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GIOTTO di Bondone
The Devils Cast out of Arezzo (mk08)
new6/GIOTTO di Bondone-975996.jpg
c.1296-1297
Freso,Assisi,
San Franceso.
Upper Church
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GIOTTO di Bondone
Crucifixion (mk08)
new6/GIOTTO di Bondone-585827.jpg
1303-1305
Fresco.Padua,
Arena Chapel
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GIOTTO di Bondone
The Marriage Procession of the Virgin (mk08)
new6/GIOTTO di Bondone-973633.jpg
1303-1305
Fresco.Padua,Arena Chapel
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GIOTTO di Bondone
View of the Church of San Francesco dfg
GIOTTO di Bondone1.jpg
established in 1228
Convent of San Francesco, Assisi
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GIOTTO di Bondone
The Chapel viewed from the entrance dfg
GIOTTO di Bondone2.jpg
1303-06
Cappella Scrovegni (Arena Chapel), Padua
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GIOTTO di Bondone
The Chapel viewed towards the entrance sdg
GIOTTO di Bondone3.jpg
1303-06
Cappella Scrovegni (Arena Chapel), Padua
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GIOTTO di Bondone
Vault fgt
GIOTTO di Bondone4.jpg
1303-06
Fresco
Cappella Scrovegni (Arena Chapel), Padua
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GIOTTO di Bondone
View of the Peruzzi and Bardi Chapels fh
GIOTTO di Bondone5.jpg
Santa Croce, Florence
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GIOTTO di Bondone
Navicella xh
GIOTTO di Bondone6.jpg
1305-13
Oil on canvas, 740 x 990 cm
Fabbrica di San Pietro, Rome
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GIOTTO di Bondone
Navicella ssh
GIOTTO di Bondone7.jpg
1305-13
Pen on paper, 274 x 388 mm
Metropolitan Museum of Art, New York
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GIOTTO di Bondone
Tondo with Angel sh
GIOTTO di Bondone8.jpg
c. 1310
Mosaic, diameter 65,5 cm
S. Pietro Ispano, Boville Ernica, Rome
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GIOTTO di Bondone
Anna and Joachim Meet at the Golden Gate (mk08)
new6/GIOTTO di Bondone-658947.jpg
1303-1305
Fresco.c.185x200cm
Padua,Arena Chapel
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GIOTTO di Bondone
The Lamentation of Christ (mk08)
new6/GIOTTO di Bondone-839565.jpg
1303-1305
Fresco.c.185x200cm
Padua,Arena Chapel
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GIOTTO di Bondone
St Francis Giving his Cloak to a Poor Man (mk08)
new6/GIOTTO di Bondone-482229.jpg
Fresco.
270x230cm
Assisi,
San Francesco.
Upper Church
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GIOTTO di Bondone
Enthroned Madonna with Saints (mk08)
new6/GIOTTO di Bondone-542588.jpg
c.1305-1310
Tempera on wood,
325x204cm
Florence
Galleria degli Uffizi
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GIOTTO di Bondone
Joachim Takes Refuge in the Wilderness (mk08)
new6/GIOTTO di Bondone-267324.jpg
C.1303-1305
Fresco.c.185x200cm
Padua,
Arena Chapel
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GIOTTO di Bondone
Francis Receiving the Stigmata (mk05)
new5/GIOTTO di Bondone-245334.jpg
Wood 123 1/4 x 64 1/4''(313 x 163 cm).From the Church of San Francesco in Pisa entered the Louvre in 1814 INV
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GIOTTO di Bondone
Coretto (mk14)
new7/GIOTTO di Bondone-638827.jpg
1305
Fresco
Cappella degli Scrovegni,Padua
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GIOTTO di Bondone
The Lamentation (nn03)
new8/GIOTTO di Bondone-392852.jpg
c 1305 Fresco 200 x 185 cm 78 3/4 x 72 7/8 in Cappella dei Scrovegni,Padua
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GIOTTO di Bondone
Last Judgement
new4/GIOTTO di Bondone-565584.jpg
mk68
Fresco
Padua
Arena Chapel
c.1306
Italy
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GIOTTO di Bondone
Lamentation over the Dead Christ
new4/GIOTTO di Bondone-973359.jpg
mk68
Fresco
Padua
Arena Chapel
c.1306
Italy
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GIOTTO di Bondone
Madonna in Majesty
new4/GIOTTO di Bondone-485525.jpg
mk68
Tempera on wood
Florence,Uffizi
Early Italian.
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GIOTTO di Bondone
Lamentation over the Dead CHrist
new4/GIOTTO di Bondone-465844.jpg
mk68
c.1306
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GIOTTO di Bondone
Madonna in Maesta
new9/GIOTTO di Bondone-358866.jpg
mk83
c.1310
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GIOTTO di Bondone
The Devils Cast our of Arezzo
new9/GIOTTO di Bondone-255639.jpg
mk86
c.1296-1297
Fresco
Assisi
San Francesco
Upper Church
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GIOTTO di Bondone
Crucifixion
new9/GIOTTO di Bondone-368392.jpg
mk86
1303-1305
Fresco
Padua
Arena Chapel
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GIOTTO di Bondone
The Marriage Procession of the Virgin
new9/GIOTTO di Bondone-876822.jpg
mk86
1303-1305
Fresco
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GIOTTO di Bondone
Enthroned Madonna with Saints
new9/GIOTTO di Bondone-254323.jpg
mk86
c.1305-1310
Tempera on wood
325x204cm
Florence,Galleria degli Uffizi
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GIOTTO di Bondone
Joachim Takes Refuge in the Wilderness
new9/GIOTTO di Bondone-263844.jpg
mk86
c.1303-1305
Fresco.
c.185x200cm
Padua,Arena Chapel
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GIOTTO di Bondone
Anna and Joachim Meet at the Golden Gate
new9/GIOTTO di Bondone-799833.jpg
mk86
1303-1305
Fresco,
c.185x200cm
Padua,Arena Chapel
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GIOTTO di Bondone
Italian Early Renaissance Painter, 1267-1337
Italian painter and designer. In his own time and place he had an unrivalled reputation as the best painter and as an innovator, superior to all his predecessors, and he became the first post-Classical artist whose fame extended beyond his lifetime and native city. This was partly the consequence of the rich literary culture of two of the cities where he worked, Padua and Florence. Writing on art in Florence was pioneered by gifted authors and, although not quite art criticism, it involved the comparison of local artists in terms of quality. The most famous single appreciation is found in Dante's verses (Purgatory x) of 1315 or earlier. Exemplifying the transience of fame, first with poets and manuscript illuminators, Dante then remarked that the fame of Cimabue, who had supposed himself to be the leader in painting, had now been displaced by Giotto. Ironically, this text was one factor that forestalled the similar eclipse of Giotto's fame, which was clearly implied by the poet.
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