100% hand painted, 100% cotton canvas, 100% money back if not satisfaction.
Bartolome Esteban Murillo
Spanish
1618-1682
Bartolome Esteban Murillo Galleries
Murillo began his art studies under Juan del Castillo in Seville. Murillo became familiar with Flemish painting; the great commercial importance of Seville at the time ensured that he was also subject to influences from other regions. His first works were influenced by Zurbaran, Jusepe de Ribera and Alonso Cano, and he shared their strongly realist approach. As his painting developed, his more important works evolved towards the polished style that suited the bourgeois and aristocratic tastes of the time, demonstrated especially in his Roman Catholic religious works.
In 1642, at the age of 26 he moved to Madrid, where he most likely became familiar with the work of Velazquez, and would have seen the work of Venetian and Flemish masters in the royal collections; the rich colors and softly modeled forms of his subsequent work suggest these influences. He returned to Seville in 1645. In that year, he painted thirteen canvases for the monastery of St. Francisco el Grande in Seville which gave his reputation a well-deserved boost. Following the completion of a pair of pictures for the Seville Cathedral, he began to specialise in the themes that brought him his greatest successes, the Virgin and Child, and the Immaculate Conception.
After another period in Madrid, from 1658 to 1660, he returned to Seville. Here he was one of the founders of the Academia de Bellas Artes (Academy of Art), sharing its direction, in 1660, with the architect, Francisco Herrera the Younger. This was his period of greatest activity, and he received numerous important commissions, among them the altarpieces for the Augustinian monastery, the paintings for Santa Mar??a la Blanca (completed in 1665), and others.
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
Bartolome Esteban Murillo Rosary of the Virgin Mary holding roses
new21/Bartolome Esteban Murillo-964448.jpg mk284 Oil on canvas 1650 164 x 110 cm Madrid Prado Art Collection
Bartolome Esteban Murillo The old woman and a child
new21/Bartolome Esteban Murillo-495763.jpg mk284 Oil on canvas 1655 - 1660 147 x 113 cm National Museum in Munich
Bartolome Esteban Murillo Pure Conception of Our Lady
new21/Bartolome Esteban Murillo-323646.jpg mk284 Oil on canvas 190 x 160 cm Fine Arts Museum Seville
Bartolome Esteban Murillo Half month's pure conception of Our Lady
new21/Bartolome Esteban Murillo-735676.jpg mk284 Oil on canvas 1660 - 1665 Madrid Prado Museum
Bartolome Esteban Murillo Pure Conception of Our Lady
new21/Bartolome Esteban Murillo-542743.jpg mk284 Oil on canvas 1665 Oil on canvas Museo del Prado in Madrid
Bartolome Esteban Murillo Jesus and Our Lady of St. Francis Koch
new21/Bartolome Esteban Murillo-277542.jpg mk284 Oil on canvas 206 x 146 cm Madrid, Museo del Prado
Bartolome Esteban Murillo Virgin and the Son
new21/Bartolome Esteban Murillo-458358.jpg mk284 Oil on canvas 188 x 137.5 cm National Gallery of Rotterdam Amouz
Bartolome Esteban Murillo Cantaloupe and grapes to eat the children
new21/Bartolome Esteban Murillo-455376.jpg mk284 Oil on canvas 146 x 104 cm National Gallery of Munich
Bartolome Esteban Murillo Shell and the children
new21/Bartolome Esteban Murillo-339632.jpg mk284 Oil on canvas 1670 - 1675 104 x 125 cm Madrid, Museo del Prado
Bartolome Esteban Murillo Rest on his way to flee Egypt
new21/Bartolome Esteban Murillo-849374.jpg mk284 Oil on canvas 1670 187 x 223 cm Hermitage Museum in St. Petersburg
Bartolome Esteban Murillo Unit 4 steps
new21/Bartolome Esteban Murillo-754694.jpg mk284 Oil on canvas 1655 - 1660 107 x 142 cm U.S. Texas City, Golden Castle Museum Fuhe
Bartolome Esteban Murillo Window of two women
new21/Bartolome Esteban Murillo-658384.jpg mk284 Oil on canvas 1670 125 x 104 cm National Gallery Washington
Bartolome Esteban Murillo Fruit-girl
new21/Bartolome Esteban Murillo-359458.jpg mk284 Oil on canvas 149 x 113 cm Year 1675-1680 Munich State Museum of Bo
Bartolome Esteban Murillo Rural girls and flower basket
new21/Bartolome Esteban Murillo-277259.jpg mk284 Oil on canvas 1655 76 x 61 cm Pushkin Museum in Moscow
Bartolome Esteban Murillo Juvenile and Dogs
new21/Bartolome Esteban Murillo-263324.jpg mk284 Oil on canvas 1655 70 x 60 cm Museum of St. Petersburg, Ai Mita Megiddo surgery
Bartolome Esteban Murillo Wolves wanderer overspending
new21/Bartolome Esteban Murillo-968324.jpg mk284 Oil on canvas 21 x 42 cm Madrid, Museo del Prado
Bartolome Esteban Murillo Window, smiling boy
new21/Bartolome Esteban Murillo-647389.jpg mk284 Oil on canvas 1670-1680 years 52 x 38.5 cm National Gallery of London
Bartolome Esteban Murillo The Shaonian Lang handheld Fruit Basket
new21/Bartolome Esteban Murillo-335695.jpg mk284 Oil on canvas 1660 - 1665 102 x 82 cm National Gallery of Edinburgh
Bartolome Esteban Murillo A girl wearing a Rose
new21/Bartolome Esteban Murillo-754569.jpg mk284 Oil on canvas 1660 - 1665 121 x 99 cm more than Dulwich Gallery in London
Bartolome Esteban Murillo Hoop game
new21/Bartolome Esteban Murillo-582633.jpg mk284 Oil on canvas 1670 165 x 110 cm more than Dulwich Gallery in London
Spanish
1618-1682
Bartolome Esteban Murillo Galleries
Murillo began his art studies under Juan del Castillo in Seville. Murillo became familiar with Flemish painting; the great commercial importance of Seville at the time ensured that he was also subject to influences from other regions. His first works were influenced by Zurbaran, Jusepe de Ribera and Alonso Cano, and he shared their strongly realist approach. As his painting developed, his more important works evolved towards the polished style that suited the bourgeois and aristocratic tastes of the time, demonstrated especially in his Roman Catholic religious works.
In 1642, at the age of 26 he moved to Madrid, where he most likely became familiar with the work of Velazquez, and would have seen the work of Venetian and Flemish masters in the royal collections; the rich colors and softly modeled forms of his subsequent work suggest these influences. He returned to Seville in 1645. In that year, he painted thirteen canvases for the monastery of St. Francisco el Grande in Seville which gave his reputation a well-deserved boost. Following the completion of a pair of pictures for the Seville Cathedral, he began to specialise in the themes that brought him his greatest successes, the Virgin and Child, and the Immaculate Conception.
After another period in Madrid, from 1658 to 1660, he returned to Seville. Here he was one of the founders of the Academia de Bellas Artes (Academy of Art), sharing its direction, in 1660, with the architect, Francisco Herrera the Younger. This was his period of greatest activity, and he received numerous important commissions, among them the altarpieces for the Augustinian monastery, the paintings for Santa Mar??a la Blanca (completed in 1665), and others.
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