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Raphael
coronation of the virgin
new22/Raphael-332432.jpg
pinacoteca vaticana, vatican city
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Raphael
vision of a knight
new22/Raphael-652946.jpg
national gallery london
olj on wood 17x17cm
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Raphael
three graces muse'e conde,chantilly
new22/Raphael-678872.jpg
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olj on wood, 17x17
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Raphael
muse'e du louvre, paris
new22/Raphael-675338.jpg
olj on wood, 31x27
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Raphael
far right: st. michael
new22/Raphael-232223.jpg
muse'e du loure, paris
olj on wood, 31x27
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Raphael
marriage of the virgin
new22/Raphael-594279.jpg
dated 1504
brera, milan
oil on wood,170x118cm
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Raphael
virgin and child
new22/Raphael-856269.jpg
enthroned with ss. john the baptist and nicholas of bari
national gallry, london oil on wood,209x148
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Raphael
portrait of agnolo doni
new22/Raphael-454578.jpg
pitti palace, florence
oil on panel, 63x45
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Raphael
portrait of maddalena
new22/Raphael-643727.jpg
pitti palace, florence
oil on panel, 63x45
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Raphael
madonna conestabile
new22/Raphael-624444.jpg
hermitage, st petersburg
tempera on panel, transferred to canvas, diameter 18cm.
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Raphael
virgin and child with
new22/Raphael-376669.jpg
st. john the baptist
the madonna of the meadow
oil on panel, 113x88
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Raphael
virgin and child wild st.
new22/Raphael-357335.jpg
john the baptist
louvre, paris
oil on panel,122x80cm
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Raphael
the palm tree
new22/Raphael-279483.jpg
national gallery of scotland, edinburgh, on loan from the duke of sutherland
wood transferred to canvas, diameter 140cm
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Raphael
far right madonna del baldacchino
new22/Raphael-739395.jpg
pitti palace, florence
oil on panel, 277x224cm
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Raphael
far leet :entombment
new22/Raphael-959385.jpg
borghese gallery, rome
oil on wood,184x176cm
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Raphael
bridgewater madonna
new22/Raphael-568234.jpg
national gallyer of Scotland, edinburgh, on loan from the duke of sutherland
oil on wodd, transferred tocanvas, 81x56cm
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Raphael
st catherine
new22/Raphael-455297.jpg
national gallery, london.
oil on wood, 71x56cm.
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Raphael
stanza della segnatura
new22/Raphael-675787.jpg
vatican palace
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Raphael
the ceiling of the stanza della segnatura, vatican palace
new22/Raphael-646633.jpg
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Raphael
poetry
new22/Raphael-422323.jpg
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Raphael
philosophy
new22/Raphael-697785.jpg
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Raphael
theology
new22/Raphael-958258.jpg
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Raphael
justice
new22/Raphael-579288.jpg
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Raphael
fresco, stanza della segnatura
new22/Raphael-434379.jpg
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Raphael
plato and aristotle detail of the school of athens
new22/Raphael-625478.jpg
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Raphael
school of athens
new22/Raphael-852873.jpg
fresco stanza della segnatura
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Raphael
apollo and a seated muse
new22/Raphael-279742.jpg
detail of the parnassus in the stanza della segnatura
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Raphael
parnassus
new22/Raphael-832562.jpg
fresco, stanza della segnatura
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Raphael
justice wall
new22/Raphael-634628.jpg
fresco, stanza della segnatura
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Raphael
fortitude, and temperance,
new22/Raphael-594264.jpg
justice wall
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Raphael
Italian High Renaissance Painter, 1483-1520
Raphael Sanzio, usually known by his first name alone (in Italian Raffaello) (April 6 or March 28, 1483 ?C April 6, 1520), was an Italian painter and architect of the High Renaissance, celebrated for the perfection and grace of his paintings and drawings. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period.
Raphael was enormously productive, running an unusually large workshop, and, despite his early death at thirty-seven, a large body of his work remains, especially in the Vatican, whose frescoed Raphael Rooms were the central, and the largest, work of his career, although unfinished at his death. After his early years in Rome, much of his work was designed by him and executed largely by the workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models.
His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (from 1504-1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates.
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