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Correggio
Madonna with St.Jerome
Correggio1.jpg
1522
Galleria Nazionale, Parma
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Correggio
Lunette with St.John the Evangelist
Correggio2.jpg
Church of San Giovanni Evangelista
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Correggio
The Mystic Marriage of St.Catherine
Correggio3.jpg
1510-15
National Gallery of Art, Washington DC
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Correggio
The Adoration of the Magi_3
Correggio4.jpg
Pinacoteca di Brera, Milan
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Correggio
Jupiter and Io
Correggio5.jpg
1531-32
Art History Museum, Vienna
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Correggio
Noli me Tangere
Correggio6.jpg
1525
Museo del Prado, Madrid
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Correggio
Madonna and Child with the Young Saint John
Correggio7.jpg
1516
Museo del Prado, Madrid
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Correggio
Madonna with St.George
Correggio8.jpg
Gemaldegalerie, Dresden
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Correggio
Adoration of the Shepherds
Correggio9.jpg
Gemaldegalerie, Dresden
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Correggio
The Education of Cupid
Correggio10.jpg
1528
National Gallery, London
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Correggio
Portrait of a Gentlewoman
Correggio11.jpg
1517-19
The Hermitage, St.Petersburg
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Correggio
Allegory of Virtue
Correggio12.jpg
1632-34
Musee du Louvre, Paris
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Correggio
Allegory of Vice
Correggio13.jpg
Musee du Louvre, Paris
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Correggio
Venus and Cupid with a Satyr
Correggio14.jpg
1528
Musee du Louvre, Paris
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Correggio
Ganymede
Correggio15.jpg
1531-32
Kunsthistorisches Museum, Vienna
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Correggio
Leda1
Correggio16.jpg
1531-32
Gemaldegalerie, Berlin
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Correggio
Madonna della Cesta,
Correggio17.jpg
National Gallery, London
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Correggio
Ecce Homo
Correggio18.jpg
National Gallery, London
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Correggio
Madonna Worshipping the Child
Correggio19.jpg
Galleria degli Uffizi, Florence
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Correggio
The Rest on the Flight to Egypt with Saint Francis
Correggio20.jpg
1517
Galleria degli Uffizi, Florence
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Correggio
Martyrdom of Four Saints
Correggio21.jpg
Galleria Nazionale, Parma
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Correggio
Deposition
Correggio22.jpg
Galleria Nazionale, Parma
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Correggio
Coronation of the Virgin
Correggio23.jpg
Galleria Nazionale, Parma
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Correggio
The Adoration of the Magi fg
Correggio24.jpg
1516-18
Oil on canvas, 84 x 108 cm
Pinacoteca di Brera, Milan
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Correggio
The Mystic Marriage of St Catherine
new1/Calvaert, Denys1.jpg
c. 1520
Wood, 105 x 102 cm
Mus??e du Louvre, Paris
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Correggio
Allegory of the Virtues (mk05)
new5/Correggio-397942.jpg
1529-1530
Tempera on canvas,58 1/4 x 34 1/2''(148 x 88 cm).Cabinet des Dessins;entered the Louvre in 1662
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Correggio
Allegory of the Vices (mk05)
new5/Correggio-656762.jpg
Tempera on canvas,58 1/4 x 34 1/2''(148 x 88 cm).Cabinet des Dessins;entered the Louvre in 1661
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Correggio
Venus,Satyr and Cupid (mk05)
new5/Correggio-965759.jpg
Canvas 74 x 49 1/4\'\'(188 x 125 cm)Painted for Federico Gonzaga;collections of Charles I,Cardinal Mazarin,and Louis XIV;entered the Louvre in 1661
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Correggio
Portrait of a Youn Man (mk05)
new5/Correggio-773566.jpg
Wood 231/4 x 17 1/4\'\'(59 x 44 cm).Formerly attributed to Raphael and then to Parmigianino.Enlarged by the artist;entered the Louvre in 1665
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Correggio
The Mystic Marriage (mk05)
new5/Correggio-563546.jpg
Wood 411/4 x 40 1/4''(105 x 102 cm).Collections of Cardinal Mazarin and Louis XIV;entered the Louvre in 1661
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Correggio
Italian 1489-1534
Correggio Locations
Italian painter and draughtsman. Apart from his Venetian contemporaries, he was the most important northern Italian painter of the first half of the 16th century. His best-known works are the illusionistic frescoes in the domes of S Giovanni Evangelista and the cathedral in Parma, where he worked from 1520 to 1530. The combination of technical virtuosity and dramatic excitement in these works ensured their importance for later generations of artists. His altarpieces of the same period are equally original and ally intimacy of feeling with an ecstatic quality that seems to anticipate the Baroque. In his paintings of mythological subjects, especially those executed after his return to Correggio around 1530, he created images whose sensuality and abandon have been seen as foreshadowing the Rococo. Vasari wrote that Correggio was timid and virtuous, that family responsibilities made him miserly and that he died from a fever after walking in the sun. He left no letters and, apart from Vasari account, nothing is known of his character or personality beyond what can be deduced from his works. The story that he owned a manuscript of Bonaventura Berlinghieri Geographia, as well as his use of a latinized form of Allegri (Laetus), and his naming of his son after the humanist Pomponius Laetus, all suggest that he was an educated man by the standards of painters in this period. The intelligence of his paintings supports this claim. Relatively unknown in his lifetime, Correggio was to have an enormous posthumous reputation. He was revered by Federico Barocci and the Carracci, and throughout the 17th and 18th centuries his reputation rivalled that of Raphael.
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