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Thomas Cole
1801-1848
Thomas Cole Galleries
Thomas Cole (February 1, 1801 - February 11, 1848) was a 19th century American artist. He is regarded as the founder of the Hudson River School, an American art movement that flourished in the mid-19th century. Cole's Hudson River School, as well as his own work, was known for its realistic and detailed portrayal of American landscape and wilderness, which feature themes of romanticism and naturalism.
In New York he sold three paintings to George W. Bruen, who financed a summer trip to the Hudson Valley where he visited the Catskill Mountain House and painted the ruins of Fort Putnam. Returning to New York he displayed three landscapes in the window of a bookstore; according to the New York Evening Post, this garnered Cole the attention of John Trumbull, Asher B. Durand, and William Dunlap. Among the paintings was a landscape called "View of Fort Ticonderoga from Gelyna". Trumbull was especially impressed with the work of the young artist and sought him out, bought one of his paintings, and put him into contact with a number of his wealthy friends including Robert Gilmor of Baltimore and Daniel Wadsworth of Hartford, who became important patrons of the artist.
Cole was primarily a painter of landscapes, but he also painted allegorical works. The most famous of these are the five-part series, The Course of Empire, now in the collection of the New York Historical Society and the four-part The Voyage of Life. There are two versions of the latter, one at the National Gallery in Washington, D.C., the other at the Munson-Williams-Proctor Arts Institute in Utica, New York.
Cole influenced his artistic peers, especially Asher B. Durand and Frederic Edwin Church, who studied with Cole from 1844 to 1846. Cole spent the years 1829 to 1832 and 1841-1842 abroad, mainly in England and Italy; in Florence he lived with the sculptor Horatio Greenough.
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
Thomas Cole L'Allegro (mk13)
new7/Thomas Cole-293359.jpg 1845 Oil on canvas
21 1/16 x 48''
The Los Angeles County Museum of Art,Gift of the Art ,Gift of the Art Museum Council and the Michael J.Connell Foundation
Thomas Cole Il Penseroso (mk13)
new7/Thomas Cole-772998.jpg 1845 Oil on canvas,
1845 Oil on canvas,
32 1/4 x 48''
The Los Angeles County Museum of Art
Trustees Fund,Corporate Donors and General Acquisition Fund
Thomas Cole Home in the Woods (mk13)
new7/Thomas Cole-535245.jpg 1847 Oil on canvas 44 x 66''
Reynolda House,
Museum of American Art,Winston-Salem,North Carolina
Thomas Cole Arch of Nero (mk13)
new7/Thomas Cole-855669.jpg 1846 Oil on canvas
60 x 48''
Collection the Newark Museum Newark,New Jersey,
Purchase 1957
Sophronia Anderson Bequest Fund
Thomas Cole Study for The Cross and the World:The Pilgrim of the Cross at the End of His Journey (mk13)
new7/Thomas Cole-766554.jpg c 1846-48 Oil on canvas 12 x 18''
National Museum of American Art,Smithsonian Institution,Washington,K.C.Museum Purchase
Thomas Cole The Pilgrim of the World at the End of His Journey (mk13)
new7/Thomas Cole-772842.jpg c 1846-48 Oil on canvas,
12 x 18''
National Museum of American Art,Smithsonian Institution,Washington,D.C,
Museum Purchase
Thomas Cole Unfinished Landscape (The Cross at Sunset) (mk13)
new7/Thomas Cole-349892.jpg c 1847.Oil on canvas
32 x 48 1/2''
Thyssen-Bornemisza Collection,Lugano,Switzerland
Thomas Cole The Mountain Ford (mk13)
new7/Thomas Cole-432988.jpg 1846 Oil on canvas
28 1/4 x 40 1/16''
The Metropolitan Museum of Art,New York,Bequest of Maria De Witt Jesup,1915
Thomas Cole Genesee Scenery (mk13)
new7/Thomas Cole-867923.jpg 1847.Oil on canvas,51 x 39 1/2''
Museum of Art Rhode Island School of Design,Providence,Jesse Metcalf Fund
Thomas Cole View in the White Mountains (mk13)
new7/Thomas Cole-665727.jpg c 1827.Oil on canvas,27 1/8 x 32 1/4''
The Fine Arts Museums of San Francisco Museum Purchase M.H.de Young Art Trust Fund
Thomas Cole Schroon Mountain,Adirondacks (mk13)
new7/Thomas Cole-643637.jpg 1838 Oil on canvas,39 3/8 x 63''
The Cleveland Museum of Art,Hinman B.Hurlbut collection
Thomas Cole A Wild Scene (mk13)
new7/Thomas Cole-399233.jpg 1831-32 Oil on canvas
50 3/4 x 76 1/4''
The Baltimore Museum of Art,Leonce Rabillon Bequest Fund,by exchange,and Purchase Fund
Thomas Cole scene from Last of the Mohicans (nn03)
new8/Thomas Cole-877996.jpg 1827
Oil on canvas 64,.5 x 89 cm 25 3/8 x 35 1/16 in Wadsworth Atheneum Hartford CT
Thomas Cole Mount Etna from Taormina
new2/Thomas Cole-263866.jpg mk48
1843
Oil on canvas
78 3/8x120 5/8in
Wadsworth Atheneum Museum of Art,Hartford,Connecticut,Purchased from the artist by Daniel Wadsworth for the Wadsworth Atheneum,assisted by Alfred Smith
Thomas Cole A View of the Two Lakes and Mountain House,Catskill Mountains Morning
new2/Thomas Cole-792327.jpg mk48
1844
Oil on canvas
35 13/16x53 7/8in
Brooklyn Museum,Dick S.Ramsay Fund
Thomas Cole View on the Catskill-Early Autumn
new2/Thomas Cole-774243.jpg mk48
1836-37
Oil on canvas
39x63in
The Metropolitan Museum of Art,Gift in Memory of Jonathan Sturges by his children
1895
Thomas Cole Vue du mont Holyoke,pres de Northampton dans le Massachusetts Apres l'orage
new4/Thomas Cole-343522.jpg mk75
1836
Huile sur toile
130.8x193cm
1801-1848
Thomas Cole Galleries
Thomas Cole (February 1, 1801 - February 11, 1848) was a 19th century American artist. He is regarded as the founder of the Hudson River School, an American art movement that flourished in the mid-19th century. Cole's Hudson River School, as well as his own work, was known for its realistic and detailed portrayal of American landscape and wilderness, which feature themes of romanticism and naturalism.
In New York he sold three paintings to George W. Bruen, who financed a summer trip to the Hudson Valley where he visited the Catskill Mountain House and painted the ruins of Fort Putnam. Returning to New York he displayed three landscapes in the window of a bookstore; according to the New York Evening Post, this garnered Cole the attention of John Trumbull, Asher B. Durand, and William Dunlap. Among the paintings was a landscape called "View of Fort Ticonderoga from Gelyna". Trumbull was especially impressed with the work of the young artist and sought him out, bought one of his paintings, and put him into contact with a number of his wealthy friends including Robert Gilmor of Baltimore and Daniel Wadsworth of Hartford, who became important patrons of the artist.
Cole was primarily a painter of landscapes, but he also painted allegorical works. The most famous of these are the five-part series, The Course of Empire, now in the collection of the New York Historical Society and the four-part The Voyage of Life. There are two versions of the latter, one at the National Gallery in Washington, D.C., the other at the Munson-Williams-Proctor Arts Institute in Utica, New York.
Cole influenced his artistic peers, especially Asher B. Durand and Frederic Edwin Church, who studied with Cole from 1844 to 1846. Cole spent the years 1829 to 1832 and 1841-1842 abroad, mainly in England and Italy; in Florence he lived with the sculptor Horatio Greenough.
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