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GIOTTO di Bondone
The Lamentation of Christ
new9/GIOTTO di Bondone-732756.jpg
mk86
1303-1305
Fresco
185x200cm
Padua,Arena Chapel
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GIOTTO di Bondone
St Francis Giving his Cloak to a Poor Man
new9/GIOTTO di Bondone-328946.jpg
mk86
between 1296 and 1299
Fresco
270x230cm
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GIOTTO di Bondone
Joachims Traum
new10/GIOTTO di Bondone-363668.jpg
mk92
1304-1306
Padua,Arenakapelle
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GIOTTO di Bondone
Throning God mother with the child
new12/LEONARDO da Vinci-554755.jpg
mk137
1310 Tempera on wood chalkboard 325x204cm Galleria degli
Uffizi, Florence
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GIOTTO di Bondone
The Demons are Cast out of Arezzo
new12/GIOTTO di Bondone-884977.jpg
mk156
1296-1297
Fresco
Upper Church of San Francesco
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GIOTTO di Bondone
Legend of St Francis St Francis Preaching before Pope Honorius Ill
new12/GIOTTO di Bondone-473834.jpg
mk156
1296-1297
Fresco
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GIOTTO di Bondone
Flight into Egypt
new12/GIOTTO di Bondone-652883.jpg
mk156
200x185cm
1303-05
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GIOTTO di Bondone
Meeting at the Golden Gate
new12/GIOTTO di Bondone-478792.jpg
mk156
1303-05
Fresco
Cappella Scrovegni
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GIOTTO di Bondone
Presentation of the Virgin in the Temple
new12/GIOTTO di Bondone-722966.jpg
mk156
1303-05
Fresco
Cappella degli Scrovegni Dell- Arena
Padua
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GIOTTO di Bondone
Ognissanti Madonna
new12/GIOTTO di Bondone-787428.jpg
mk156
1305-10
Tempera on panel
325x204cm
Galleria degli Uffizi,Florence
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GIOTTO di Bondone
Nativity,Adoration of the Shepherds and the Magi
new16/GIOTTO di Bondone-744789.jpg
mk161
Tempera on wood
Gold ground
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GIOTTO di Bondone
The birth, with the giornate indicated
new16/GIOTTO di Bondone-624729.jpg
mk169
ca.1304-13 v. Chr. Fresco 231x202cm Scrovegnikapel, Padua
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GIOTTO di Bondone
Baroncelli Polyptych
new16/GIOTTO di Bondone-956374.jpg
c. 1334
Tempera on wood,
185 x 323 cm
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GIOTTO di Bondone
Saint Stephen
new16/GIOTTO di Bondone-359422.jpg
1320-25
Tempera on wood,
84 x 54 cm
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GIOTTO di Bondone
GIOTTO
new16/GIOTTO di Bondone-855429.jpg
1320-25
Tempera on wood,
81 x 55 cm
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GIOTTO di Bondone
The Epiphany
new16/GIOTTO di Bondone-559396.jpg
1320-25
Tempera on wood, gold ground,
45,1 x 43,8 cm
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GIOTTO di Bondone
Stigmatization of St Francis
new16/GIOTTO di Bondone-272955.jpg
1300
Tempera on wood,
314 x 162 cm
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GIOTTO di Bondone
Descent into Limbo
new16/GIOTTO di Bondone-932738.jpg
1320-25
Tempera on wood,
45 x 44 cm
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GIOTTO di Bondone
Pentecost
new16/GIOTTO di Bondone-437272.jpg
1320-25
Egg tempera on poplar,
46 x 44 cm
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GIOTTO di Bondone
Last Judgment
new16/GIOTTO di Bondone-537673.jpg
1000 x 840 cm
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GIOTTO di Bondone
St Lawrence
new16/GIOTTO di Bondone-775743.jpg
1320-25
Tempera on wood,
81 x 55 cm
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GIOTTO di Bondone
The Stefaneschi Triptych Martyrdom of St Paul
new16/GIOTTO di Bondone-985879.jpg
c. 1330
Tempera on panel
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GIOTTO di Bondone
Presentation in the Temple
new16/GIOTTO di Bondone-687458.jpg
1320-25
Tempera on wood,
44 x 43
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GIOTTO di Bondone
Scenes from the Life of St John the Baptist
new16/GIOTTO di Bondone-398376.jpg
280 x 450 cm
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GIOTTO di Bondone
Birth and Naming of the Baptist
new16/GIOTTO di Bondone-323379.jpg
280 x 450 cm
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GIOTTO di Bondone
Feast of Herod
new16/GIOTTO di Bondone-255644.jpg
280 x 450 cm
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GIOTTO di Bondone
Expulsion of the Money-changers from the Temple
new16/GIOTTO di Bondone-988335.jpg
1304-06
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GIOTTO di Bondone
Judas-Betrayal
new16/GIOTTO di Bondone-874593.jpg
150 x 140 cm
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GIOTTO di Bondone
Washing of Feet
new16/GIOTTO di Bondone-878645.jpg
200 x 185 cm
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GIOTTO di Bondone
The Arrest of Christ
new16/GIOTTO di Bondone-335837.jpg
200 x 185 cm
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GIOTTO di Bondone
Italian Early Renaissance Painter, 1267-1337
Italian painter and designer. In his own time and place he had an unrivalled reputation as the best painter and as an innovator, superior to all his predecessors, and he became the first post-Classical artist whose fame extended beyond his lifetime and native city. This was partly the consequence of the rich literary culture of two of the cities where he worked, Padua and Florence. Writing on art in Florence was pioneered by gifted authors and, although not quite art criticism, it involved the comparison of local artists in terms of quality. The most famous single appreciation is found in Dante's verses (Purgatory x) of 1315 or earlier. Exemplifying the transience of fame, first with poets and manuscript illuminators, Dante then remarked that the fame of Cimabue, who had supposed himself to be the leader in painting, had now been displaced by Giotto. Ironically, this text was one factor that forestalled the similar eclipse of Giotto's fame, which was clearly implied by the poet.
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