100% hand painted, 100% cotton canvas, 100% money back if not satisfaction.
Caravaggio
Italian Baroque Era Painter, ca.1571-1610
Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
Caravaggio Portrait of Antonio Martelli.
new25/Caravaggio-638646.jpg Date 1608.(1608.)
Medium Oil on canvas.
Dimensions 118.5 x 95.5 cm (46.7 x 37.6 in).
cjr
Caravaggio David
new25/Caravaggio-349976.jpg between 1606(1606) and 1607(1607)
Medium Oil on wood
Dimensions Height: 90.5 cm (35.6 in). Width: 116 cm (45.7 in).
cjr
Caravaggio Crucifiction of St. Peter
new25/Caravaggio-464836.jpg 1600(1600)
Medium Oil on canvas
Dimensions Height: 230 cm (90.6 in). Width: 175 cm (68.9 in).
cjr
Caravaggio The Conversion of Saint Paul
new25/Caravaggio-437863.jpg 1600(1600)
Medium oil on canvas
Dimensions Height: 230 cm (90.6 in). Width: 175 cm (68.9 in).
cjr
Caravaggio Amor vincit omnia.
new25/Caravaggio-879335.jpg c. 1602(1602)
Medium oil on canvas
Dimensions Height: 156 cm (61.4 in). Width: 113 cm (44.5 in).
cjr
Caravaggio Nativity with St. Francis and St Lawrence
new26/Caravaggio-998945.jpg 1609
Type Oil on canvas
Dimensions 268 cm x 197 cm (106 in x 78 in)
cyf
Italian Baroque Era Painter, ca.1571-1610
Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.
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