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Claude Lorrain
Seehafen beim Aufgang der Sonne
new22/Claude Lorrain-326748.jpg
2nd third of 17th century
72 x 97 cm (28.35 x 38.19 in)
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Claude Lorrain
Verstobung der Hagar
new22/Claude Lorrain-382488.jpg
1668
107 x 140 cm (42.13 x 55.12 in)
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Claude Lorrain
Port Scene with the Embarkation of St Ursula
new22/Claude Lorrain-363657.jpg
Oil on canvas
113 ?? 149 cm (44.49 ?? 58.66 in)
1641
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Claude Lorrain
seaport with the embarkation of the queen of sheba
new23/Claude Lorrain-738887.jpg
1648 oil on canvas 148.6x193.7cm
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Claude Lorrain
landscape with jacob and laban and his daughters
new23/Claude Lorrain-798466.jpg
1654 oil on canvas 143.5x252cm
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Claude Lorrain
chamagne
new23/Claude Lorrain-999284.jpg
1640-41
olja pa duk 60.5x80
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Claude Lorrain
Coast Scene with Europa and the Bull
new23/Claude Lorrain-473896.jpg
oil on canvas painting by Claude Lorrain
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Claude Lorrain
Verstobung der Hagar
new23/Claude Lorrain-733996.jpg
Medium Oil on canvas
Dimensions 0107 X 140 cm
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Claude Lorrain
Seehafen beim Aufgang der Sonne
new23/Claude Lorrain-667389.jpg
Medium Oil on canvas
Dimensions 72 X 97 cm
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Claude Lorrain
Port Scene with the Embarkation of St Ursula
new23/Claude Lorrain-554365.jpg
Medium Oil on canvas
Dimensions 113 X 149 cm
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Claude Lorrain
Egeria weeps over Numa
new23/Claude Lorrain-898735.jpg
1669
Oil on canvas
155 X 200 cm
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Claude Lorrain
Egeria beweint Numa
new24/Claude Lorrain-965978.jpg
Date 1669
Medium Oil on canvas
Dimensions Deutsch: 155 X 200 cm
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Claude Lorrain
The Judgment of Paris
new24/Claude Lorrain-572846.jpg
The Judgment of Paris, oil on canvas painting by Claude Lorrain, 1645-1646, National Gallery of Art, Washington
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Claude Lorrain
Belagerung von La Rochelle durch die Truppen Ludwigs XIII., Oval
new24/Claude Lorrain-589934.jpg
1631(1631)
Oil on canvas
28 ?? 42 cm
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Claude Lorrain
The Judgment of Paris
new24/Claude Lorrain-857898.jpg
oil on canvas painting by Claude Lorrain, 1645-1646, National Gallery of Art, Washington
Date 1645-6
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Claude Lorrain
Belagerung von La Rochelle durch die Truppen Ludwigs XIII
new24/Claude Lorrain-544576.jpg
1631(1631)
Medium Oil on canvas
Dimensions Deutsch: 28 x 42 cm
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Claude Lorrain
Hafen beim Sonnenuntergang
new24/Claude Lorrain-646599.jpg
c. 1649
Oil on canvas
97 x 119 cm
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Claude Lorrain
The Judgement of Paris
new24/Claude Lorrain-393765.jpg
1645-1646
Medium Oil on canvas
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Claude Lorrain
Vedute von Delphi mit einer Opferprozession
new24/Claude Lorrain-395994.jpg
Oil on canvas
Dimensions 150 x 200 cm
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Claude Lorrain
2nd third of 17th century
new24/Claude Lorrain-575953.jpg
Oil on canvas
Dimensions 150 x 200 cm
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Claude Lorrain
Landscape with Dancing Satyrs and Nymphs
new24/Claude Lorrain-865733.jpg
Date 1646(1646)
Medium Oil on canvas
Dimensions 98 x 125 cm (38.6 x 49.2 in)
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Claude Lorrain
Ascanius Shooting the Stag of Sylvia
new25/Claude Lorrain-696883.jpg
Ascanius Shooting the Stag of Sylvia (1682) by Claude Lorrain, oil on canvas, Ashmolean Museum, Oxford
Date 1682(1682)
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Claude Lorrain
Seaport with the Embarkation of Saint Ursula
new25/Claude Lorrain-358835.jpg
Date 1641(1641)
Medium Oil on canvas
Dimensions 113 x 149 cm
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Claude Lorrain
Landung der Kleopatra in Tarsos
new25/Claude Lorrain-733753.jpg
Date 1642(1642)
Medium Oil on canvas
Dimensions Deutsch: 117 x 148 cm
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Claude Lorrain
Ostermorgen
new25/Claude Lorrain-553789.jpg
Date 1681(1681)
Medium Oil on canvas
Dimensions 83 x 139 cm
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Claude Lorrain
The Disembarkation of Cleopatra at Tarsus
new25/Claude Lorrain-667597.jpg
Date between 1642(1642) and 1643(1643)
Dimensions Height: 119 cm (46.9 in). Width: 170 cm (66.9 in).
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Claude Lorrain
Landscape with Dancing Satyrs and Nymphs
new25/Claude Lorrain-485654.jpg
1646(1646)
Medium Oil on canvas
Dimensions 98 x 125 cm (38.6 x 49.2 in)
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Claude Lorrain
The Embarkation of the Queen of Sheba
new25/Claude Lorrain-538653.jpg
Date 1648(1648)
Medium Oil on canvas
Dimensions Deutsch: 149 x 194 cm
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Claude Lorrain
Landschaft mit Apollo und Merkur
new25/Claude Lorrain-668454.jpg
c. 1645(1645)
Medium Oil on canvas
Dimensions 55 x 45 cm
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Claude Lorrain
Landschaft mit Ziegenhirt
new25/Claude Lorrain-789878.jpg
1637(1637)
Medium oil on canvas
Dimensions 51,5 x 41,3 cm
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Claude Lorrain
French
1600-1682
Claude Lorrain Galleries
In Rome, not until the mid-17th century were landscapes deemed fit for serious painting. Northern Europeans, such as the Germans Elsheimer and Brill, had made such views pre-eminent in some of their paintings (as well as Da Vinci in his private drawings or Baldassarre Peruzzi in his decorative frescoes of vedute); but not until Annibale Carracci and his pupil Domenichino do we see landscape become the focus of a canvas by a major Italian artist. Even with the latter two, as with Lorrain, the stated themes of the paintings were mythic or religious. Landscape as a subject was distinctly unclassical and secular. The former quality was not consonant with Renaissance art, which boasted its rivalry with the work of the ancients. The second quality had less public patronage in Counter-Reformation Rome, which prized subjects worthy of "high painting," typically religious or mythic scenes. Pure landscape, like pure still-life or genre painting, reflected an aesthetic viewpoint regarded as lacking in moral seriousness. Rome, the theological and philosophical center of 17th century Italian art, was not quite ready for such a break with tradition.
In this matter of the importance of landscape, Lorrain was prescient. Living in a pre-Romantic era, he did not depict those uninhabited panoramas that were to be esteemed in later centuries, such as with Salvatore Rosa. He painted a pastoral world of fields and valleys not distant from castles and towns. If the ocean horizon is represented, it is from the setting of a busy port. Perhaps to feed the public need for paintings with noble themes, his pictures include demigods, heroes and saints, even though his abundant drawings and sketchbooks prove that he was more interested in scenography.
Lorrain was described as kind to his pupils and hard-working; keenly observant, but an unlettered man until his death. The painter Joachim von Sandrart is an authority for Claude's life (Academia Artis Pictoriae, 1683); Baldinucci, who obtained information from some of Claude's immediate survivors, relates various incidents to a different effect (Notizie dei professoni del disegno).
John Constable described Claude Lorrain as "the most perfect landscape painter the world ever saw", and declared that in Claude??s landscape "all is lovely ?C all amiable ?C all is amenity and repose; the calm sunshine of the heart"
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