RAEBURN, Sir Henry Wholesale China Xiamen Oil Painting 1

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RAEBURN, Sir Henry Scottish Romantic Painter, 1756-1823 Scottish painter. He is perhaps the best known of all Scottish painters, with a critical reputation rivalling that of Allan Ramsay. He was almost exclusively a portrait painter, and his work did much to define Scottish society in a period of immense vigour and intellectual distinction. The demand for his work was sufficient to sustain a career wholly in Scotland, although he occasionally regretted his lack of first-hand knowledge of portrait painting in London. His working life, which was largely confined to Edinburgh

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RAEBURN, Sir Henry Reverend Robert Walker Skating on Duddin oil painting

Reverend Robert Walker Skating on Duddin

Painting ID:: 31372

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RAEBURN, Sir Henry

Reverend Robert Walker Skating on Duddin
nn07

RAEBURN, Sir Henry Portrait of Miss Eleanor Urquhart. oil painting

Portrait of Miss Eleanor Urquhart.

Painting ID:: 31373

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RAEBURN, Sir Henry

Portrait of Miss Eleanor Urquhart.
nn07 c.1793. Oil on canvas. National Gallery of Art, Washington, DC, USA.

RAEBURN, Sir Henry Jams Cruikshank oil painting

Jams Cruikshank

Painting ID:: 31824

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RAEBURN, Sir Henry

Jams Cruikshank
mk76 Painted between c.1805 and 1808 Oil on canvas 50x40in

RAEBURN, Sir Henry Mrs.James Cruikshank oil painting

Mrs.James Cruikshank

Painting ID:: 31825

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RAEBURN, Sir Henry

Mrs.James Cruikshank
mk76 Painted between c.1805 and 1808 Oil on canvas 50 3/4x40in

RAEBURN, Sir Henry Portrait of Sir John Sinclair oil painting

Portrait of Sir John Sinclair

Painting ID:: 43916

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RAEBURN, Sir Henry

Portrait of Sir John Sinclair
1794-95 Oil on canvas, 238 x 154 cm

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RAEBURN, Sir Henry

Scottish Romantic Painter, 1756-1823 Scottish painter. He is perhaps the best known of all Scottish painters, with a critical reputation rivalling that of Allan Ramsay. He was almost exclusively a portrait painter, and his work did much to define Scottish society in a period of immense vigour and intellectual distinction. The demand for his work was sufficient to sustain a career wholly in Scotland, although he occasionally regretted his lack of first-hand knowledge of portrait painting in London. His working life, which was largely confined to Edinburgh

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