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Hans Memling
A Young Man at Prayer
new16/Hans Memling-768824.jpg
mk170
Circa 1475
Oil on oak
39x25.4cm
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Hans Memling
Saint John the Baptist
new16/Hans Memling-294336.jpg
mk170
circa 1475
Oil on oak
57.5x17.3cm
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Hans Memling
The Virgin and Child with Angels,Saints and Donors
new16/Hans Memling-239426.jpg
mk170
circa 1475
Oil on oak
71x70.3cm
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Hans Memling
Christ Giving His Blessing
new16/Hans Memling-665333.jpg
1481
Oil on oak panel,
34,8 x 26,2 cm
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Hans Memling
Diptych with the Allegory of True Love
new16/Hans Memling-477527.jpg
1485-90
Oil on oak panel,
43 x 18
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Hans Memling
Madonna nad Child with Angels
new19/Hans Memling-629782.jpg
nn09
c.1480
wood
59x48cm
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Hans Memling
The Last judgment
new19/Hans Memling-343343.jpg
nn09
1467-71
Wood
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Hans Memling
Portratt of Monday with arrow
new19/Hans Memling-499643.jpg
mk234
around 1470 / 5
32.5x26cm
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Hans Memling
Portrait of an old Woman
new20/Hans Memling-892392.jpg
mk247
c.1470,oil on panel,10.375x7 in,26.5x18cm ,museum of fine arts,houston,tx,usa
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Hans Memling
the donne triptych
new20/Hans Memling-483792.jpg
mk247
1480,oil on oak,28x28 in(central panel) 28x11.75(shutters),nationalgallery,london,uk
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Hans Memling
Portrait of elderly women
new20/Hans Memling-363933.jpg
mk255 for in 1470. 0.35 x 0.29 meters canvas. Paris, the Louvre
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Hans Memling
The Last Judgment
new21/Hans Memling-538335.jpg
The Last Judgment
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Hans Memling
Triptych of Earthly Vanity and Divine Salvation
new21/Hans Memling-575692.jpg
Triptych of Earthly Vanity and Divine Salvation (front) (c.1485)
Oil on oak panel, 22 x 15 cm (each wing) Mus??e des Beaux-Arts de Strasbourg
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Hans Memling
Passion Altarpiece
new21/Hans Memling-525589.jpg
Passion Altarpiece/Polyptych (1491) in L??beck
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Hans Memling
Diptychon mit Johannes dem Taufer und der Hl. Veronika, linker Flugel
new22/Hans Memling-447849.jpg
c. 1470
32 ?? 24 cm (12.60 ?? 9.45 in)
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Hans Memling
den heliga veronica
new22/Hans Memling-288235.jpg
se
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Hans Memling
Der Hl Johannes der Taufer
new23/Hans Memling-367539.jpg
Medium Oil on wood
Dimensions 032 X 24 cm
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Hans Memling
madonnan med barnet tronande med angel och donator
new23/Hans Memling-499486.jpg
olja pa tra mittavlan 47x69cm
flyglarna 18.5x63.5cm
1659
se
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Hans Memling
adam
new23/Hans Memling-866889.jpg
se
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Hans Memling
eva
new23/Hans Memling-658787.jpg
se
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Hans Memling
Marienaltar des Sir John Donne of Kidwelly, rechter Flugel: Evangelist Johannes
new23/Hans Memling-865399.jpg
c. 1468
Oil on panel
71 x 30 cm
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Hans Memling
Allegory of Chastity
new23/Hans Memling-675946.jpg
Hans Memling, Allegory of Chastity (1475, oil on wood)
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Hans Memling
Allegory of Chastity
new24/Hans Memling-575447.jpg
(1475, oil on wood)
cyf
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Hans Memling
Vase mit Blumen
new24/Hans Memling-865698.jpg
c. 1480
Oil on wood
28,5 ?? 21,5 cm
cjr
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Hans Memling
Diptychon des Maarten van Nieuwenhove
new24/Hans Memling-473396.jpg
1487
Medium Oil on panel
Deutsch: Öl auf Holz
Dimensions Deutsch: 44 x 33 cm
cyf
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Hans Memling
Diptychon des Maarten van Nieuwenhove
new24/Hans Memling-456537.jpg
Date 1487
Medium Oil on panel
Deutsch: Öl auf Holz
Dimensions Deutsch: 44 x 33 cm
cyf
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Hans Memling
Vase mit Blumen
new24/Hans Memling-464488.jpg
English: c. 1480
Medium Oil on wood
Dimensions Deutsch: 28,5 x 21,5 cm
cyf
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Hans Memling
Madonna Enthroned with Child and Two Angels
new24/Hans Memling-669855.jpg
Date between 1490(1490) and 1491(1491)
Medium Oil on wood
Dimensions Height: 57 cm (22.4 in). Width: 42 cm (16.5 in).
cjr
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Hans Memling
Carrying the Cross
new24/Hans Memling-788453.jpg
Date second half of 15th century
Medium Oil on oak
Dimensions Height: 58.2 cm (22.9 in). Width: 27.5 cm (10.8 in).
cjr
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Hans Memling
Virgin and Child with Musician Angels
new24/Hans Memling-668935.jpg
Date 1480(1480)
Medium Oil on oak
Dimensions Height: 40 cm (15.7 in). Width: 29 cm (11.4 in).
cjr
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Hans Memling
Netherlandish Northern Renaissance Painter, ca.1435-1494
Born in Seligenstadt, near Frankfurt in the Middle Rhein region, it is believed that Memling served his apprenticeship at Mainz or Cologne, and later worked in the Netherlands under Rogier van der Weyden (c. 1455?C1460). He then went to Bruges around 1465.
There is an apocryphical story that he was a wounded at the Battle of Nancy, sheltered and cured by the Hospitallers at Bruges, and that to show his gratitude he refused payment for a picture he had painted for them. Memling did indeed paint for the Hospitallers, but he painted several pictures for them, in 1479 and 1480, and it is likely that he was known to his patrons of St John, prior to the Battle of Nancy.
Memling is connected with military operations only in a distant sense. His name appears on a list of subscribers to the loan which was raised by Maximilian I of Austria, to defend against hostilities towards France in 1480. In 1477, when he was incorrectly claimed to have been killed, he was under contract to create an altarpiece for the gild-chapel of the booksellers of Bruges. This altarpiece, under the name of the Seven Griefs of Mary, is now in the Gallery of Turin. It is one of the fine creations of his more mature period. It is not inferior in any way to those of 1479 in the hospital of St. John, which for their part are hardly less interesting as illustrative of the master's power than The Last Judgment which can be found since the 1470s in the St. Mary's Church, Gda??sk. Critical opinion has been unanimous in assigning this altarpiece to Memling. This affirms that Memling was a resident and a skilled artist at Bruges in 1473; for the Last Judgment was undoubtedly painted and sold to a merchant at Bruges, who shipped it there on board of a vessel bound to the Mediterranean, which was captured by Danzig privateer Paul Beneke in that very year. This purchase of his pictures by an agent of the Medici demonstrates that he had a considerable reputation.
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