100% hand painted, 100% cotton canvas, 100% money back if not satisfaction.
Nicolas Poussin
French 1594-1665 Nicolas Poussin Galleries
The finest collection of Poussin's paintings, in addition to his drawings, is located in the Louvre in Paris. Besides the pictures in the National Gallery and at Dulwich, England possesses several of his most considerable works: The Triumph of Pan is at Basildon House, near to Pangbourne, (Berkshire), and his great allegorical painting of the Arts at Knowsley. The later version of Tancred and Erminia is at the Barber Institute in Birmingham. At Rome, in the Colonna and Valentini Palaces, are notable works by him, and one of the private apartments of Prince Doria is decorated by a great series of landscapes in distemper.
Throughout his life he stood aloof from the popular movement of his native school. French art in his day was purely decorative, but in Poussin we find a survival of the impulses of the Renaissance coupled with conscious reference to classic work as the standard of excellence. In general we see his paintings at a great disadvantage: for the color, even of the best preserved, has changed in parts, so that the harmony is disturbed; and the noble construction of his designs can be better seen in engravings than in the original. Among the many who have reproduced his works, Audran, Claudine Stella, Picart and Pesne are the most successful.
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
Nicolas Poussin the arcadian shepherds
new20/Nicolas Poussin-997234.jpg mk247
1628 to ,oil on canvsa,39.75x32.25 in,101x82 cm ,chatsworth house,derbyshire,uk
Nicolas Poussin a dance to the music of time
new20/Nicolas Poussin-929326.jpg mk247
1640,oil on canvas,33.375x42.375 in,84.8x107.6 cm,wallace collection,london,uk
Nicolas Poussin the ashes of phocion collected by his widow
new20/Nicolas Poussin-287694.jpg 1648,oil on canvas,45.75x70.25 in,116.5x178.5 cm,walker art gallery,liverpool,uk
Nicolas Poussin et in arcadia ego
new20/Nicolas Poussin-634572.jpg mk248 vid mitten av 1630 talet utforskade poussin rafaels verk, romersk arkitektur ocb latinska skrifter om moraliskt leverne. fran dessa bamtade ban det rena, klassiska idiom som ban sedan, bamtat fran poeten virgilius. poussin paminner oss om att vi inte kan undfly doden, inte ens i den perfekta varlden arkadien.
Nicolas Poussin echo och narcissus
new20/Nicolas Poussin-852386.jpg mk248 under fem ars tid arbetade poussin med teman fran antikens myrtologi ocb renassansens lyrik. vid samma tid influerades bans bans maleri av titian, i bilder som den bar ocb i rinaldo ocb armida ocb armida anvander poussin sensuella farger ocb uppvisar en verklig kenslig knsla for de poetiska forlagorna.
Nicolas Poussin Even in Arcadia I have
new20/Nicolas Poussin-478497.jpg mk250 Year in 1655. Oil painting on cloth, about 79 x 122 cm. The Louvre in Paris. Fuji
Nicolas Poussin Russian ears Phillips and Eurydice
new20/Nicolas Poussin-733254.jpg mk255 for in the years 1650-1653. Oil painting. 1.24 x 2 meters. Paris, the Louvre
Nicolas Poussin Self-Portrait by Nicolas Poussin
new21/Nicolas Poussin-577983.jpg Self-Portrait by Nicolas Poussin, 1650, oil on canvas, 98 x 74 cm, Louvre
Nicolas Poussin Rape of the Sabine Women, Rome,
new21/Nicolas Poussin-538844.jpg Rape of the Sabine Women, Rome, 1637-38, oil on canvas, 159 x 206 cm, Louvre
Nicolas Poussin Poussin Tancred and Erminia
new21/Nicolas Poussin-944595.jpg Poussin's Tancred and Erminia (early 1630s, oil on canvas, 98.5 x 146.5 cm, Hermitage Museum) shows an evolution from Poussin's early emulation of Caravaggio to a return to classicism.
Nicolas Poussin Helios and Phaeton with Saturn and the Four Seasons
new21/Nicolas Poussin-849926.jpg Helios and Phaeton with Saturn and the Four Seasons (c. 1635)
Nicolas Poussin The Continence of Scipio,
new21/Nicolas Poussin-449848.jpg The Continence of Scipio, 1640, oil on canvas, 116 x 150 cm, Pushkin Museum of Fine Arts
French 1594-1665 Nicolas Poussin Galleries
The finest collection of Poussin's paintings, in addition to his drawings, is located in the Louvre in Paris. Besides the pictures in the National Gallery and at Dulwich, England possesses several of his most considerable works: The Triumph of Pan is at Basildon House, near to Pangbourne, (Berkshire), and his great allegorical painting of the Arts at Knowsley. The later version of Tancred and Erminia is at the Barber Institute in Birmingham. At Rome, in the Colonna and Valentini Palaces, are notable works by him, and one of the private apartments of Prince Doria is decorated by a great series of landscapes in distemper.
Throughout his life he stood aloof from the popular movement of his native school. French art in his day was purely decorative, but in Poussin we find a survival of the impulses of the Renaissance coupled with conscious reference to classic work as the standard of excellence. In general we see his paintings at a great disadvantage: for the color, even of the best preserved, has changed in parts, so that the harmony is disturbed; and the noble construction of his designs can be better seen in engravings than in the original. Among the many who have reproduced his works, Audran, Claudine Stella, Picart and Pesne are the most successful.
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