), although the demarcation between the real and the invented is never quite clearcut: his imaginary views often include realistically depicted elements, though in unexpected surroundings, and in a sense even his Venetian vedute are imaginary. He never merely re-created reality. He was highly successful with the English, helped in this by the British connoisseur JOSEPH SMITH, whose own large collection of Canaletto works was sold to King George III in 1762. The British Royal Collection has the largest group of his paintings and drawings.
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