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Claude Lorrain
Landscape with Hagar and the Angel
new9/Claude Lorrain-466225.jpg
mk82
1646-47
Oil on canvas on wood
52x44
National Gallery,
London
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Claude Lorrain
Seaport with the embarkation of Saint Ursula
new9/Claude Lorrain-672445.jpg
mk82
1641
Oil on canvas
48.6x113.0cm
National Gallery
London
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Claude Lorrain
Landscape with Cephalus and Procris reunited by Diana
new9/Claude Lorrain-893565.jpg
mk86
1645
Oil on canvas
102x132c,m
London,Natinal Gallery
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Claude Lorrain
Landscape with Apollo and Mercury
new9/Claude Lorrain-622954.jpg
mk86
c.1645
Oil on canvas
55x45cm
Rome,Galleria Doria-Pamphilj
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Claude Lorrain
Seaport at Sunrise
new9/Claude Lorrain-488483.jpg
mk86
1674
Oil on canvas
72x96cm
Munich,Bayerisch Staatsgemalde-sammlungen
Alte Pinakothek
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Claude Lorrain
Embarkation of St Paula Romana at Ostia
new16/Claude Lorrain-687473.jpg
mk156
1639
Oil on canvas
211x145cm
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Claude Lorrain
Landscape with Psyche outside the Palace of Cupid
new16/Claude Lorrain-657446.jpg
mk156
1664
Oil on canvas
87.1x151.3cm
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Claude Lorrain
Landscape with Jacob,Rachel and Leah at the Well
new16/Claude Lorrain-953657.jpg
mk156
1666
Oil on canvas
113x157cm
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Claude Lorrain
The Expulsion of Hagar
new16/Claude Lorrain-299643.jpg
mk156
1668
Oil on canvas
106.4x140cm
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Claude Lorrain
Morning in the Harbour
new16/Claude Lorrain-398377.jpg
mk159
c.1649
Oil on canvas
97.5x120cm
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Claude Lorrain
Country cape with the father of Psyche that at Apollo sacrifices
new16/Claude Lorrain-628837.jpg
MK169
1660-70 Shut down 175x223cm National
Trust
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Claude Lorrain
Seaport with the Embarkation of the Queen of Sheba
new16/Claude Lorrain-799559.jpg
mk170
1648
Oil on canvas
148.6x193.7cm
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Claude Lorrain
Landscape with Aeneas at Delos
new16/Claude Lorrain-348334.jpg
mk170
1672
Oil on canvas
99.7x134cm
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Claude Lorrain
Hagar und Ismael in der Wuste
new16/Claude Lorrain-837693.jpg
mk181
1668
Munchen
Alte Pinakothek
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Claude Lorrain
Landscape with the Rest on the Flight into Egypt
new18/Claude Lorrain-574779.jpg
1666
Oil on canvas,
113 x 157cm
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Claude Lorrain
Seaport with the Embarkation of Saint Ursula
new18/Claude Lorrain-697233.jpg
mk218
1641
Oil on canvas
113x149cm
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Claude Lorrain
Aeneas-s Farewell to Dido in Carthago
new19/Claude Lorrain-838755.jpg
1676 Oil on canvas, 120 x 149,2 cm
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Claude Lorrain
Ascanius shooting the stag of sylvia
new19/Claude Lorrain-997588.jpg
mk223
Oil on canvas
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Claude Lorrain
Landscape with Isaac and Rebecka brollop
new19/Claude Lorrain-766689.jpg
mk234
1648
149x197cm
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Claude Lorrain
Landscape with Ascanius shooting Silvia deer
new19/Claude Lorrain-342585.jpg
mk234
1682
120x150cm
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Claude Lorrain
Moses Rescued from the Waters
new20/Claude Lorrain-633354.jpg
mk244
c.1639/40
Oil on canvas
209x138cm
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Claude Lorrain
Seaport at Sunrise
new20/Claude Lorrain-352232.jpg
mk244
Oil on canvs
72x96cm
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Claude Lorrain
landscape with the marriage of lsaac and rebecca
new20/Claude Lorrain-762759.jpg
mk247
1648,oil on canvas,60x79 in,152.3x200.6 cm,national gallery,london,uk
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Claude Lorrain
utsikt over hamn med bimma
new20/Claude Lorrain-628727.jpg
mk248 en av claudes typiska bamnuyer med boha byggnder flankerar lompositionen med ljus som lyer upp bela scenen fran en punkt strax ovanfor borisonten. den bar malningen illustrerar ocksa bur ban bar asradkommit ett djup genom att man ser mot den disiga borisonten genom en graduis nedtoning av de tydliga konturerna ocb starka fargerna.
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Claude Lorrain
lenbskap med nymfen egeria
new20/Claude Lorrain-292784.jpg
mk248 en av claudes senare ocb storta malningar visar egeria som sorjer sin dode make, kungen av rom. sorg ocb trost ar de teman som genomstrar bilden genom ett val sammanballet fargscbema som ocergar fran morker till ljus. detypisla inslagen i en landskapsmalning av claude forenas bar av ett milt ljus som strommar mot askadaren,varsmt blick varsamt leds kring en serie sma poetila vinjetter.
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Claude Lorrain
cattle farmer and the landscape
new20/Claude Lorrain-229357.jpg
mk250 Year in 1629. Oil painting on cloth. About 107 x 147 cm. Philadelphia Museum of Art
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Claude Lorrain
Ulysses Kerry race will be the return of her father Dubois
new20/Claude Lorrain-648484.jpg
mk255 for in 1644. 1.19 x 1.50 meters canvas. Paris, the Louvre
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Claude Lorrain
Landscape with the Rest on the Flight into Egypt
new21/Claude Lorrain-767854.jpg
1666 Oil on canvas The Hermitage, St. PetersburgArtist:CLAUDE LORRAIN Title: Landscape with the Rest on the Flight into Egypt (detail) Painted in 1651-1700 , French - - painting : religious
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Claude Lorrain
women in a garden
new22/Claude Lorrain-849925.jpg
1866
paris, muse'e du jeu de paume
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Claude Lorrain
Egeria beweint Numa
new22/Claude Lorrain-966878.jpg
Oil on canvas
155 x 200 cm
1669
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Claude Lorrain
French
1600-1682
Claude Lorrain Galleries
In Rome, not until the mid-17th century were landscapes deemed fit for serious painting. Northern Europeans, such as the Germans Elsheimer and Brill, had made such views pre-eminent in some of their paintings (as well as Da Vinci in his private drawings or Baldassarre Peruzzi in his decorative frescoes of vedute); but not until Annibale Carracci and his pupil Domenichino do we see landscape become the focus of a canvas by a major Italian artist. Even with the latter two, as with Lorrain, the stated themes of the paintings were mythic or religious. Landscape as a subject was distinctly unclassical and secular. The former quality was not consonant with Renaissance art, which boasted its rivalry with the work of the ancients. The second quality had less public patronage in Counter-Reformation Rome, which prized subjects worthy of "high painting," typically religious or mythic scenes. Pure landscape, like pure still-life or genre painting, reflected an aesthetic viewpoint regarded as lacking in moral seriousness. Rome, the theological and philosophical center of 17th century Italian art, was not quite ready for such a break with tradition.
In this matter of the importance of landscape, Lorrain was prescient. Living in a pre-Romantic era, he did not depict those uninhabited panoramas that were to be esteemed in later centuries, such as with Salvatore Rosa. He painted a pastoral world of fields and valleys not distant from castles and towns. If the ocean horizon is represented, it is from the setting of a busy port. Perhaps to feed the public need for paintings with noble themes, his pictures include demigods, heroes and saints, even though his abundant drawings and sketchbooks prove that he was more interested in scenography.
Lorrain was described as kind to his pupils and hard-working; keenly observant, but an unlettered man until his death. The painter Joachim von Sandrart is an authority for Claude's life (Academia Artis Pictoriae, 1683); Baldinucci, who obtained information from some of Claude's immediate survivors, relates various incidents to a different effect (Notizie dei professoni del disegno).
John Constable described Claude Lorrain as "the most perfect landscape painter the world ever saw", and declared that in Claude??s landscape "all is lovely ?C all amiable ?C all is amenity and repose; the calm sunshine of the heart"
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