100% hand painted, 100% cotton canvas, 100% money back if not satisfaction.
Peter Paul Rubens
Flemish Baroque Era Painter, 1577-1640
Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects.
In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England.
Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635.
His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems.
His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
Peter Paul Rubens Landscape with a Rainbow (mk01)
new5/Peter Paul Rubens-377248.jpg c.1635-8
Oil on panel;
135.5x233.5cm
53 3/8x92in
Wallace Collection,
London
Peter Paul Rubens Sunset Landscape with a Sbepberd and his Flock (mk01)
new5/Peter Paul Rubens-634656.jpg c.1638
Oil on panel;
49.4x83.5cm
19 3/8 32 7/8in
National Gallery,
London
Peter Paul Rubens Flemisb Kermis or Kermesse Flamande (mk01)
new5/Peter Paul Rubens-378972.jpg C.1630
Oil on panel;
149x261cm
58 5/8x102 3/4in
Musee du Louvre,
Paris
Peter Paul Rubens A Peasant Kermis (mk01)
new5/Peter Paul Rubens-885684.jpg C.1567-8
Oil on panel;
114x164cm
44 7/8x64 1/2in
Kunst-historisches Museum,
Vienna
Peter Paul Rubens Rubes'funerary chapel in St Jacob's Church Antwerp,with the artist's (mk01)
new5/Peter Paul Rubens-927279.jpg Madonna and Child with Sanint and a statue of the a Virgin by Lucas Fayd'herbe
Peter Paul Rubens The Destiny of Marie de'Medici (mk05)
new5/Peter Paul Rubens-244844.jpg TThe Three Fates spin the thread of fate for the unborn child,and are watched by Jupiter and Juno
Canvas,155 x 61''(394 x 155 cm)
Peter Paul Rubens The Triumph of Truth (mk05)
new5/Peter Paul Rubens-529955.jpg Time raises Truth to take her place at the meeting between mother and son
Canvas,155 x 63''(394 x 160 cm)INV .1789
Peter Paul Rubens The Raising of the Cross (mk05)
new6/Peter Paul Rubens-326395.jpg Wood,12 1/2 x 14 1/2''(32 x 37 cm)Sketch for part of the ceiling of the Jesuit church in Antwerp;painted in 1620 -1621 and burned down in 1718;bequeathed in 1869
Peter Paul Rubens The Village Wedding (mk05)
new6/Peter Paul Rubens-447843.jpg Wood,581/2 x 103''(149 x 261 cm).Collection of Louis XIV;acquired in 1685 INV
Peter Paul Rubens Tournament Near the Moat of the Chateau du Steen (mk05)
new6/Peter Paul Rubens-842222.jpg Wood,28 1/4 x 41 1/2''(72 x 106 cm)Collection of Louis XV;acquired in 1742
Peter Paul Rubens Helene Fourment and Her Children,Claire-Jeanne and Francois (mk05 )
new6/Peter Paul Rubens-349242.jpg ca.1636-1637
Wood,45 1/4 x 33 1/2''(115 x 85 cm).Collection of Louis XIV;acquired in 1784
Peter Paul Rubens Landscape with a Bird-Catcher (mk05)
new6/Peter Paul Rubens-937636.jpg Wood,18 x 33 1/2''(46 x 85 cm).Obtained from the collection of the Stadhouder at The Hague in 1795
Peter Paul Rubens Philopeoemen General of the Achaeans Is Recognized by His Hosts at Megara (mk05)
new6/Peter Paul Rubens-623592.jpg Wood 19 1/2 x 26''(50 x 66 cm)From Plutarch Sketch for a large picture painted by Snyders with aid from Rubens;received in 1869
Peter Paul Rubens Selbstbildnis mit Isabella Brant in der Geibblattlaube (mk05)
new6/Peter Paul Rubens-325656.jpg 1609
179x136cm
Munchen,Bayerische Staatsgemaldesammlung
Flemish Baroque Era Painter, 1577-1640
Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects.
In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England.
Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635.
His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems.
His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.
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