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Thomas Cole
1801-1848
Thomas Cole Galleries
Thomas Cole (February 1, 1801 - February 11, 1848) was a 19th century American artist. He is regarded as the founder of the Hudson River School, an American art movement that flourished in the mid-19th century. Cole's Hudson River School, as well as his own work, was known for its realistic and detailed portrayal of American landscape and wilderness, which feature themes of romanticism and naturalism.
In New York he sold three paintings to George W. Bruen, who financed a summer trip to the Hudson Valley where he visited the Catskill Mountain House and painted the ruins of Fort Putnam. Returning to New York he displayed three landscapes in the window of a bookstore; according to the New York Evening Post, this garnered Cole the attention of John Trumbull, Asher B. Durand, and William Dunlap. Among the paintings was a landscape called "View of Fort Ticonderoga from Gelyna". Trumbull was especially impressed with the work of the young artist and sought him out, bought one of his paintings, and put him into contact with a number of his wealthy friends including Robert Gilmor of Baltimore and Daniel Wadsworth of Hartford, who became important patrons of the artist.
Cole was primarily a painter of landscapes, but he also painted allegorical works. The most famous of these are the five-part series, The Course of Empire, now in the collection of the New York Historical Society and the four-part The Voyage of Life. There are two versions of the latter, one at the National Gallery in Washington, D.C., the other at the Munson-Williams-Proctor Arts Institute in Utica, New York.
Cole influenced his artistic peers, especially Asher B. Durand and Frederic Edwin Church, who studied with Cole from 1844 to 1846. Cole spent the years 1829 to 1832 and 1841-1842 abroad, mainly in England and Italy; in Florence he lived with the sculptor Horatio Greenough.
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
Thomas Cole Sunrise in the Catskill Mountains (mk13)
new7/Thomas Cole-437753.jpg 1826 Oil on canvas
25 1/2 x 35 1/2''
National Gallery of Art,Washington,D.C
Gift of Mrs.John D.Rockefeller 3rd in honor of the Fiftieth Anniversary of the National Gallery of Art
Thomas Cole Landscape with Dead Tree (mk13)
new7/Thomas Cole-827995.jpg 1828 Oil on canvas
26 1/2 x 32 1/2''
Museum of Art,Rhode Island School of Design,Providence Walter H.Kimball Fund
Thomas Cole Landscape Composition Saint John in the Wilderness (mk13)
new7/Thomas Cole-684572.jpg 1827 oil on canvas
36 x 28 15/16''
Wasworth Atheneum,Hartford,Connecticut,Bequest of Daniel Wadsworth OPPOSITE :Detail
Thomas Cole Tornado (mk13)
new7/Thomas Cole-744839.jpg 1835.oil on canvas
46 3/8 x 64 5/8''
Collection The Corcoran Gallery of Art
Washington,KC
Museum Purchase,Gallery Fund
Thomas Cole Aqueduct near Rome (mk13)
new7/Thomas Cole-633233.jpg 1832 oil on canvas
44 1/2 x 67 1/2''
Washington University Gallery of Art,St.Louis University Purchase Bixby Fund,By exchange,1987
Thomas Cole Landscape Composition:Italian Scenery (mk13)
new7/Thomas Cole-373523.jpg 1831-32 Oil on canvas,40 3/4 x 61 1/2''
Memorial Art Gallery of the University of Rochester Rochester,New York,Purchased through the Marion Stratton Gould Fund and with the gift of Mr.and Mrs.Thomas H.Hawks
Thomas Cole A View near Tivoli (Morning) (mk13)
new7/Thomas Cole-368597.jpg 1832 Oil on canvas
14 3/4 x 23 1/8''
The Metropolitan Museum of Art,New York,Rogers Fund 1903
Thomas Cole The Cascatelli,Tivoli,Kooking Towards Rome (mk13)
new7/Thomas Cole-383432.jpg c 1832 Oil on canvas
32 3/4 x 44 1/2''
Columbus,Ohio,onloan from Mr.and Mrs Walter Knight Sturges
Thomas Cole The Titan's Goblet (mk13)
new7/Thomas Cole-836894.jpg 1833 Oil on canvas,19 3/8 x 16 1/8''
The Metropolitan Museum of Art New York
Gift of Samuel P Avery Jr,.
1904
Thomas Cole The Course of Empire: The Consummation of Empire (mk13)
new7/Thomas Cole-335326.jpg 1836.Oil on canvas,
51 1/4 x 76''
Courtesy The New-York
Historical Society New York City
Thomas Cole The Course of Empire:Desolation (mk13)
new7/Thomas Cole-278448.jpg 1836.Oil on canvas,
39 1/4 x 63 1/4''
Courtesy The New-York
Historical Society,New York City
Thomas Cole The Departure (mk13)
new7/Thomas Cole-697422.jpg 1838.Oil on canvas, 39 1/2 x 63''
Iection the Corcoran Gallery of Art Washington,D.C Gift of William Wilson Corcoran
Thomas Cole The Return (mk13)
new7/Thomas Cole-374847.jpg 1838 Oil on canvas,
39 3/4 x 63''
Collection The Corcoran Gallery of Art,Washington,.D.C
Gift of William Wilson Corcoran
Thomas Cole View of Florence from San Miniato (mk13)
new7/Thomas Cole-879637.jpg 1837 Oil on canvas
39 x 63 1/8''
The Cleveland Museum of Art,Mr and Mrs William H.Marlatt Fund
Thomas Cole The Voyage of Life:Childhood (mk13)
new7/Thomas Cole-873826.jpg 1938-40 Oil on canvas,52 x 78''
The Munson-Williams-Proctor Institute,Utica,New York
Thomas Cole The Voyage of Life:Youth (mk13)
new7/Thomas Cole-633332.jpg 1840 Oil on canvas,52 1/2 x 78 1/2''
The Munson-Williams-Proctor Institute Utica,New York
Thomas Cole The Voyage of Life:Manhood (mk13)
new7/Thomas Cole-457496.jpg 1840 Oil on canvas,52 x 78''
The Munson-Williams-Proctor Institute Utica,New York
Thomas Cole The Voyage of Life: Old Age (mk13)
new7/Thomas Cole-937583.jpg 1840 Oil on canvas
51 3/4 x 78 1/4''
The Munson-Williams-Proctor Institute Utica,New York
Thomas Cole Valley of the Vaucluse (mk13)
new7/Thomas Cole-529289.jpg 1841 Oil on canvas
69 x 49 1/8''
The Metropolitan Museum of Art,New York Gift of William E.Dodge,1903
Thomas Cole Roman Campagna (mk13)
new7/Thomas Cole-885833.jpg 1843 Oil on canvas,32 1/2 x 48''
Wadsworth Atheneum,Hartford,Connecticut,Bequest of Mrs.Clara Hinton Gould
Thomas Cole The Temple of Segesta with the Artist Sketching (mk13)
new7/Thomas Cole-962279.jpg c 1843 .Oil on canvas
19 1/2 x 30''
Courtesy Museum of Fine Arts,Boston Gift of Mrs Maxim Karolik for the Karolik Collection of American Paintings,1815-1865
Thomas Cole The Temple of Segesta with the Artist Sketching (mk13)
new7/Thomas Cole-925258.jpg c 1843 .Oil on canvas
19 1/2 x 30''
Courtesy Museum of Fine Arts,Boston Gift of Mrs Maxim Karolik for the Karolik Collection of American Paintings,1815-1865
Thomas Cole Evening in Arcady (mk13)
new7/Thomas Cole-887842.jpg 1843 Oil on canvas
32 5/8 x 48 3/8''
Wadsworth Atheneum,Hartford,Connecticut Bequest of Mrs.Clara Hinton Gould
1801-1848
Thomas Cole Galleries
Thomas Cole (February 1, 1801 - February 11, 1848) was a 19th century American artist. He is regarded as the founder of the Hudson River School, an American art movement that flourished in the mid-19th century. Cole's Hudson River School, as well as his own work, was known for its realistic and detailed portrayal of American landscape and wilderness, which feature themes of romanticism and naturalism.
In New York he sold three paintings to George W. Bruen, who financed a summer trip to the Hudson Valley where he visited the Catskill Mountain House and painted the ruins of Fort Putnam. Returning to New York he displayed three landscapes in the window of a bookstore; according to the New York Evening Post, this garnered Cole the attention of John Trumbull, Asher B. Durand, and William Dunlap. Among the paintings was a landscape called "View of Fort Ticonderoga from Gelyna". Trumbull was especially impressed with the work of the young artist and sought him out, bought one of his paintings, and put him into contact with a number of his wealthy friends including Robert Gilmor of Baltimore and Daniel Wadsworth of Hartford, who became important patrons of the artist.
Cole was primarily a painter of landscapes, but he also painted allegorical works. The most famous of these are the five-part series, The Course of Empire, now in the collection of the New York Historical Society and the four-part The Voyage of Life. There are two versions of the latter, one at the National Gallery in Washington, D.C., the other at the Munson-Williams-Proctor Arts Institute in Utica, New York.
Cole influenced his artistic peers, especially Asher B. Durand and Frederic Edwin Church, who studied with Cole from 1844 to 1846. Cole spent the years 1829 to 1832 and 1841-1842 abroad, mainly in England and Italy; in Florence he lived with the sculptor Horatio Greenough.
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