100% hand painted, 100% cotton canvas, 100% money back if not satisfaction.
Anthony Van Dyck
Dutch
1599-1641
Anthony Van Dyck Locations
Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck studies in oil of characterful heads were included in Rubens estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses, where they were appreciated as much for their own sake as for the identities and families of the sitters.
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
Anthony Van Dyck francois louis dejuinne
new20/Anthony Van Dyck-738646.jpg mk265 madame recamier ni her apartment on i abbaye aux dames 1824 paris musee du louver.
Anthony Van Dyck auguste garneray
new20/Anthony Van Dyck-748929.jpg mk265 chateau de malmaison the music room c 1812 rueil malmaison chateaux of malmaison and bois preau.
Anthony Van Dyck anne louis girodet de trioson
new20/Anthony Van Dyck-369342.jpg mk265 portrait of a young man in hunting castume 1811 paris musee du louvre
Anthony Van Dyck francois gerard
new20/Anthony Van Dyck-376673.jpg mk265 portait of marechale lannes,duchesse de montebello,and her children 1818 private collection.
Anthony Van Dyck thomas phillips geord
new21/Anthony Van Dyck-277883.jpg mk265 6th bayron 1813 oil co canvas 76.5 x 63.9 cm london national portait gallery.
Anthony Van Dyck jean auguste dominiqur ingres
new21/Anthony Van Dyck-952439.jpg mk265 count nikolai dmtrievich guriev 1821 st peterirg state hermitar m
Anthony Van Dyck jean auguste dominique lngres
new21/Anthony Van Dyck-829993.jpg mk265 portrait of ferdinand philippe de bourbon orleans duc dorleans 1842 paris musee du louvre.
Anthony Van Dyck jean auguste dominique lngres
new21/Anthony Van Dyck-893382.jpg mk265 portrait of madame philibert riviere 1806 paris musee du louvre.
Anthony Van Dyck jean auguste domnique ingres
new21/Anthony Van Dyck-987543.jpg mk265 vicomtesse othenin d haussonville nee louise albertine de broglie 1845 new york the frick collection.
Anthony Van Dyck overleaf
new21/Anthony Van Dyck-345353.jpg mk265 jean auguste dominique ingres, princesse albert de broglie 1853 new york the metropolitan museum of art.
Anthony Van Dyck preceding pages
new21/Anthony Van Dyck-876829.jpg mk265 rene charles d assy and his brother jean baptiste claude amedee d assy 1850 cleveland museum of art.
Dutch
1599-1641
Anthony Van Dyck Locations
Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck studies in oil of characterful heads were included in Rubens estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses, where they were appreciated as much for their own sake as for the identities and families of the sitters.
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