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Hans Memling
St John Altarpiece
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between 1474(1474) and 1479(1479)
Medium oil on oak panel
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Hans Memling
St John Altarpiece
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between 1474(1474) and 1479(1479)
Medium oil on oak panel
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Hans Memling
Scenes from the Passion of Christ
new25/Hans Memling-884397.jpg
between 1470(1470) and 1471(1471)
Medium English: Oil on oak panel
Dimensions 56,7 x 92,2 cm
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Hans Memling
Virgin and Child Enthroned with Two Angels
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between 1485(1485) and 1490(1490)
Medium oil on oak panel
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Hans Memling
Saint Anthony of Padua
new25/Hans Memling-867468.jpg
1485(1485)
Medium oil on panel
Dimensions 35 X 26 cm (13.8 X 10.2 in)
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Hans Memling
Retrat d'un home amb una rosa
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1475(1475)
Medium oil on oak panel
Dimensions Height: 27.3 cm (10.7 in). Width: 38.1 cm (15 in).
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Hans Memling
Triptych
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1470(1470)
Medium oil on panel
Dimensions Height: 96.4 cm (38 in). Width: 147 cm (57.9 in). (central)
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Hans Memling
The Annunciation
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between 1467(1467) and 1470(1470)
Medium oil on panel
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Hans Memling
Panell central es troba a Berlin i els laterals a Florencia
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1487(1487)
Medium oil on panel
Dimensions CatalX: 43 X 31 cm
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Hans Memling
The triptych of Willem Moreel
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121 X 153.5 cm
Oil on wood
1484
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Hans Memling
Retrat d'un home
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c. 1472(1472)
Medium oil on panel
Dimensions 35,3 x 25,7 cm
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Hans Memling
Triptych of the Rest on the Flight into Egypt.
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between 1475(1475) and 1480(1480)
Medium oil on oak panel
Dimensions Height: 47 cm (18.5 in). Width: 26 cm (10.2 in). (central panel)
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Hans Memling
Angel with an olive branch
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between 1475(1475) and 1480(1480)
Medium Oil and gold on panel
Dimensions Height: 16 cm (6.3 in). Width: 10 cm (3.9 in).
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Hans Memling
Portrait of an old woman.
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c. 1470-1472
Medium oil on oak panel
Dimensions 35.4 X 29.3 cm (13.9 X 11.5 in)
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Hans Memling
Diptych of Maarten Nieuwenhove
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1487(1487)
Medium Oil on oak panel
Dimensions 52 x 41,5 cm (each)
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Hans Memling
Annunciation
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1467-1470
Medium Oil on panels
Dimensions 78 x 63 cm (central panel), 83,3 x 26,5 cm (each)
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Hans Memling
Virgin Suckling the Child
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1475(1475)
Medium oil on oak panel
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Hans Memling
Sant Esteve i Sant Cristofor
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circa 1480(1480)
Medium oil on panel
Dimensions 48 X 17 cm
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Hans Memling
Mater Dolorosa
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1480s
Medium oil on panel
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Hans Memling
St John and Veronica Diptych
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circa 1483(1483)
Medium oil on panel
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Hans Memling
The Martyrdom of St Sebastian
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circa 1475(1475)
Medium oil on panel
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Hans Memling
St Andrew
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1490s
Medium oil on oak panel
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Hans Memling
Diptych of Maarten Nieuwenhove
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1487(1487)
Medium oil on oak panel
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Hans Memling
Portrait of Gilles Joye
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1472(1472)
Medium oil on oak panel
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Hans Memling
Netherlandish Northern Renaissance Painter, ca.1435-1494
Born in Seligenstadt, near Frankfurt in the Middle Rhein region, it is believed that Memling served his apprenticeship at Mainz or Cologne, and later worked in the Netherlands under Rogier van der Weyden (c. 1455?C1460). He then went to Bruges around 1465.
There is an apocryphical story that he was a wounded at the Battle of Nancy, sheltered and cured by the Hospitallers at Bruges, and that to show his gratitude he refused payment for a picture he had painted for them. Memling did indeed paint for the Hospitallers, but he painted several pictures for them, in 1479 and 1480, and it is likely that he was known to his patrons of St John, prior to the Battle of Nancy.
Memling is connected with military operations only in a distant sense. His name appears on a list of subscribers to the loan which was raised by Maximilian I of Austria, to defend against hostilities towards France in 1480. In 1477, when he was incorrectly claimed to have been killed, he was under contract to create an altarpiece for the gild-chapel of the booksellers of Bruges. This altarpiece, under the name of the Seven Griefs of Mary, is now in the Gallery of Turin. It is one of the fine creations of his more mature period. It is not inferior in any way to those of 1479 in the hospital of St. John, which for their part are hardly less interesting as illustrative of the master's power than The Last Judgment which can be found since the 1470s in the St. Mary's Church, Gda??sk. Critical opinion has been unanimous in assigning this altarpiece to Memling. This affirms that Memling was a resident and a skilled artist at Bruges in 1473; for the Last Judgment was undoubtedly painted and sold to a merchant at Bruges, who shipped it there on board of a vessel bound to the Mediterranean, which was captured by Danzig privateer Paul Beneke in that very year. This purchase of his pictures by an agent of the Medici demonstrates that he had a considerable reputation.
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