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Raphael
St.Sebastian
Raphael33.jpg
1500-01
Accademia Carrara, Bergamo
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Raphael
The Vision of Ezekiel
Raphael34.jpg
1518
Galleria Palatina, Florence
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Raphael
The Madonna of Foligno
Raphael35.jpg
1511-12
The Vatican
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Raphael
The Transfiguration
Raphael36.jpg
The Vatican
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Raphael
The Transfiguration
Raphael37.jpg
The Vatican
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Raphael
The Prophet Isaiah
Raphael38.jpg
1511-12
Church of Sant'Agostino, Rome
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Raphael
The Fire in the Borgo
Raphael39.jpg
Fresco
The Vatican
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Raphael
The School of Athens
Raphael40.jpg
1510-11 Fresco
The Vatican
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Raphael
The School of Athens
Raphael41.jpg
1510-11 Fresco
The Vatican
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Raphael
La Donna Velata
Raphael42.jpg
Galleria Palatina, Florence
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Raphael
The Sistine Madonna
Raphael43.jpg
1513-14
Staatliche Kunstsammlungen, Dresden
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Raphael
Madonna del Baldacchino
Raphael44.jpg
1507
Galleria Palatina, Florence
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Raphael
Detail from the Saint Nicholas Altarpiece
Raphael45.jpg
1500-01
Pinacoteca Civica Tosio Martinengo, Brescia
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Raphael
Saint Michael Trampling the Dragon
Raphael46.jpg
1518
Musee du Louvre, Paris
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Raphael
Christ on the Cross with the Virgin, Saint Jerome, Mary Magdalene and John the Baptist
Raphael47.jpg
1502
The National Gallery, London
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Raphael
Altarpiece of St.Nicholas of Tolentino
Raphael48.jpg
1501
Musee du Louvre, Paris
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Raphael
THE MADONNA OF THE CHAIR or Madonna della Sedia
Raphael49.jpg
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Raphael
The Fornarina
Raphael50.jpg
1516
Rome Galleria Nazionale
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Raphael
John the Baptist (mk05)
new5/Raphael-356459.jpg
Canvas 53 1/4 x 56''(135 x 142 cm)Given to Louis Xiv by the Marquis de la Feuillade in 1685 given to the Church of Longpoint in 1820;reclaimed for the Louvre in 1838
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Raphael
Baldassare Castiglione (mk05)
new5/Raphael-897538.jpg
Before 1516 Canvas,32 1/4 x 26 1/2''(82 x 67 cm)Acquired by Louis Xiv from the heirs of Cardinal Mazarin in 1661
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Raphael
Portrait of the Artist with a Friend (mk05)
new5/Raphael-453935.jpg
Wood 39 x 32 1/2''(99 x 83 cm)In the collection of Cardinal Granvelle as by Pordenone by 1607;at Fontainebleau as by Raphael by 1625;later in the collection of Louis XiV
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Raphael
George Fighting the Dragon (mk05)
new5/Raphael-639644.jpg
1505Wood,12 x 10 1/4\'\'(30 x 26 cm)Formed with st Michael a diptych;acquired by Louis XIV from the heirs of Cardinal Mazarin in 1661
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Raphael
La Belle Jandiniere (mk05)
new5/Raphael-366536.jpg
virgin and child with the Infant st.john the Baptist in a Landscape 1507
Wood 48 x 311/2\'\'(68 x 49 cm.Perhaps from the collection of Francois in the collection of Louis XIVbefore 1683
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Raphael
The Virgin with the Veil (mk05)
new5/Raphael-828729.jpg
Wood 27 x 19 1/4''(68 x 49 cm)Acquired by Louis XV from the collection of the Prince of Cavignan in 1743
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Raphael
The Holy Family,known as the Great Holy Family of Francois I (mk05)
new5/Raphael-845757.jpg
Canvas 81 1/2 x 55''(207 x 140 cm).Commissioned as a gift to the Queen of France;collections of Francois I and Louis XIV
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Raphael
Michael Victorious,Known as the Great Michael (mk05)
new5/Raphael-966255.jpg
1518
Canvas,105 1/2 x 63''(268 x 160 cm).Commissioned for poresentation to Francois I;collection of Louis XIV
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Raphael
The Holy Family Known as the Little Holy Family (mk05)
new5/Raphael-489784.jpg
Wood,15 1/4 x 12''(39 x 30 cm).Acquired in 1662-1666for the collection of Louis XIV
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Raphael
Pope Leo X with Cardinals Giulio de'Medici (mk08)
new6/Raphael-298527.jpg
1518*19
Oil on wood
154x119cm
Florence,Galleria degli Uffizi
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Raphael
Madonna of the Meadows (mk08)
new6/Raphael-527464.jpg
1505/06
Oil tempera on wood
113x88cm
Vienna,Kunsthistorisches Museum
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Raphael
Marriage of the Virgin (mk08)
new6/Raphael-723354.jpg
1504
Oil tempera on wood
170x117cm
Milan,Pinacoteca di Brera
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Raphael
Italian High Renaissance Painter, 1483-1520
Raphael Sanzio, usually known by his first name alone (in Italian Raffaello) (April 6 or March 28, 1483 ?C April 6, 1520), was an Italian painter and architect of the High Renaissance, celebrated for the perfection and grace of his paintings and drawings. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period.
Raphael was enormously productive, running an unusually large workshop, and, despite his early death at thirty-seven, a large body of his work remains, especially in the Vatican, whose frescoed Raphael Rooms were the central, and the largest, work of his career, although unfinished at his death. After his early years in Rome, much of his work was designed by him and executed largely by the workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models.
His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (from 1504-1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates.
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