100% hand painted, 100% cotton canvas, 100% money back if not satisfaction.
Peter Paul Rubens
Flemish Baroque Era Painter, 1577-1640
Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects.
In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England.
Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635.
His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems.
His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
Peter Paul Rubens The Four Philosophers (mk08)
new6/Peter Paul Rubens-848326.jpg c.1611
Oil on panel
164x139cm
Florence,Palazzo Pitti,
Galleria Palatina
Peter Paul Rubens Stormy Landscape with Philemon und Baucis(mk08)
new6/Peter Paul Rubens-539888.jpg c.1620
Oil on canvas
147x209cm
Vienna,Kunsthistorisches Museum
Peter Paul Rubens Ruben with his first wife Isabeela Brant in the Honeysuckle Bower (mk08)
new6/Peter Paul Rubens-678434.jpg c.1609/10
Oil on canvas-coverde Panel
178x136.5
Munich,Bayerische Staatsgemalde-sammlungen,Alte Pinakothek
Peter Paul Rubens The Landing of Marie de'Medici at Marseilles (mk080
new6/Peter Paul Rubens-878738.jpg c.1622-1625
Oil on canvas
394x295cm
Paris Musee National du Louvre
Peter Paul Rubens The Rape of the Daughter of Leucippus (mk08)
new6/Peter Paul Rubens-823254.jpg c.1618
Oil on canvas
224x210.5cm
Munich,Bayerisch Staats-gemaldesammlungen
Alte Pinakothek
Peter Paul Rubens Hippopotamus and Crocodile Hunt (mk080
new6/Peter Paul Rubens-934822.jpg c.1615/16
Oil on canvas,
248x321cm
Munich,Bayerische Staatsgemald-sammlungen,Alte Pinakothek
Peter Paul Rubens Odysseus and Nausicaa (mk08)
new6/Peter Paul Rubens-522345.jpg 1619
Oil on panel,
91.5x117.2cm
Munich,Bayerische Staatsgemalde-sammlungen,Alte Pinakothek
Peter Paul Rubens The Judgement of Paris (nn03)
new8/Peter Paul Rubens-495652.jpg 1632-5
Oil on panel 144.8 x 193.7 cm 57 x 76 1/4 in National Gallery London
Peter Paul Rubens Portrait of A Young Man (mk27)
new8/Peter Paul Rubens-679296.jpg 1597
Oil on copper 8 1/2 x 5 3/4''(21.6 x 14.6 cm)
Metropolian Museum of Art,New York Jock and Belle Linsky Collection 1982
Peter Paul Rubens The Judgment of Paris (mk27)
new8/Peter Paul Rubens-297534.jpg 1600-1601
Oil on panel 52 11/16 x 68 11/16''(133.9 x 174.5 cm)
The National Gallery London
Peter Paul Rubens Landscape With Carters (mk27)
new8/Peter Paul Rubens-684755.jpg c 1617 - 1618
Panel Transfered to camas 33 7/8 x 49 3/4''(86 x 126.5 cm)
Hermitage Leningrad
Peter Paul Rubens The Marriage of Constantine (mk27)
new8/Peter Paul Rubens-895653.jpg Designed 1622 (woven 1623-1625)
Tapestry 16'1'' x 17'11''(490 x 546 cm)
Philadelphia Museum of Art,Philadelphia Given by the Sanuel H Kress Foundation
Peter Paul Rubens Portrait of Susanna Fourment ('Le Chapeau de Paille') (mk27)
new8/Peter Paul Rubens-729338.jpg c 1622-1625
Oil on panel 31 1/16 x 21 1/4'' (79 x 54 cm)
The National Gallery London
Peter Paul Rubens Henry Iv Receiving The Portrait of Maria de'Medici (mk27)
new8/Peter Paul Rubens-599465.jpg 1622-1625
Oil on canvas 12' 11 1/16'' x 9' 8 1/8''(394 x 295 cm)
The Louvre Paris
Peter Paul Rubens THe Adoration of The Magi (mk27)
new8/Peter Paul Rubens-479535.jpg 1624
Oil on panel 14'8 1/8'' x 11'4 3/16''(448 x 346 cm)
Koninklijk Museum voor Schone Kunsten Antwerp
Peter Paul Rubens Albert and Nicolaas Rubens (mk27)
new8/Peter Paul Rubens-557497.jpg c 1625
Oil on panel 62 1/4 x 36 1/4'' (158 x 92 cm)
Collections of the Prince of Liechtenstein,Vaduz
Flemish Baroque Era Painter, 1577-1640
Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects.
In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England.
Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635.
His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems.
His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.
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