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Correggio
Jupiter and Io typifies the unabashed eroticism
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Jupiter and Io (c. 1531) typifies the unabashed eroticism, radiance, and cool, pearly colors associated with Correggio's best work.
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Correggio
Ganymede Abducted by the Eagle
new20/Correggio-863499.jpg
Ganymede Abducted by the Eagle, one of the four mythological paintings commissioned by Federico II Gonzaga, is a proto-Baroque work due to its depiction of movement, drama, and diagonal compositional arrangement.
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Correggio
Correggio famous frescoes in Parma seems to melt the ceiling of the cathedral and draw the viewer into a gyre of spiritual ecstasy.
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Correggio's famous frescoes in Parma seems to melt the ceiling of the cathedral and draw the viewer into a gyre of spiritual ecstasy.
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Correggio
The Mystic Marriage of St. Catherine
new20/Correggio-326966.jpg
The Mystic Marriage of St. Catherine (c. 1520), Correggio's most important contribution to the High Renaissance art, exhibits Leonardo's pronounced influence on his early style.
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Correggio
Leda mit dem Schwan
new22/Correggio-735336.jpg
Oil on canvas
152 x 191 cm
1531
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Correggio
Leda mit dem Schwan
new23/Correggio-868647.jpg
Medium oil on canvas
Dimensions 152 X 191 cm
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Correggio
Leda mit dem Schwan
new23/Correggio-745679.jpg
Medium Oil on canvas
Dimensions Expression error: Missing operand for *152 ?? 191 cm
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Correggio
Portrait of a Young Man,
new24/Correggio-399933.jpg
Correggio: Portrait of a Young Man, c. 1525, oil on wood, 59 x 44 cm (23 1/4 x 17 1/4 in.), Musee du Louvre, Paris
ca. 1525(1525)
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Correggio
Portrait of a Young Man
new24/Correggio-634357.jpg
c. 1525, oil on wood, 59 x 44 cm (23 1/4 x 17 1/4 in.), Mus??e du Louvre, Paris
Date ca. 1525(1525)
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Correggio
Madonna and Child with infant St John the Baptist
new24/Correggio-994988.jpg
oil on wood painting by Correggio, 1514 - 15, 45.0 x 35.5 cm, National Gallery of Victoria, Melbourne
Date 1514 - 15
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Correggio
Painting
new25/Correggio-573467.jpg
1489-1534. Around 1522. Oil on canvas
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Correggio
Virgin and Child with an Angel
new25/Correggio-444564.jpg
Date first half of 16th century
Medium Oil on wood
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Correggio
Virgin and Child with an Angel
new25/Correggio-378977.jpg
Date first half of 16th century
Medium Oil on wood
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Correggio
Vier Heilige
new25/Correggio-344855.jpg
c. 1517
Medium oil on canvas
Dimensions Deutsch: 172 x 126 cm
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Correggio
Madonna with St. Francis
new25/Correggio-848444.jpg
1514(1514)
Medium oil on wood
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Correggio
Christ presented to the People
new25/Correggio-985634.jpg
c. 1525-30, oil on wood, 99.7 x 80 cm,
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Correggio
Kopf des Merkur
new25/Correggio-546976.jpg
c. 1528
Medium oil on canvas
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Correggio
Ruhe auf der Flucht nach agypten, mit Hl. Franziskus
new25/Correggio-955694.jpg
1517(1517)
Medium oil on canvas
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Correggio
Die Mystische Hochzeit der Hl. Katharina von Alexandrien
new25/Correggio-778894.jpg
c. 1518
Medium oil on canvas
Dimensions Deutsch: 28 X 24 cm
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Correggio
Virgin and Child with an Angel
new25/Correggio-349379.jpg
first half of 16th century
Medium oil on panel
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Correggio
Virgin and Child with an Angel
new25/Correggio-655334.jpg
first half of 16th century
Medium oil on panel
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Correggio
Virgin and Child with an Angel
new26/Correggio-943394.jpg
between 1522(1522) and 1525(1525)
Medium oil on panel
Dimensions Height: 69 cm (27.2 in). Width: 57 cm (22.4 in).
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Correggio
Assumption of the Virgin
new26/Correggio-454889.jpg
1526-1530
Type Fresco
Dimensions 1093 cm x 1195 cm
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Correggio
Nativity
new26/Correggio-747769.jpg
1529-1530
Type Oil on canvas
Dimensions 256.5 cm x 188 cm
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Correggio
Italian 1489-1534
Correggio Locations
Italian painter and draughtsman. Apart from his Venetian contemporaries, he was the most important northern Italian painter of the first half of the 16th century. His best-known works are the illusionistic frescoes in the domes of S Giovanni Evangelista and the cathedral in Parma, where he worked from 1520 to 1530. The combination of technical virtuosity and dramatic excitement in these works ensured their importance for later generations of artists. His altarpieces of the same period are equally original and ally intimacy of feeling with an ecstatic quality that seems to anticipate the Baroque. In his paintings of mythological subjects, especially those executed after his return to Correggio around 1530, he created images whose sensuality and abandon have been seen as foreshadowing the Rococo. Vasari wrote that Correggio was timid and virtuous, that family responsibilities made him miserly and that he died from a fever after walking in the sun. He left no letters and, apart from Vasari account, nothing is known of his character or personality beyond what can be deduced from his works. The story that he owned a manuscript of Bonaventura Berlinghieri Geographia, as well as his use of a latinized form of Allegri (Laetus), and his naming of his son after the humanist Pomponius Laetus, all suggest that he was an educated man by the standards of painters in this period. The intelligence of his paintings supports this claim. Relatively unknown in his lifetime, Correggio was to have an enormous posthumous reputation. He was revered by Federico Barocci and the Carracci, and throughout the 17th and 18th centuries his reputation rivalled that of Raphael.
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