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Raphael
Count Baldassare Castiglione
new19/Raphael-664674.jpg
mk231
1514
Oil on canvas
82x67cm
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Raphael
The Miraculous Draught of Fishes
new19/Raphael-263773.jpg
mk231
1515
Oil on paper
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Raphael
Virgin and Child with SS.John the Baptist and Nicholas
new19/Raphael-722475.jpg
mk231
c.1506
Oil on canvas
81.7x58in
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Raphael
marriage of the virgin
new20/Raphael-263623.jpg
mk247
1504,oil on panel,66.875x46.5 in,170x118 cm,pinacoteca di brera,milan,ltaly
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Raphael
school of athens
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1510 to11 ,fresco,303.125 in,770 cm(width at base),vatican museums and galleries,vatican city,ltaly
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Raphael
the mass of bolsena
new20/Raphael-296925.jpg
1512 to 14 ,fresco,259.875 in,660 cm(width at base),vatican museums and galleries,vatican city,ltaly
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Raphael
sistine madonna
new20/Raphael-683784.jpg
1513 to 14 ,oil on canvas,104.375x77.125 in,265x196 cm,gemaldegalerie,dresden,germany
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Raphael
The School of Athens, Stanza della Segnatura
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The School of Athens, Stanza della Segnatura
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Raphael
Giovanni Santi, Raphael father Christ supported by two angels,
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Giovanni Santi, Raphael's father; Christ supported by two angels, c.1490
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Raphael
The Mond Crucifixion
new21/Raphael-797864.jpg
The Mond Crucifixion, 1502-3, very much in the style of Perugino
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Raphael
The Coronation of the Virgin
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The Coronation of the Virgin 1502-3
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Raphael
The Wedding of the Virgin, Raphael most sophisticated altarpiece of this period.
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The Wedding of the Virgin, Raphael's most sophisticated altarpiece of this period.
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Raphael
Saint George and the Dragon, a small work
new21/Raphael-566849.jpg
Saint George and the Dragon, a small work (29 x 21 cm) for the court of Urbino.
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Raphael
The Ansidei Altarpiece,
new21/Raphael-593884.jpg
The Ansidei Altarpiece, ca. 1505, beginning to move on from Perugino
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Raphael
The Madonna of the Meadow
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The Madonna of the Meadow, ca. 1506, using Leonardo's pyramidal composition for subjects of the Holy Family.
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Raphael
Saint Catherine of Alexandria,
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Saint Catherine of Alexandria, 1507, borrows from the pose of Leonardo's Leda
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Raphael
Deposition of Christ,
new21/Raphael-474623.jpg
Deposition of Christ, 1507, drawing from Roman sarcophagi.
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Raphael
his only major mythology
new21/Raphael-692264.jpg
Galatea,1512, his only major mythology, for Chigi's villa.
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Raphael
The Miraculous Draught of Fishes,
new21/Raphael-537734.jpg
The Miraculous Draught of Fishes, 1515, one of the seven remaining Raphael Cartoons for tapestries.
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Raphael
Il Spasimo
new21/Raphael-646698.jpg
Il Spasimo 1517, brings a new degree of expressiveness to his art.
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Raphael
Transfiguration,
new21/Raphael-728583.jpg
Transfiguration, 1520, unfinished at his death.
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Raphael
Portrait of Elisabetta Gonzaga,
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Portrait of Elisabetta Gonzaga, ca. 1504
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Raphael
Portrait of Pope Julius II,
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Portrait of Pope Julius II, ca. 1512
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Raphael
Portrait of Bindo Altoviti,
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Portrait of Bindo Altoviti, ca. 1514
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Raphael
Portrait of Baldassare Castiglione
new21/Raphael-524648.jpg
Portrait of Baldassare Castiglione, ca. 1515.
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Raphael
La Fornarina Raphael mistress.
new21/Raphael-556746.jpg
La Fornarina, Raphael's mistress.
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Raphael
Sistine Madonna
new21/Raphael-266385.jpg
Sistine Madonna 1513-14
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Raphael
the mass of bolsena
new21/Raphael-447436.jpg
1512 to 14 ,fresco,259.875 in,660 cm(width at base),vatican museums and galleries,vatican city,ltaly
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Raphael
madonna of the pinks
new22/Raphael-869839.jpg
national gallery, london
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Raphael
crucifixon with
new22/Raphael-959879.jpg
the virgin SS. jerome, mary magdalen
and john the baptist
national gallery,london
olj on wood, 280x165cm
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Raphael
Italian High Renaissance Painter, 1483-1520
Raphael Sanzio, usually known by his first name alone (in Italian Raffaello) (April 6 or March 28, 1483 ?C April 6, 1520), was an Italian painter and architect of the High Renaissance, celebrated for the perfection and grace of his paintings and drawings. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period.
Raphael was enormously productive, running an unusually large workshop, and, despite his early death at thirty-seven, a large body of his work remains, especially in the Vatican, whose frescoed Raphael Rooms were the central, and the largest, work of his career, although unfinished at his death. After his early years in Rome, much of his work was designed by him and executed largely by the workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models.
His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (from 1504-1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates.
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