100% hand painted, 100% cotton canvas, 100% money back if not satisfaction.
Anthony Van Dyck
Dutch
1599-1641
Anthony Van Dyck Locations
Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck studies in oil of characterful heads were included in Rubens estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses, where they were appreciated as much for their own sake as for the identities and families of the sitters.
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
Anthony Van Dyck pierre auguste renoir
new21/Anthony Van Dyck-348645.gif mk265 alice and elisabeth cahen d anvers 1881 museu de arte de sao paolo assis chateaubriand.
Anthony Van Dyck john singer sargent
new21/John Singer Sargent-868957.jpg mk265 the acheson sisters 1902 devonshire collection the duke of devonshire and the trustees of the chatsworth settlement.
Anthony Van Dyck johnsinger sargent
new21/Anthony Van Dyck-748548.gif mk265 the family of the duke of marlborough. 1904-1905 collection of his grace the duke of mar lborough blenheim palace oxfordshire.
Anthony Van Dyck philip de laszlo
new21/Anthony Van Dyck-943442.gif mk265 portrait of viscountess castlereagh future marchioness of londonderry 1913 mount stewart londonderry collection.
Anthony Van Dyck preceding pages
new21/Anthony Van Dyck-753658.jpg mk265 john costa the glen walker sisters, c 1904 privte collection courtesy sothebys london.
Anthony Van Dyck valentin serov
new21/Anthony Van Dyck-428225.jpg mk265 portait of count felix sumarokov elston with his dog 1903 st petersburg russian museum.
Anthony Van Dyck joaquin sorolla y bastida
new21/Anthony Van Dyck-738325.jpg mk265 mrs ira nelson morris and her children,1911, new york the hispanic society of america.
Anthony Van Dyck paul cesar helleu
new21/Anthony Van Dyck-352874.jpg mk265 marthe letellier sitting on a sofa holding a fan c 1895 minneapolis minneapolis institute of art.
Anthony Van Dyck paul cesar helleu
new21/Anthony Van Dyck-755634.jpg mk265 portait of comtesse henri greffulhe nee elisaneth de caraman chmay 1891 paris private collection.
Anthony Van Dyck james abbott mcneill whistler
new21/Anthony Van Dyck-753794.jpg mk265 arrangement in black lady in the yellow buskin portrait of lady archihia philadelphia museum of art.
Anthony Van Dyck antonio de la gandara
new21/Anthony Van Dyck-448957.jpg mk265 port of alberto del solar with his two daughters c 1904-1905 new qrleans kurt e schon ltd gallery.
Anthony Van Dyck jean gabriel domergue
new21/Anthony Van Dyck-284892.jpg mk265 jay with greyhounds 1930 paris musee d art moderne de la ville de paris.
Dutch
1599-1641
Anthony Van Dyck Locations
Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck studies in oil of characterful heads were included in Rubens estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses, where they were appreciated as much for their own sake as for the identities and families of the sitters.
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