100% hand painted, 100% cotton canvas, 100% money back if not satisfaction.
Bartolome Esteban Murillo
Spanish
1618-1682
Bartolome Esteban Murillo Galleries
Murillo began his art studies under Juan del Castillo in Seville. Murillo became familiar with Flemish painting; the great commercial importance of Seville at the time ensured that he was also subject to influences from other regions. His first works were influenced by Zurbaran, Jusepe de Ribera and Alonso Cano, and he shared their strongly realist approach. As his painting developed, his more important works evolved towards the polished style that suited the bourgeois and aristocratic tastes of the time, demonstrated especially in his Roman Catholic religious works.
In 1642, at the age of 26 he moved to Madrid, where he most likely became familiar with the work of Velazquez, and would have seen the work of Venetian and Flemish masters in the royal collections; the rich colors and softly modeled forms of his subsequent work suggest these influences. He returned to Seville in 1645. In that year, he painted thirteen canvases for the monastery of St. Francisco el Grande in Seville which gave his reputation a well-deserved boost. Following the completion of a pair of pictures for the Seville Cathedral, he began to specialise in the themes that brought him his greatest successes, the Virgin and Child, and the Immaculate Conception.
After another period in Madrid, from 1658 to 1660, he returned to Seville. Here he was one of the founders of the Academia de Bellas Artes (Academy of Art), sharing its direction, in 1660, with the architect, Francisco Herrera the Younger. This was his period of greatest activity, and he received numerous important commissions, among them the altarpieces for the Augustinian monastery, the paintings for Santa Mar??a la Blanca (completed in 1665), and others.
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
Bartolome Esteban Murillo Saint Qatar Fiorina Engagement
new21/Bartolome Esteban Murillo-488279.jpg mk284 Oil on canvas 449 x 325 cm card Andes Monastery Tibet
Bartolome Esteban Murillo Saint Catherine of Alexandria
new22/Bartolome Esteban Murillo-329865.jpg from 1650(1650) until 1655(1655)
Oil on canvas
186 x 104 cm (73.23 x 40.94 in)
Bartolome Esteban Murillo Vendedores de fruta
new23/Bartolome Esteban Murillo-365399.jpg Title English: The Little Fruit Seller
Español: Vendedores de fruta
Français : La petite marchande de fruits
Polski: Mała sprzedawczyni owocew
Bartolome Esteban Murillo homas of Villanueva dividing his clothes among beggar boys
new23/Bartolome Esteban Murillo-733898.jpg Technique Oil on canvas
Dimensions 219.7 x 149.2 cm
Bartolome Esteban Murillo Christ healing the Paralytic at the Pool of Bethesda
new23/Bartolome Esteban Murillo-997588.jpg 1667-1670
oil on canvas
237 x 261 cm
Bartolome Esteban Murillo Vendedores de fruta
new23/Bartolome Esteban Murillo-586943.jpg Medium English: oil on canvas
Polski: olej na potnie
Dimensions Deutsch: 149 x 113 cm
Bartolome Esteban Murillo Saint Catherine of Alexandria
new23/Bartolome Esteban Murillo-454896.jpg Medium Oil on canvas
Dimensions Expression error: Missing operand for *186 ?? 104 cm
Bartolome Esteban Murillo Kinder beim Werfelspiel
new23/Bartolome Esteban Murillo-899654.jpg Medium Oil on canvas
Dimensions Expression error: Missing operand for *140 ?? 108 cm
Bartolome Esteban Murillo Christ healing the Paralytic at the Pool of Bethesda
new23/Bartolome Esteban Murillo-383434.jpg Medium Oil on canvas
Dimensions 237 x 261 cm
Bartolome Esteban Murillo Die Melonenesser
new23/Bartolome Esteban Murillo-499589.jpg Date Deutsch: um 1645-1655
English: c. 1645-1655
Medium Oil on canvas
Dimensions 146 x 104 cm (57.48 x 40.94 in)
Bartolome Esteban Murillo Virgin and Child,
new24/Bartolome Esteban Murillo-973378.jpg Virgin and Child, oil on canvas painting by Bartolom?? Esteban Murillo, early 1650s
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Bartolome Esteban Murillo Virgin and Child
new24/Bartolome Esteban Murillo-539947.jpg oil on canvas painting by Bartolom?? Esteban Murillo, early 1650s
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Bartolome Esteban Murillo San Salvador de Horta et l Inquisiteur d Aragon
new24/Bartolome Esteban Murillo-645944.jpg Date ca. 1645(1645)
Medium Oil on canvas
Dimensions 178 x 190 cm (70.1 x 74.8 in)
cjr
Bartolome Esteban Murillo St. Justa and St. Rufina
new24/Bartolome Esteban Murillo-986749.jpg Date ca. 1665-66
Medium Oil on canvas
Dimensions 32 x 24 cm (12.6 x 9.4 in)
cjr
Bartolome Esteban Murillo Madonna
new25/Bartolome Esteban Murillo-347374.jpg Date ca. between 1655(1655) and 1660(1660)
Medium Oil on canvas
Dimensions 157 x 107 cm (61.8 x 42.1 in)
cjr
Bartolome Esteban Murillo The Baptism of Christ
new25/Bartolome Esteban Murillo-653795.jpg Date 1655(1655)
Medium Oil on canvas
Dimensions Height: 233.2 cm (91.8 in). Width: 160.1 cm (63 in).
cjr
Spanish
1618-1682
Bartolome Esteban Murillo Galleries
Murillo began his art studies under Juan del Castillo in Seville. Murillo became familiar with Flemish painting; the great commercial importance of Seville at the time ensured that he was also subject to influences from other regions. His first works were influenced by Zurbaran, Jusepe de Ribera and Alonso Cano, and he shared their strongly realist approach. As his painting developed, his more important works evolved towards the polished style that suited the bourgeois and aristocratic tastes of the time, demonstrated especially in his Roman Catholic religious works.
In 1642, at the age of 26 he moved to Madrid, where he most likely became familiar with the work of Velazquez, and would have seen the work of Venetian and Flemish masters in the royal collections; the rich colors and softly modeled forms of his subsequent work suggest these influences. He returned to Seville in 1645. In that year, he painted thirteen canvases for the monastery of St. Francisco el Grande in Seville which gave his reputation a well-deserved boost. Following the completion of a pair of pictures for the Seville Cathedral, he began to specialise in the themes that brought him his greatest successes, the Virgin and Child, and the Immaculate Conception.
After another period in Madrid, from 1658 to 1660, he returned to Seville. Here he was one of the founders of the Academia de Bellas Artes (Academy of Art), sharing its direction, in 1660, with the architect, Francisco Herrera the Younger. This was his period of greatest activity, and he received numerous important commissions, among them the altarpieces for the Augustinian monastery, the paintings for Santa Mar??a la Blanca (completed in 1665), and others.
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