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Canaletto
Capriccio: Ruins and Classic Buildings ds
Canaletto61.jpg
1730s
Oil on canvas, 87,5 x 120,5 cm
Museo Poldi Pezzoli, Milan
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Canaletto
Venice Viewed from the San Giorgio Maggiore ds
Canaletto62.jpg
Oil on canvas, 77 x 97 cm
Städelsches Kunstinstitut, Frankfurt
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Canaletto
The Feast Day of St Roch fd
Canaletto63.jpg
c. 1735
Oil on canvas, 147,5 x 199,5 cm
National Gallery, London
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Canaletto
The Feast Day of St Roch (detail) f
Canaletto64.jpg
c. 1735
Oil on canvas
National Gallery, London
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Canaletto
Campo Santa Maria Formosa g
Canaletto65.jpg
c. 1735
Oil on canvas, 47 x 80 cm
Private collection
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Canaletto
Campo San Rocco bvh
Canaletto66.jpg
c. 1735
Oil on canvas, 47 x 80 cm
Private collection
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Canaletto
Piazza San Marco, Looking toward San Geminiano df
Canaletto67.jpg
c. 1735
Oil on canvas, 68,5 x 93,5 cm
Galleria Corsini, Rome
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Canaletto
The Rialto Bridge from the South fdg
Canaletto68.jpg
c. 1735
Oil on canvas, 68,5 x 92 cm
Galleria Corsini, Rome
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Canaletto
View of the Grand Canal fg
Canaletto69.jpg
c. 1735
Oil on canvas, 73 x 129 cm
Wallraf-Richartz Museum, Cologne
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Canaletto
Piazza San Marco: Looking South-East
Canaletto70.jpg
1735-40
Oil on canvas, 114,2 x 153,5 cm
National Gallery of Art, Washington
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Canaletto
Entrance to the Grand Canal: from the West End of the Molo dd
Canaletto71.jpg
1735-40
Oil on canvas, 114,5 x 153 cm
National Gallery of Art, Washington
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Canaletto
The Brenta Canal at Padua dsf
Canaletto72.jpg
1735-40
Oil on canvas, 62,5 x 109 cm
National Gallery of Art, Washington
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Canaletto
Grand Canal: Looking South-West f
Canaletto73.jpg
c. 1738
Oil on canvas, 124 x 204 cm
National Gallery, London
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Canaletto
Bacino di San Marco (St Mark s Basin)
Canaletto74.jpg
1738-40
Oil on canvas, 125 x 204 cm
Museum of Fine Arts, Boston
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Canaletto
The Grand Canal at the Salute Church d
Canaletto75.jpg
1738-42
Oil on canvas, 121 x 151 cm
Private collection, Zurich
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Canaletto
The Molo and the Riva degli Schiavoni from the Bacino di San Marco
Canaletto76.jpg
1740
Oil on canvas, 46,5 x 63 cm
Toledo Museum of Art, Toledo
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Canaletto
The Bucintore Returning to the Molo on Ascension Day
Canaletto77.jpg
c. 1740
Oil on canvas, 187 x 259 cm
Pushkin Museum, Moscow
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Canaletto
The Molo with the Library and the Entrance to the Grand Canal f
Canaletto78.jpg
c. 1740
Oil on canvas, 110,5 x 185,5 cm
Private collection
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Canaletto
Rome: The Arch of Constantine ffg
Canaletto79.jpg
1742
Oil on canvas, 181,5 x 103 cm
Royal Collection, Windsor
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Canaletto
Rome: The Arch of Constantine (detail) fd
Canaletto80.jpg
1742
Oil on canvas
Royal Collection, Windsor
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Canaletto
Rome: Ruins of the Forum, Looking towards the Capitol d
Canaletto81.jpg
1742
Oil on canvas, 188 x 104 cm
Royal Collection, Windsor
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Canaletto
Capriccio: The Ponte della Pescaria and Buildings on the Quay d
Canaletto82.jpg
1742-44
Oil on canvas, 84,5 x 129,5 cm
Royal Collection, Windsor
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Canaletto
Capriccio: The Horses of San Marco in the Piazzetta
Canaletto83.jpg
1743
Oil on canvas, 108 x 129,5 cm
Royal Collection, Windsor
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Canaletto
Entrance to the Grand Canal: Looking East f
Canaletto84.jpg
1744
Oil on canvas, 127 x 203 cm
Royal Collection, Windsor
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Canaletto
Capriccio with Venetian Motifs df
Canaletto85.jpg
1740-45
Oil on canvas, 51,2 x 68,6 cm
St. Louis Art Museum, St. Louis
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Canaletto
View of San Giuseppe di Castello d
Canaletto86.jpg
1740s
Oil on canvas, 47,5 x 77,5 cm
Private collection
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Canaletto
View of San Giuseppe di Castello (detail) f
Canaletto87.jpg
1740s
Oil on canvas
Private collection
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Canaletto
View of a River, Perhaps in Padua df
Canaletto88.jpg
1745
Oil on canvas
Private collection
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Canaletto
Arrival of the French Ambassador in Venice d
Canaletto89.jpg
1740s
Oil on canvas, 181 x 259,5 cm
The Hermitage, St. Petersburg
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Canaletto
Arrival of the French Ambassador in Venice (detail) f
Canaletto90.jpg
1740s
Oil on canvas
The Hermitage, St. Petersburg
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Canaletto
Italian Rococo Era Painter, 1697-1768
Italian painter, etcher and draughtsman. He was the most distinguished Italian view painter of the 18th century. Apart from ten years spent in England he lived in Venice, and his fame rests above all on his views (vedute) of that city; some of these are purely topographical, others include festivals or ceremonial events. He also painted imaginary views (capriccios), although the demarcation between the real and the invented is never quite clearcut: his imaginary views often include realistically depicted elements, though in unexpected surroundings, and in a sense even his Venetian vedute are imaginary. He never merely re-created reality. He was highly successful with the English, helped in this by the British connoisseur JOSEPH SMITH, whose own large collection of Canaletto works was sold to King George III in 1762. The British Royal Collection has the largest group of his paintings and drawings.
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