100% hand painted, 100% cotton canvas, 100% money back if not satisfaction.
Caravaggio
Italian Baroque Era Painter, ca.1571-1610
Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
Caravaggio the conversion on the way to damascus
new20/Caravaggio-552322.jpg mk247
1601 ,oil on canvas,90.5x69 in,230x175 cm,cerasi chapel,santa maria del popolo,rome,ltaly
Caravaggio poem scroll with deer
new20/Caravaggio-468454.jpg mk247
1603,ink and gold on paper(detail),13x363 in,34x939 cm,seattle art museum,seattle ,wa,usa
Caravaggio ung man med fruktkorg
new20/Caravaggio-743238.jpg mk248 ynglingen som ser ut som bsn nastan bjuder ut sig sjalv till askadaren tillsammans med frukten, ar mojligtvis ett sjalvportratt. caravaggio bor ba varit oomkring 21 ar nar bn malade bilden men visade redan upp en skickligbet i bebandingen av kontrarnemellan ljus ocb skugga, chiaroscuro eller klarobskyr.
Caravaggio jesus och larjungarna i emmaus
new20/Caravaggio-998379.jpg mk248 gesterna i der bar bilden sger oss en bel del. larjungrns utrackta bander till boger,de andra som griper tag i sina stolar, fangar en ogonblicksbild av insikt da den skagglose yngling som de traffat langs vagen avslojar sig som den ateruppstandne lristus nar ban valsignar maltiden. stillebenet med frukter ger biblisk erferenser till ateruppstandelse ocb uppfyllda forvantningar medan applena frestelsens symboler ar markbart maskstungna.
Caravaggio St. Paul s conversion
new20/Caravaggio-524726.jpg mk250 Rome, Italy, the people of the church of Our Lady of the funeral chapel, the year 1601. Cloth on canvas, 230 x 175 cm around.
Caravaggio San Marco called
new20/Caravaggio-475876.jpg mk250 Rome, Italy, the Church of St. Lugar Kangtaleili Chapel, in the year 1597-1601. Cloth on canvas, 338 x 348 cm around.
Caravaggio Christian burial
new20/Caravaggio-259278.jpg mk250 Rome, Italy, St. Mary s Church Chapel Pierrot, the year 1603. Oil painting on cloth, about 300 x 201 cm.
Italian Baroque Era Painter, ca.1571-1610
Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.
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